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Days Off, and Other Digressions
Days Off, and Other Digressions
Days Off, and Other Digressions
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Days Off, and Other Digressions

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DigiCat Publishing presents to you this special edition of "Days Off, and Other Digressions" by Henry Van Dyke. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
LanguageEnglish
PublisherDigiCat
Release dateSep 4, 2022
ISBN8596547243212
Days Off, and Other Digressions
Author

Henry Van Dyke

Henry Van Dyke (1928–2011) was born in Allegan, Michigan, and grew up in Montgomery, Alabama, where his parents were professors at Alabama State College. He served in the Army in occupied Germany, playing flute in the 427th Marching Band. There he abandoned his early ambition to become a concert pianist and began to write. In 1958, after attending the University of Michigan on the G.I. Bill and living in Ann Arbor, he moved to New York, where he spent the rest of his life. Henry taught creative writing part-time at Kent State University from 1969 until his retirement in 1993, and was the author of four novels, including Blood of Strawberries, a sequel to Ladies of the Rachmaninoff Eyes.

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    Days Off, and Other Digressions - Henry Van Dyke

    Henry Van Dyke

    Days Off, and Other Digressions

    EAN 8596547243212

    DigiCat, 2022

    Contact: DigiCat@okpublishing.info

    Table of Contents

    DAYS OFF

    A HOLIDAY IN A VACATION

    HIS OTHER ENGAGEMENT

    BOOKS THAT I LOVED AS A BOY

    AMONG THE QUANTOCK HILLS

    BETWEEN THE LUPIN AND THE LAUREL

    LITTLE RED TOM

    SILVERHORNS

    NOTIONS ABOUT NOVELS

    SOME REMARKS ON GULLS

    LEVIATHAN

    THE ART OF LEAVING OFF


    DAYS OFF

    Table of Contents

    A DAY OFF said my Uncle Peter, settling down in his chair before the open wood-fire, with that air of complacent obstinacy which spreads over him when he is about to confess and expound his philosophy of life—a day off is a day that a man takes to himself.

    You mean a day of luxurious solitude, I said, a stolen sweet of time, which he carries away into some hidden corner to enjoy alone—a little-Jack-Horner kind of a day?

    Not at all, said my Uncle Peter; solitude is a thing which a man hardly ever enjoys by himself. He may practise it from a sense of duty. Or he may take refuge in it from other things that are less tolerable. But nine times out of ten he will find that he can't get a really good day to himself unless he shares it with some one else; if he takes it alone, it will be a heavy day, a chain-and-ball day—anything but a day off.

    Just what do you mean, then? I asked, knowing that nothing would please him better than the chance to discover his own meaning against a little background of apparent misunderstanding and opposition.

    I mean, said my Uncle Peter, in that deliberate manner which lends a flavour of deep wisdom to the most obvious remarks, I mean that every man owes it to himself to have some days in his life when he escapes from bondage, gets away from routine, and does something which seems to have no purpose in the world, just because he wants to do it.

    Plays truant, I interjected.

    Yes, if you like to put it in that objectionable way, he answered; "but I should rather compare it to bringing flowers into the school-room, or keeping white mice in your desk, or inventing a new game for the recess. You see we are all scholars, boarding scholars, in the House of Life, from the moment when birth matriculates us to the moment when death graduates us. We never really leave the big school, no matter what we do. But my point is this: the lessons that we learn when we do not know that we are studying are often the pleasantest, and not always the least important. There is a benefit as well as a joy in finding out that you can lay down your task for a proper while without being disloyal to your duty. Play-time is a part of school-time, not a break in it. You remember what Aristotle says: 'ascholoumetha gar hina scholazomen.'"

    My dear uncle, said I, there is nothing out of the common in your remarks, except of course your extraordinary habit of decorating them with a Greek quotation, like an ancient coin set as a scarf-pin and stuck carelessly into a modern neck-tie. But apart from this eccentricity, everybody admits the propriety of what you have been saying. Why, all the expensive, up-to-date schools are arranged on your principle: play-hours, exercise-hours, silent-hours, social-hours, all marked in the schedule: scholars compelled and carefully guided to amuse themselves at set times and in approved fashions: athletics, dramatics, school-politics and social ethics, all organized and co-ordinated. What you flatter yourself by putting forward as an amiable heresy has become a commonplace of orthodoxy, and your liberal theory of education and life is now one of the marks of fashionable conservatism.

    My Uncle Peter's face assumed the beatific expression of a man who knows that he has been completely and inexcusably misunderstood, and is therefore justified in taking as much time as he wants to make the subtlety and superiority of his ideas perfectly clear and to show how dense you have been in failing to apprehend them.

