Wonderless
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A modern American odyssey, Wonderless charts the cross-country journey of our first post-anxiety generation—young souls who live without the worry, but also without the wonder.
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Wonderless - Shelby Raebeck
1
When I was twelve, my mother sank into a deep depression and I sat up with her at night, making tea, talking. That was when I pieced together the date of my conception, September 10, or more likely, early morning, September 11, 2001.
Our last night together, we went to a late movie at the Bronx Plaza,
she told me, "came back to my room, drank wine and ate pizza. The next morning, he headed off to the West Village to sell his jewelry off a blanket, and that afternoon, as I sat watching the footage of those buildings coming down, he called from New Jersey, saying he’d seen the plane hit the first tower, hopped the train to Newark to pick up his Aerostar, and was heading to Florida.
He’d served in Iraq,
she said, and when the war came chasing him to New York, all he could do was run.
For a long time, she said, she mistook his running for fear—of his past, of her, of being a father—but only because she herself was afraid, of losing him, of being left with a responsibility, a child, she knew she couldn’t handle.
When buildings start falling, Little Man,
she said, and you’re already living on borrowed time, you’d be a fool to stick around.
The next winter my mom and I moved again, like reverse underground railroad refugees, white mother and child (my dad was Columbian but more white than brown) being sheltered by a network of tias and aunties and amoos, this time to Tia Munello’s apartment on East 141st in the Bronx where we slept on air mattresses in a corner of the living room behind sheets hanging from a clothesline.
The following fall, we moved to Morris Avenue, into a bedroom with a standing partition we shared with Amoo Feeren, a silent thickset woman from Iran who took in laundry, washing it in a machine in her kitchen and hanging it to dry on four lines with pulleys extending out the back window. The first week, my mom rose early, sent me off to my new school with a girl who lived below us, Josephina, but by the second week was again sleeping in, looking for jobs in the afternoon, the third week not coming home till the next day, saying her job-hunting was going late so she’d been staying at a friend’s house, Amoo Feeren wordlessly sending me off to school each day, wrapping a cheese sandwich and juice box in a dish towel and stashing it in my backpack.
When my mother found a job as a cocktail waitress in Queens, which came with our own bedroom in the owner’s apartment, I ran down the stairs to tell Josephina the good news.
You can always come back and stay with Feeren,
she said.
Why would I come back?
I said.
If you have problems,
Josephina said. If it doesn’t work out.
But I didn’t understand. I mean, I understood having problems, we always had problems, but I didn’t understand how things could not work out.
My mother lasted three solid months working as a waitress, and the apartment was excellent, my mom’s shift ending at five, the two of us eating dinner and watching movies, the owner spending evenings at the restaurant, till one day my mother came home early, agitated, saying the owner was running a morgue not a restaurant, too cheap to even invest in a few potted plants, and I knew the job was history.
Later that night, it came out that Social Services had tracked her down, each school I’d left reporting me as truant, and, unable to provide either paystubs or lease, she’d agreed to send me to Hell’s Kitchen to live with my father’s brother, Lanny, also a veteran of Desert Storm, who’d lost half a lung and collected disability. When once or twice a year my father came to visit, he’d stay with Lanny, my mom putting me on a train and sending me down for sleepovers.
What about you?
I said. Where you going?
Back to Feeren’s,
she said. Help her with the wash. And if I agree to meet with a case worker, they say I can get Assistance.
This was the first time I’d ever seen my mother go back to anything, and I could see she wasn’t pleased. I packed up my duffel bag with clothes, skateboard, and the science book series she’d been adding to over the years—Primates, Geology of North America, Space and Time, Marine Life, Dark Energy.
My mother walked me to the subway and, seeing the light of the approaching R train, turned to me. For a moment, I thought she was growing sad like the mothers in the movies we’d been watching and was going to say something hopeful to make herself feel better.
As the train barreled into the station, she stood before me, placing a hand on each of my shoulders. Then she took a step back, pressing her hands together at her chest and gazing at me a long moment. Finally, she drew her hands apart, as if opening a great set of curtains.
Go,
she said.
2
On one side of my room in Lanny’s 3 rd floor apartment the door leads me in the morning out and down to school, and on the other side the window leads each night out and up into the fire escapes circling the courtyard, stacked from the second story to the sixth.
One night, after treading upon every platform, every ladder rung, every rooftop, I’m chilling on a fifth-floor landing when this kid Connie startles me from the window, tells me his older brother’s a marine from a climbing unit went to Afghanistan, and the next night the three of us are out there clamping cables and pulleys, the brother fitting us for harnesses, and a couple nights later, we’ve got a mad cool network of zip lines, cutting corners, crisscrossing open space, and stay out till dawn.
