Nomenclatures of Invisibility

By Mahtem Shiferraw

Through a lens simultaneously historical and political,  Mahtem Shiferraw attends to personal and collective experiences of migration, motherhood, and immigration’s complicated notions of home.

In Nomenclatures of Invisibility, Shiferraw calls us to carve out space for the multitudes of selves we carry when we migrate across boundaries of body, language, and state. Through a decolonial poetics, giving name to everything in her path from the Italian colonization of Eritrea (and failure to colonize Ethiopia) to her beloved eucalyptus tree, she blurs physical and temporal borders, paying homage to ancestors past, present, and future. Shiferraw writes unapologetically against erasure, against invisibility, instead creating a space that holds grief lovingly, that can tend to the wounds held and held in the endlessly-traveling body. Brilliant with abundance and texture, Shiferraw’s poems dismantle the empire's sterility of language, both historical and present. 

In Nomenclatures of Invisibility, Mahtem Shiferraw builds a home within her poems, attentively naming those who exist within them out of invisibility and into the radiant light: “We walk in unison too: our backs bending at once,/ our arms breaking, our abdomens kicked into silence, thighs bleeding. Through this I ask; am I still lit? And they, again…what else would you be—”

• Language: English
• Publisher: BOA Editions Ltd.
• Release date: Apr 25, 2023
• ISBN: 9781950774913

Mahtem Shiferraw

Mahtem Shiferraw is a writer and visual artist from Ethiopia and Eritrea. Her work has been published in various literary magazines, including Callaloo, Prairie Schooner, Poets.org, The 2River View, Luna Luna Magazine, Diverse Voices Quarterly, Numero Cinq, and more. Her short story “The River” received an Honorable Mention at Glimmer Train’s Open Fiction Contest. In 2016, she won the Sillerman Prize for African Poets and her full-length collection, Fuschia, was published by the University of Nebraska Press. Her poetry chapbook, Behind Walls & Glass, was published by Finishing Line Press. Her most recent collection, Your Body Is War, is out now from the University of Nebraska Press. She has served as editor for Atlas and Alice, The Bleeding Lion, The Hunger Mountain, and more. She is the founder of Anaphora Arts, a nonprofit organization working to advance the works of writers and artists of color. She has served as a jury member for the Neustadt International Prize for Literature, the Brunel International African Poetry Prize, the Lucy Munro Brooker Prize, among others. She is a Pushcart prize nominee, and her work has been anthologized widely. In 2018, she received the Imani Award for Artistic Excellence from Harvard University. As of 2020, she also serves on the Editorial Board of World Literature Today. She holds an MFA from Vermont College.

Book preview

Cover: Nomenclatures of Invisibility, Poems by Mahtem Shiferraw

NOMENCLATURES OF

INVISIBILITY

Mahtem Shiferraw

AMERICAN POETS CONTINUUM SERIES, No. 200

BOA EDITIONS, LTD.  §  ROCHESTER, NY  §  2023

Copyright © 2023 by Mahtem Shiferraw

All rights reserved

Manufactured in the United States of America

First Edition

23 24 25 26 7 6 5 4 3 2 1

For information about permission to reuse any material from this book, please contact The Permissions Company at www.permissionscompany.com or e-mail [e-mail].

Publications by BOA Editions, Ltd.—a not-for-profit corporation under section 501 (c) (3) of the United States Internal Revenue Code—are made possible with funds from a variety of sources, including public funds from the Literature Program of the National Endowment for the Arts; the New York State Council on the Arts, a state agency; and the County of Monroe, NY. Private funding sources include the Max and Marian Farash Charitable Foundation; the Mary S. Mulligan Charitable Trust; the Rochester Area Community Foundation; the Ames-Amzalak Memorial Trust in memory of Henry Ames, Semon Amzalak, and Dan Amzalak; the LGBT Fund of Greater Rochester; and contributions from many individuals nationwide. See Colophon on page 92 for special individual acknowledgments.

Cover Design: Sandy Knight

Cover Art: Kokeb Zeleke

Interior Design and Composition: Michelle Dashevsky

BOA Logo: Mirko

BOA Editions books are available electronically through BookShare, an online distributor offering Large-Print, Braille, Multimedia Audio Book, and Dyslexic formats, as well as through e-readers that feature text to speech capabilities.

Cataloging-in-Publication Data is available from the Library of Congress.

BOA Editions, Ltd.

250 North Goodman Street, Suite 306

Rochester, NY 14607

www.boaeditions.org

A. Poulin, Jr., Founder (1938—1996)

For Kokeb, with love

So when we are given new names

our ears are closed shut

alien, immigrant,

it was as if they said,

sunflower, sunflower,

why, yes I am,

and I bloom at my pleasing.

Contents

The Eucalyptus Tree I

Nomenclatures of Invisibility

Lit

For Micah, My Neverborn

Sawdust

The Languages I Speak

The Etymology of Fears

Wuchalle

Visions from a Late Grandmother

The Eucalyptus Tree II

Nomenclatures II

Dust and Bones

Auguries

The Breaking

How to Measure Solitudes

An Exodus of Things

The Markings

The Silences

The Eucalyptus Tree III

Crossings

The Slaughter

Assembling the Bones

Beginnings

Transcendence

Black Thing

Cain

Crossing Borders

Crackling Blue

Dreaming of Ethiopia

Beneath Our Knowing Lurk the Shadows of Men

Grandmothers

Mother Mango II

War

Wax & Gold

Letters from America

Little Fires

Water-Ancestors

Acknowledgments

About the Author

Colophon

The Eucalyptus Tree I

after Susan Hahn

I long for it on quiet nights and call it

home. It stands tall and muscular

above the mountains. It sees me

but does not flinch. It feeds me

honey and wild winds. It calls me

child, though I do not hear.

Its leaves, a balm for blistering skin;

what comes after a cry, or bleeding?

Its aroma, like autumn, like rain,

stands green, translucent thing,

between my father and I, and the ghosts

of Gojam. It sees us: bleeding.

We carve wombs throughout its roots

and rest our little bodies. We bear

children the size of seeds and fold

them into our branch arms. The rings

of fire that embrace us are blue with fear.

Everywhere we go, we smell of death

and