David Bowie: A Life in Music
By Sean Egan and Malcolm Mackenzie
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About this ebook
David Bowie needs no introduction. An immense star whose music and writing transcended generations he was one of the most articulate influencers of modern music. Over fifty years his singles and albums slid up and down the bestseller charts, adapting to the changing times, exploring new musical themes, always pushing at boundaries in a desperate desire to seek out the new and the different. This fantastic new, unofficial biography covers his life, music, art and movies.
Sean Egan
Sean Egan is a music and sports journalist, and has previously edited Keith Richards on Keith Richards, The Mammoth Book of The Beatles and The Mammoth Book of The Rolling Stones.
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David Bowie - Sean Egan
David Bowie
A Life in Music
SEAN EGAN
Foreword: Malcolm Mackenzie
THE CHAMELION OF ROCK
Awesome Inspiration
UNOFFICIAL
FLAME TREE
London & New York
Foreword
Ziggy Stardust and the Spiders From Mars was released the year I was born. Songs like ‘Changes’ and ‘Starman’ were as familiar as ‘The Wheels On The Bus’, and ‘Let’s Dance’ and ‘Modern Love’ sound-tracked my school discos, but it wasn’t until a chance encounter with Hunky Dory at 14 that I was confronted with the enigmatic genius of the former David Jones. I heard ‘Life On Mars’ and it was an Aladdin Sane lightning flash to the frontal cortex. Bowie had contacted me through space, time and black plastic. I was dumbfounded by its otherworldly beauty and moved to tears.
The music shook me, but the man, or perhaps the myth, the hair and Freddie Burretti lapels sealed the obsession. The wild-eyed boy from Bromley took me on a fantastic voyage through post-apocalyptic dystopias ruled by Diamond Dogs, alien rock gods and addict Pierrot spacemen. He guided me into the underground of New York’s gay scene and out of the underground of Goblin King Jareth – even when Bowie lost his way in the labyrinth of the 1980s he was still amazing.
His impact on popular culture has been inestimable, but frankly it’s still not enough. Every pop star should ask themselves: ‘What would David Bowie have done?’ Good luck answering that. Instinct, genius and charisma cannot easily be devoured and regurgitated; though it has been fun watching artists like Lady Gaga try.
When Bowie died in January 2016, millions of fans across the world mourned. It’s fair to say that I’ve never seen anything like the outpouring of love that followed. The man inspired generations of musicians and artists, electricians, social workers, architects, coders. How would we live without him?
Thank god we don’t have to. The brilliant V&A exhibition Bowie Is was accompanied by whimsical sub-heads such as Bowie Is Photographic, Bowie is The Subject, and we could add to that list, Bowie is Immortal, for not only does new music seem to appear with satisfying regularity, his peerless catalogue of music is still here. I’m listening now.
Hunky Dory is still my favourite Bowie LP, but Ziggy, Diamond Dogs and Low come close, then there’s Lodger, 1. Outside, and Black Star – it’s hard to narrow it down, to quote the opening track on ٢٠٢١’s top ٥ hit album Toy, ‘everything’s spent and I dig everything’.
Malcolm Mackenzie
Take A Bow
‘If anything maybe I’ve helped establish that rock’n’roll is a pose.’
David Bowie, 1975
Young mod. Hairy hippie. Ziggy Stardust. Aladdin Sane. Halloween Jack. The Thin White Duke. Plastic Soulman. Godfather of the New Romantics. Tin Machinist.
Across the course of his four decades-plus career, David Bowie (1947–2016) adopted more personas and musical genres than just about any other musical icon. He viewed his music and public profile as intertwined, at one point having a different image for each new album. Thus, he not only brought to pop a new theatricality but he also kept the world intrigued and waiting for the next instalment of his glittering career.
Not Just A Pretty Face
Sometimes lost in all of this was the fact of Bowie’s vast musical talents. Throughout the 1970s, at a point where