Two months later, the tardies and missed detentions piling up, the high school assigns me to meet with District Psychologist Bindermaus, his office at the end of my block, corner of 48th and 9th.
Little Man,
Dr. Bindermaus says, all your important classes are in the morning.
Day starts too early,
I say. And Astronomy isn’t till period nine.
You’re headed down a slippery slope,
he says.
I shrug my shoulders.
Easier to get back on track sooner than later,
he says.
Nah, if I’m off it, I’m off it.
I think you might be holding on to some grief.
You talking about my mom giving me up?
Dr. B sits there looking at me with his moon eyes.
Gravity pulls bodies down to earth,
I say, but dark energy, which is 68 percent of everything, pulls them back out to space.
It pulled you away from your mother?
he says.
Didn’t have to,
I say. She wasn’t holding on.
Sun still out but below the roofline, Connie and I sling and clamber, carrying clamps and cable, angling down, one building to the next, installing new routes, climb back up, settle on our haunches on the level two escape and peep Dr. B’s office where kids are gathering for Wednesday evening group.
Five boys of assorted shapes and shades settle into the sofa and chairs, arranged in a circle, all of em hang dog, Dr. B sitting with his back to the window, elbows on knees, leaning toward his wards, one of them, skinny white kid with blotchy skin and a buzzcut, gazing past him out the window, up toward where Connie and I sit, not seeing but sensing us.
The following Wednesday, Connie and I are on the first landing, bolt-clamping more cables, when outside Dr. B’s open window, a slim figure walks over beneath us, jumps up and grabs the first rung, pulls himself up five more with only his arms, and joins us on the first landing.
You a rangy dude,
I say.
I guess,
kid with blotchy skin says.
Moved here from Iowa two years ago to live with a family friend, so we call him Seed, take him up the scape, then back down, staying off the newly strung cables till we can fit him with a harness, and the next Wednesday, the three of us watch from the first landing as the groggy unborn, including two dudes got kicked off the high school basketball team, Moses the big man and Smiley the point guard, gather in Dr. B’s office.
We collect tiny pebbles from the rooftop, rain them down against Dr. B’s window, and before long, Moses slips from the circle, raises the lower sash, squeezes his big frame out into the courtyard, locates the ladder, and ascends. Then Smiley comes slithering out, Dr. B behind him absorbed in the circle. Little later, a third guy, lighter-skinned, slips out and climbs up, telling us how he came from Tunisia, his dad having to sell his taxi so he could buy him a ticket to New York and put him on a plane with sixteen dollars.
We knock on Connie’s living room window, send the newbies in for gear, Connie’s brother restocked, saying he’ll cover these guys but from now on motherfuckers gonna have to pony up.
Spring days growing longer, I sit above the courtyard on the roof edge of my building as the night presses down, creating a film against the city light, each night a few more creatures emerging from windows, from the dark mouths of alleys, on Wednesdays through Bindermaus’s window, nylon harnesses rustling, carabiners clinking, figures gliding before me through dim shafts of light from shade-drawn windows.
* * *
Drizzly Saturday afternoon, few of us grab sodas at Pablo’s on 48th, huddling beneath the awning out front, and it comes out that Smiley’s sister, Tanika, and this sassy, round-faced chick from my Astronomy class, Sheila Camato, have been climbing in Bryant Park.
Courtyard maxed out anyway, once the rain stops and night comes, the six of us go check them out, entering off 6th Avenue, sitting on a bench, gazing up at the light gathering against the leafy ceiling.
After a few minutes, we walk further in, a few solitary figures slumped on benches along the path, hear a rustle above, then nothing.
Unable to see through the canopy of leaves, I lead the others up the nearest lamp post, balance on the post’s glass dome and one-arm it through the leafy shield into the darkness, find a branch thick enough to hold.
Inside, our eyes adjust and we continue up a rope ladder rising through twisted branches to a small plank landing where we see a cable across an air hollow leading to more ladders, free hanging ropes, wood-plank landings, zip lines.
What the fuck you doing, Smiley?
says a voice from above.
Chillin,
Smiley says.
What about you, Little Man?
says a second voice, sounds like Sheila.
Chillin with my boys,
I answer.
You all snoopin,
first voice says.
How many you got up here, Tanika?
Smiley asks.
Three too many now,
Sheila says, and we hear a rustle of leaves and see a body, must be Tanika, who’s half a head taller than Smiley, fly off into space and disappear in the darkness. Then more rustling, and the three of us twist our necks to see Sheila ascending a higher ladder, stopping to take in the view, holding on with one hand, passing her other hand through the air before her as if wiping clear the world below, including us.
Friday night, Seed stays in to