Postscripts
By O. Henry
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O. Henry
O. Henry (1862-1910) was an American short story writer. Born and raised in North Carolina, O. Henry—whose real name was William Sydney Porter—moved to Texas in 1882 in search of work. He met and married Athol Estes in Austin, where he became well known as a musician and socialite. In 1888, Athol gave birth to a son who died soon after, and in 1889 a daughter named Margaret was born. Porter began working as a teller and bookkeeper at the First National Bank of Austin in 1890 and was fired four years later and accused of embezzlement. Afterward, he began publishing a satirical weekly called The Rolling Stone, but in 1895 he was arrested in Houston following an audit of his former employer. While waiting to stand trial, Henry fled to Honduras, where he lived for six months before returning to Texas to surrender himself upon hearing of Athol’s declining health. She died in July of 1897 from tuberculosis, and Porter served three years at the Ohio Penitentiary before moving to Pittsburgh to care for his daughter. While in prison, he began publishing stories under the pseudonym “O. Henry,” finding some success and launching a career that would blossom upon his release with such short stories as “The Gift of the Magi” (1905) and “The Ransom of Red Chief” (1907). He is recognized as one of America’s leading writers of short fiction, and the annual O. Henry Award—which has been won by such writers as William Faulkner, John Updike, and Eudora Welty—remains one of America’s most prestigious literary prizes.
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Postscripts - O. Henry
O. Henry
Postscripts
EAN 8596547060765
DigiCat, 2022
Contact: DigiCat@okpublishing.info
Table of Contents
Foreword
The Sensitive Colonel Jay
A Matter of Loyalty
Taking No Chances
The Other Side of It
Journalistically Impossible
The Power of Reputation
The Distraction of Grief
A Sporting Interest
Had a Use for It
The Old Landmark
A Personal Insult
Toddlekins
Reconciliation
Buying a Piano
Too Late
Nothing to Say
Goin Home Fur Christmas
Just a Little Damp
Her Mysterious Charm
Convinced
His Dilemma
Something for Baby
Some Day
A Green Hand
A Righteous Outburst
Getting at the Facts
Just for a Change
Too Wise
A Fatal Error
Prompt
The Rake-Off
The Telegram
An Opportunity Declined
Correcting a Great Injustice
A Startling Demonstration
Leap Year Advice
After Supper
His Only Opportunity
Getting Acquainted
Answers to Inquiries
City Perils
Hush Money
Relieved
No Time to Lose
A Villainous Trick
A Forced March
Book Reviews
A Conditional Pardon
Inconsistency
Bill Nye
To a Portrait
A Guarded Secret
A Pastel
Jim
Board and Ancestors
An X-Ray Fable
A Universal Favorite
Spring
The Sporting Editor on Culture
A Question of Direction
The Old Farm
Willing to Compromise
Ridiculous
Guessed Everything Else
The Prisoner of Zembla
Lucky Either Way
The Bad Man
A Slight Mistake
Delayed
A Good Story Spoiled
Revenge
No Help for It
Rileys Luck
Not So Much a Tam Fool
A Guess-Proof Mystery Story
Futility
The Wounded Veteran
Her Ruse
Why Conductors Are Morose
Only to Lie—
The Pewee
The Sunday Excursionist
Decoration Day
Charge of the White Brigade
An Inspiration
Coming to Him
His Pension
The Winner
Hungry Henry’s Ruse
A Proof of Love
One Consolation
An Unsuccessful Experiment
Superlatives
By Easy Stages
Even Worse
The Shock
The Cynic
Speaking of Big Winds
Unknown Title
An Original Idea
Calculations
A Valedictory
Solemn Thoughts
Explaining It
Her Failing
A Disagreement
An E for a Knee
The Unconquerable
An Expensive Veracity
Grounds for Uneasiness
It Covers Errors
Recognition
His Doubt
A Cheering Thought
What It Was
Vanity
Identified
The Apple
How It Started
Red Conlin’s Eloquence
Why He Hesitated
Turkish Questions
Somebody Lied
Marvelous
The Confession of a Murderer
Get Off the Earth
The Stranger’s Appeal
The Good Boy
The Colonel’s Romance
A Narrow Escape
A Years Supply
Eugene Field
Slightly Mixed
Knew What Was Needed
A Sure Method
Foreword
Table of Contents
It is probable that with the presentation of these, among the earliest of the writings of William Sidney Porter (O. Henry), there is nothing left to be added to the total of his work, and that they will close, as they in a large measure opened the career of America’s greatest short story writer.
