Flare, Corona
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About this ebook
Against a constellation of solar weather events and evolving pandemic, Jeannine Hall Gailey’s Flare, Corona paints a self-portrait of the layered ways that we prevail and persevere through illness and natural disaster.
Gailey deftly juxtaposes odd solar and weather events with the medical disasters occurring inside her own brain and body— we follow her through a false-alarm terminal cancer diagnosis, a real diagnosis of MS, and finally the onset of the coronavirus pandemic. The solar flare and corona of an eclipse becomes the neural lesions in her own personal “flare,” which she probes with both honesty and humor. While the collection features harbingers of calamity, visitations of wolves, blood moons, apocalypses, and plagues, at the center of it all are the poet’s attempts to navigate a fraught medical system, dealing with a series of challenging medical revelations, some of which are mirages and others that are all too real.
In Flare, Corona, Jeannine Hall Gailey is incandescent and tender-hearted, gracefully insistent on teaching us all of the ways that we can live, all of the ways in which we can refuse to do anything but to brilliantly and stubbornly survive.
Jeannine Hall Gailey
Jeannine Hall Gailey served as the second Poet Laureate of Redmond, Washington. She's the author of six books of poetry: Becoming the Villainess, She Returns to the Floating World, Unexplained Fevers, The Robot Scientist’s Daughter, Field Guide to the End of the World, winner of the Moon City Press Book Prize and the SFPA's Elgin Award, and upcoming with BOA editions in 2023, Flare, Corona. She’s also the author of PR for Poets, a non-fiction guide to help poets publicize their books. Her work has been featured on The Writer’s Almanac, Verse Daily, and The Best Horror of the Year. She holds a B.S. in Biology and an M.A. in English from University of Cincinnati, and an MFA from Pacific University. Her poetry has appeared in journals like The American Poetry Review, Ploughshares, and Poetry; her personal essays have appeared on Salon.com and The Rumpus.
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Flare, Corona - Jeannine Hall Gailey
Post-Life
Irradiate
As a child I was radiant.
The land grew irradiated corn and roses,
tomatoes large and abundant. Swallows and catfish
carrying the isotopes into the water and woods.
The sun rose each day, while the shadows
of trees concealed government laboratories
where my father worked.
I grew up listening to the tap click
of the Geiger counter. I grew up listening
to clicks on the phone line.
I was still innocent. Irradiated.
To blast with radiation—to sterilize
food, medical equipment, a person.
I was waiting for a message from the sky.
I knew what it meant to illuminate—
the fall of light in a painting, or through an old window
that irradiated a field of flowers, of the face of someone
you loved—to bring the full beauty of something to the surface.
I was irradiated by the gentle glow
of the computer screen, by the microwave,
by the sun growing brighter each spring,
dimmer each fall. I meant I was full of
radiation. I meant I was full of light.
I meant I could give birth to nothing
but light.
Calamity
Your family is coming over for Thanksgiving.
Even worse, it’s snowing.
Headless robots are playing soccer with your soul.
UFOs have been sighted overhead.
A meteor is definitely heading straight for you.
It might miss, but then again.
Tonight a city is being decimated by Godzilla,
or was it a bunch of genetically-engineered dinosaurs?
Either way, I hope you’re lizard-friendly.
Tonight you have to give a speech
and that girl who hated you in third grade
will be in the audience. What have I ever done
to deserve this? the prophet asks, tearing his robes
in the desert. God responds: how long you got?
A plague of egrets, of eaglets, of egress.
A black hole has just opened up and it is
already swallowing someone else’s sun.
Did you see the team play last night? A travesty.
Someone is always preaching about doomsday.
Who are you wearing? Because tonight
your life will be required of you. Grab a bag,
a sword, a water bottle. Go out swinging.
On Being Told You’re Dying, but Not Quite Believing It
Because around you, the mortal world is always dying,
that banana you left behind at breakfast and that calf
you just saw mooing for its mother in the pasture.
Oh, vaccines and antibiotics and moisturizers can only hold
death at bay for so long, its breath on us a push towards the door.
Grab your coat, death says, get ready for adventure!
Let’s play a game in which no one ever dies,
all serene and ageless—a universe of unicorns, dynamic as glass,
impossible to impassion. After all, angels have no investment
in the living, in the dirty nature of breeding and birth,
in our grubby hands clutching at the soil from beginning to end,
as if to stay a little longer. You remember volunteering
in the Children’s Hospital ward, little faces as sunny and smiling
towards death as they were towards popsicles, or a new set of crayons,
while their parents looked on, afraid and weepy.
And anyway, is there any way really to prepare for that goodbye,
to send your body…elsewhere, to break down quietly? We can choose
to time our sorrow. I believe in today, this apple that isn’t quite ripe yet,
this poem that isn’t finished, a bed rumpled with my husband’s still
sleeping form, my lungs still breathing, my fingers still on this page.
Not Dead but Post-Life
Like a post-doc post-graduate student,
I’m looking forward to being—not dead—
but post-life. Post-life, with post-it notes
to remind people Look, I was here.
Post-life, I’ll be lighter and all my vanities
and anxieties extinguished. Post-life, my romantic life
will resolve into fond memory, blurry videos
where the real me used to be, fuzzy enough
to distort wrinkles or asymmetries into oblivion.
My internet profile will live on without me,
probably more popular than before. Post-life
my books will become better sellers, my professional
self easier to swallow, harder to critique.
Not dead but post-life, I will leave this weak and fragile
body behind, become a beam of light
in a field of daffodils, float, a paper lantern, into the sky,
free of tethers, tassels, telephones, trappings of the old me
falling away, a road-trip of destiny. Drop me a note,
will you? Drop in! Post-life will be nothing
but firefly freedom, a freefall into formlessness, finally.
Have I Mentioned Lately
that every story I tell is an apocalypse story?
That every time I turn on the news
or look out the window, something else is on fire.
I’ve stockpiled water. I know all the exits.
I’ve already said my farewells. But I’m not ready.
I haven’t yet established my own city of lights.
I haven’t even built a city of roses. It’s just me,
here, surrounded by my books, quiet. Yesterday
a meteor streaked by my house. The sonic boom
shook the earth. I saw the tail of flame
and thought, there goes the neighborhood.
I read that the ice is