    My dear boy, said he, it is very singular that you should miss my point so entirely. All these things that you have been saying about your modern schools illustrate precisely the opposite view from mine. They are signs of that idolatry of organization, of system, of the time-table and the schedule, which is making our modern life so tedious and exhausting. Those unfortunate school-boys and school-girls who have their amusements planned out for them and cultivate their social instincts according to rule, never know the joy of a real day off, unless they do as I say, and take it to themselves. The right kind of a school will leave room and liberty for them to do this. It will be a miniature of what life is for all of us—a place where law reigns and independence is rewarded—a stream of work and duty diversified by islands of freedom and repose—a pilgrimage in which it is permitted to follow a side-path, a mountain trail, a footway through the meadow, provided the end of the journey is not forgotten and the day's march brings one a little nearer to that end.

    But will it do that, I asked, unless one is careful to follow the straight line of the highway and march as fast as one can?

    That depends, said my Uncle Peter, nodding his head gravely, "upon what you consider the end of the journey. If it is something entirely outside of yourself, a certain stint of work which you were created to perform; or if it is something altogether beyond yourself, a certain place or office at which you are aiming to arrive; then, of course, you must stick to the highway and hurry along.

    But suppose that the real end of your journey is something of which you yourself are a part. Suppose it is not merely to get to a certain place, but to get there in a certain condition, with the light of a sane joy in your eyes and the peace of a grateful content in your heart. Suppose it is not merely to do a certain piece of work, but to do it in a certain spirit, cheerfully and bravely and modestly, without overrating its importance or overlooking its necessity. Then, I fancy, you may find that the winding foot-path among the hills often helps you on your way as much as the high road, the day off among the islands of repose gives you a steadier hand and a braver heart to make your voyage along the stream of duty.

    You may skip the moralizing, if you please, Uncle Peter, said I, and concentrate your mind upon giving me a reasonable account of the peculiar happiness of what you call a day off.

    Nothing could be simpler, he answered. "It is the joy of getting out of the harness that makes a horse fling up his heels, and gallop around the field, and roll over and over in the grass, when he is turned loose in the pasture. It is the impulse of pure play that makes a little bunch of wild ducks chase one another round and round on the water, and follow their leader in circles and figures of eight; there is no possible use in it, but it gratifies their instinct of freedom and makes them feel that they are not mere animal automata, whatever the natural history men may say to the contrary. It is the sense of release that a man experiences when he unbuckles the straps of his knapsack, and lays it down under a tree, and says 'You stay there till I come back for you! I'm going to rest myself by climbing this hill, just because it is not on the road-map, and because there is nothing at the top of it except the view.'

    It is this feeling of escape, he continued, in the tone of a man who has shaken off the harness of polite conversation and let himself go for a gallop around the field of monologue, "it is just this exhilarating sense of liberation that is lacking in most of our social amusements and recreations. They are dictated by fashion and directed by routine. Men get into the so-called 'round of pleasure,' and they are driven into a trot to keep up with it, just as if it were a treadmill. The only difference is that the pleasure-mill grinds no corn. Harry Bellairs was complaining to me, the other day, that after an exhausting season of cotillons in New York, he had been running his motor-car through immense fatigues in France and Italy, and had returned barely in time to do his duty by his salmon-river in Canada, work his new boat through the annual cruise of the yacht club, finish up a round of house-parties at Bar Harbor and Lenox, and get ready for the partridge-shooting in England with his friend the Duke of Bangham—it was a dog's life, he said, and he had no time to himself at all. I rather pitied him; he looked so frayed. It seems to me that the best way for a man or a woman of pleasure to get a day off would be to do a little honest work.

    "You see it is the change that makes the charm of a day off. The real joy of leisure is known only to the people who have contracted the habit of work without becoming enslaved to the vice of overwork.

    "A hobby is the best thing in the world for a man with a serious vocation. It keeps him from getting muscle-bound in his own task. It helps to save him from the mistake of supposing that it is his little tick-tack that keeps the universe a-going. It leads him out, on off days, away from his own garden corner into curious and interesting regions of this wide and various earth, of which, after all, he is a citizen.

    Do you happen to know the Reverend Doctor McHook? He is a learned preacher, a devoted churchman, a faithful minister; and in addition to this he has an extra-parochial affection for ants and spiders. He can spend a happy day in watching the busy affairs of a formicary, and to observe the progress of a bit of spider-web architecture gives him a peculiar joy. There are some severe and sour-complexioned theologians who would call this devotion to objects so far outside of his parish an illicit passion. But to me it seems a blessing conferred by heavenly wisdom upon a good man, and I doubt not he escapes from many an insoluble theological puzzle, and perhaps from many an unprofitable religious wrangle, to find refreshment and invigoration in the society of his many-legged friends.