Aside from the intrinsic merit in the newspaper writings of O. Henry which are here given, they have the additional fascination of disclosing to all who have read and know O. Henry from his maturer work the budding of his genius, the first outcroppings of that style, that vivid drawing of character, that keen sense of humor, and that wondrous understanding of human nature which afterward marked him as one of the world’s geniuses. It is as though one might go back and watch with eyes that have seen its fullest development and matured beauty, the forming and unfolding of a rose; as though one who has listened to the plaudits of centuries might go back four hundred years and see and study Raphael as he began to wield the brush which subsequently wrought such wonderful magic.
Having a high appreciation of the genius of O. Henry, the compiler took occasion while spending a year in Austin, Texas, where O. Henry had lived, to ask his friends and neighbors about him. Among them was Mr. Ed McLean, secretary to the railroad commission, a personal friend of O. Henry’s, who told her about the column O. Henry had conducted on the Houston Post. He thought O. Henry must have worked for the Post some time in the latter part of 1896 to the fall of 1897.
A visit to the Houston Post office and a search through the files of that period were without results. But a call on Mr. A. E. Clarkson, who was with the Post then and who is now business manager of the Post, was more successful. Mr. Clarkson looked up the old records in the business office, showing when O. Henry received pay checks, which served as a guide to pages of a year earlier, where the altogether distinctive touch of O. Henry proved that the goal was reached. Here was found the same discernment, the same insight, the same humor, the same style which runs through all his work like a marked thread interwoven into a rare fabric. In many of the brief paragraphs and short stories were found the idioplasm which in the rich soil of his fuller experience grew into some of the masterpieces of his later life.
Thus in the files of the Houston Post of the period between October 18, 1895, and June 22, 1896, were found the writings which make up this volume. It was characteristic of O. Henry’s modesty that these were unsigned. They are published as they originally appeared in Tales of the Town,
Postscripts and Pencillings,
and Some Postscripts,
under which titles O. Henry wrote at different times during his association with the Post.
But the rediscovery of this work was not enough. To identify it as beyond question of doubt as that of O. Henry was imperative. To have offered these writings with less of precaution would have savored of literary vandalism, if not sacrilege. This identification has been made, and its sources are herewith given the reader as a part of the introduction of this volume.
Here is an account by Mr. R. M. Johnston, who formerly controlled the Houston Post, of how he gave O. Henry the job in which he was first to demonstrate his remarkable story-telling gifts:
Houston, Texas, October 21, 1922.
Miss Florence Stratton,
Beaumont, Texas.
My dear Miss Stratton:
You asked me to write some incidents of O. Henry’s connection with the Houston Post when I controlled that newspaper and I am glad to comply with your request.
The first thing I ever heard of Mr. Porter, whose writing name was O. Henry, was when some one sent me a copy of the little publication, The Rolling Stone,
published in Austin. This was sent me by Mr. Ed McLean, Secretary of the Railroad Commission, a mutual friend of Mr. Porter and myself. Mr. McLean made the suggestion that Porter would be worth considering for a place as a writer on the Post. After reading The Rolling Stone I made an appointment through Mr. McLean with Mr. Porter, who was at that time an employe of one of the banks at Austin. Subsequently I met him and made a contract with him to join the Post editorial staff which he did in a short time. While on the paper his duties were somewhat of a varied nature. He had, however, a column on the editorial page daily filled with witticism, quaint little stories, etc. He also did some special assignment work in a very magnificent way.
