The Book of Fair Women
By Emma Chichester Clark and E. O. Hoppé
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About this ebook
Emma Chichester Clark
Emma Chichester Clark studied art at the Royal College of Art. She has worked as a freelancer for magazines, publishers and advertising agencies as well as teaching art for several years, but now dedicates most of her time to children’s books. She was nominated for the Kurt Maschler Award for Illustration twice and ‘I Love You, Blue Kangaroo!’, was shortlisted for the Kate Greenaway Medal.
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The Book of Fair Women - Emma Chichester Clark
Richard King, E. O. Hoppé
The Book of Fair Women
EAN 8596547319719
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
Portraits
Beauty, Charm, & Beautiful Women the World Over
BEAUTY
CHARM
Beautiful Women the World Over
Thirty-two Portraits
Portraits
Table of Contents
1. AMERICA—Lady Lavery
2. AMERICA—Mrs. Lydig Hoyt
3. AMERICA—Viscountess Maidstone
4. AMERICA—Miss Malvina Longfellow
5. AMERICA—Miss Marion Davies
6. RED INDIAN—Princess White Deer
7. ENGLAND—Hebe
8. ENGLAND—Lady Diana Duff-Cooper
9. ENGLAND—Miss Gladys Cooper
10. ENGLAND—Miss Kathlene Martyn
11. SCOTLAND—Viscountess Masserene and Ferrard
12. IRELAND—Miss Grace D'Arcy
13. FRANCE—Mlle. Raymonde Thuillier
14. ALGIERS—Madame Revalles
15. SPAIN—Señora Tortola Valencia
16. GIPSY—Miss Fedora Roselli
17. ITALY—Signora Comanetti
18. PORTUGAL—Señora Maria Di Castellani
19. RUSSIA—Mlle. Fedorova
20. POLAND—Madame Mika Mikun
21. NORWAY—Miss Olga Morrison
22. SWEDEN—Miss Anna Q. Nillson
23. ARMENIA—Armen Ter Ohanian
24. CHILE—Countess Lisburne
25. ECUADOR—Mrs. Haddon Chambers
26. INDIA—Princess Monchsa
27. JAPAN—Mrs. Tokugawa
28. CHINA—Mrs. Wellington Koo
29. CUBA
30. HAITI
31. HAWAI
32. DUTCH WEST INDIES
Preparer's Note
Table of Contents
The Introduction is a product of its time, and the preparer does not endorse its ideas about race. The book was notable in its day, however, for including portraits of non-white women.
Beauty, Charm, & Beautiful Women the World Over
Table of Contents
[pg 11]
BEAUTY
Table of Contents
Beauty is only skin deep,
cries Ugliness, pinning her faith on the fascination of the Intelligence. And ugliness goes to the bone,
Beauty replies, though she fears that that shaft of wit
must have originally been spoken by a pantomime librettist. Handsome is as handsome does,
retorts Ugliness, quoting from the Plain Woman's volume of Copy-Book Maxims. And so this battle of words goes on.
But Beauty cares nothing at all for maxims. She puts on her most becoming hat, her daintiest dress, and goes forth careless and indifferent to anything except Middle Age. No shaft of Puritanical censure, she feels, can hurt her. Beauty is its