    You are moralizing again, Uncle Peter, I objected; or at least you are getting ready to do so. Stop it; and give me a working definition of the difference between a hobby and a fad.

    Let me give you an anecdote, said he, "instead of a definition. There was a friend of mine who went to visit a famous asylum for the insane. Among the patients who were amusing themselves in the great hall, he saw an old gentleman with a long white beard, who was sitting astride of a chair, spurring its legs with his heels, holding both ends of his handkerchief which he had knotted around the back, and crying 'Get up, get up! G'long boy, steady!' with the utmost animation. 'You seem to be having a fine ride, sir,' said my friend. 'Capital,' said the old gentleman, 'this is a first-rate mount that I am riding.' 'Permit me to inquire,' asked my friend, 'whether it is a fad or a hobby?' 'Why, certainly!' replied the old gentleman, with a quizzical look. 'It is a hobby, you see, for I can get off whenever I have a mind to.' And with that he dismounted and walked into the garden.

    "It is just this liberty of getting off that marks the superiority of a hobby to a fad. The game that you feel obliged to play every day at the same hour ceases to amuse you as soon as you realize that it is a diurnal duty. Regular exercise is good for the muscles, but there must be a bit of pure fun mixed with the sport that is to refresh your heart.

    "A tour in Europe, carefully mapped out with an elaborate itinerary and a carefully connected timetable, may be full of instruction, but it often becomes a tax upon the spirit and a weariness to the flesh. Compulsory castles and mandatory museums and required ruins pall upon you, as you hurry from one to another, vaguely agitated by the fear that you may miss something that is marked with a star in the guide-book, and so be compelled to confess to your neighbour at the table-d'hôte that you have failed to see what he promptly and joyfully assures you is 'the best thing in the whole trip,' Delicate and sensitive people have been killed by taking a vacation in that way.

    "I remember meeting, several years ago, a party of personally conducted tourists in Venice, at the hour which their itinerary consecrated to the enjoyment of the fine arts in the gallery of the Academy. Their personal conductor led them into one of the great rooms, and they gathered close around him, with an air of determination on their tired faces, listening to his brief, dry patter about the famous pictures that the room contained. He stood in the centre of the room holding his watch in his hand while they dispersed themselves around the walls, looking for the paintings which they ought to see, like chickens searching for scattered grains of corn. At the expiration of five minutes he clapped his hands sharply; his flock scurried back to him; and they moved on to 'do' the next room.

    "I suppose that was one way of seeing Venice: but I would much rather sit at a little table on the Riva degli Schiavoni, with a plate of bread and cheese and a mezzo of Chianti before me, watching the motley crowd in the street and the many-coloured sails in the harbour; or spend a lazy afternoon in a gondola, floating through watery alley-ways that lead nowhere, and under the façades of beautiful palaces whose names I did not even care to know. Of course I should like to see a fine picture or a noble church, now and then; but only one at a time, if you please; and that one I should wish to look at as long as it said anything to me, and to revisit as often as it called me."

    That is because you have no idea of the educational uses of a vacation, Uncle Peter, said I. You are an unsystematic person, an incorrigible idler.

    I am, he answered, without a sign of penitence, "that is precisely what I am—in my days off. Otherwise I should not get the good of them. Even a hobby, on such days, is to be used chiefly for its lateral advantages—the open doors of the sideshows to which it brings you, the unexpected opportunities of dismounting and tying your hobby to a tree, while you follow the trail of something strange and attractive, as Moses did when he turned aside from his shepherding on Mount Horeb and climbed up among the rocks to see the burning bush.

    "The value of a favourite pursuit lies not only in its calculated results but also in its by-products. You may become a collector of almost anything in the world—orchids, postage-stamps, flint arrowheads, cook-books, varieties of the game of cat's cradle—and if you chase your trifle in the right spirit it will lead you into pleasant surprises and bring you acquainted with delightful or amusing people. You remember when you went with Professor Rinascimento on a Della Robbia hunt among the hill towns of Italy, and how you came by accident into that deep green valley where there are more nightingales with sweeter voices than anywhere else on earth? Your best trouvaille on that expedition was hidden in those undreamed-of nights of moonlight and music. And it was when you were chasing first editions of Tennyson, was it not, that you discovered your little head of a marble faun, which you vow is by Donatello, or one of his pupils? And what was it that you told me about the rare friend you found when you took a couple of days off in an ancient French town, on a flying journey from Rome to London? Believe me, dear

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