One morning while sitting at my desk he came to my office in his usual quiet, dignified way and laid a piece of cardboard on my table with the remark, I don’t suppose you will want this, but I thought I would let you look at it,
and he walked out. After he had gone, I picked up the cardboard and found it was an unusual cartoon. I was so struck with it that I took it to his room and remarked, Porter, did you do this?
He looked up with a faint smile, and said Yes.
I said to him that I did not know that he was a cartoonist, and his reply was that he did that kind of work for his own amusement at odd times.
To make a long story short, we were in the midst of a very warm political campaign in Texas and during the campaign he drew some of the most magnificent cartoons that I have ever seen in print anywhere. They attracted attention, not only in Texas, but were copied freely throughout the United States.
Mr. Porter was a lovely character and one of the brightest men that I have ever come in contact with. He was modest, almost to the fault of self-effacement. His leaving the Houston Post was an irretrievable loss to the paper, but the means possibly of developing the greatest short story writer of this or any other age.
Very sincerely your friend,
(Signed) R. M. Johnston.
A letter from former Governor Hobby of Texas, who worked with O. Henry on the Post during the time that he was producing the column:
Office of
W. P. HOBBY
Houston,
Texas.
502 Carter Building,
Houston, Texas.
October 10, 1922.
Miss Florence Stratton,
Beaumont, Texas.
My dear Miss Stratton:
In the first years of my employment by the Houston Post, O. Henry, whose name was Sidney Porter, was a member of the Post staff. As is well known, Mr. Porter began his daily journalistic work as a special feature writer for the Houston Post and the human interest and literary attractiveness of his writings were a source of delight to Texas readers.
I enjoyed my acquaintance and association with Mr. Porter while a youth in the business office of the Houston Post and not only the stories that he would write, but those he would tell me, made a deep impression on my mind.
Mr. Porter’s work was that of publishing a special feature column, Some Postscripts and Pencillings
on the editorial page of the Post during 1895–96, and I think a reproduction of his daily writings in that column, which then were followed by the readers of the Texas newspaper readers of the nation.
Yours very truly,
(Signed) W. P. Hobby.
Mr. A. E. Clarkson, secretary-treasurer of the Houston Post, authenticates the O. Henry column from his personal knowledge.
Houston, Texas.
October 16, 1922.
Miss Florence Stratton,
2020 Harrison,
Beaumont, Texas.
My dear Miss Stratton:
In reply to your letter of October 15, I find that Mr. Porter, afterward known as O. Henry, was on the payroll of the Houston Post from October 1895 to June 1896.
During that time Mr. Porter wrote, and there was published from time to time in the columns of the Post various articles headed Some Postscripts
and Postscripts and Pencillings.
The writer was also connected with the Post during this period, being in the business office. He was personally acquainted with Mr. Porter and knows of his own knowledge that the articles headed as stated above were written by him.
Yours truly,
THE HOUSTON POST
(Signed) A. E. Clarkson,
Business Manager.
Neither the compilation, verification, nor publication of these newspaper writings of O. Henry would have been possible without the co-operation of Mr. Roy G. Watson, present proprietor and publisher of the Houston Post, whose consent for their publication has been generously given; and of Governor William P. Hobby, Colonel R. M. Johnston, and Mr. A. E. Clarkson, all associated with the Post during O. Henry’s employment, and to these, whose attestation of authenticity of this work is herewith given, the compiler is grateful. The doing of this work has been a labor of love, and if the result is to add to the luster of O. Henry’s name the writer shall have been repaid.
No pen is so facile as to add to or detract from the fame of William Sidney Porter. The flame of his genius has been extinguished, but what he wrought in a vast understanding of humanity will ever illuminate American literature.
Florence Stratton.
April, 1923.
O. Henry on the Houston Post
With respect to O. Henry’s services, the Houston Post states as follows:
Between musty covers of the Post files from October, 1895, to July, 1896, are cross-sections of life drawn by a master artist; vignettes as perfect and as beautiful as the finest Amsterdam diamond. Only they are comparatively unknown because they have been overshadowed by larger and more brilliant creations of the same master hand.
Verses beautiful and appealing; description, touched by wonderful imagery; dialogue, the lines of which sparkle with wit