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The Chronicle of Aladdin
The Chronicle of Aladdin
The Chronicle of Aladdin
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The Chronicle of Aladdin

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The craziest saxophonist has written the craziest book in the form of a satire manual which includes an ancient god and a true revolution.

LanguageEnglish
Release dateApr 10, 2022
ISBN9781637678053
The Chronicle of Aladdin

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    Book preview

    The Chronicle of Aladdin - E. Jak Neumann

    Copyright © 2022 E. Jak Neumann

    Paperback: 978-1-63767-804-6

    eBook: 978-1-63767-805-3

    Library of Congress Control Number: 2022904715

    All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any electronic or mechanical means, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

    Ordering Information:

    BookTrail Agency

    8838 Sleepy Hollow Rd.

    Kansas City, MO 64114

    Printed in the United States of America

    Contents

    0. Satire Handbook. What, How, Why to Write

    1. Democracy Cheat Sheet

    2. The Swimming Prince*

    3. Demonic Chronicle

    4. Grounded Manuscript

    Яlяddin Яl Яimяniя

    ANARCHIC JOURNAL

    2014-2021

    -Civic education and political culture for high school-

    -Drawn upon seven years around Romanian centenary-

    -Sets up key topics for creativity and harmony of society-

    -Provides necessary immunization for the first steps to satire-

    -Romanian vaccine against communism with 120% success rate and still counting-

    Focal: Race

    Defrost of the Soviet empire in the ’80s promoted American jazz on Ukrainian radio on ultra short waves. This marked author’s adolescence in the Danube Delta. As a kid he taped on a Russian machine jammed music programs on short waves from Radio Free Europe and Voice of America. Twenty years later in Transylvania he found that the radio of his gigging van is limited to one tune on long waves called Romania Regional. It is the birth time for ‘The Man and His Bee’.

    The saxophonist did a solo run in the 2014 general elections. He made no compromise and received no help. The 250,000 signature form remained almost blank. These articles document from the position of journalist what has been gained for he was not voted President.

    The book hints a new Race: ‘Research for Adaptive Civic Education’. It gives birth to Focal: ‘The Faculty of Occasioning of Civic Artistic Liberation’. An intuitive expression of mathematics is the music. It harmonizes understanding when it is improvised. Discover the news written by creative artists.

    The Unheard Sound of Understanding

    History is enacted by practical un-verbalized understanding. Action is inner speech. Is language the only instrument of thought? Art has own door backstage of imagination. Romanian art is laughing at troubles. If each nation had a civic education manual, the Romanian one would be the funniest.

    The book is born online as a reaction to journalism. It centers Aladdin to story telling as a mirror to political alter ego. Who sees Government as the magic lamp? When is becoming king more important than conquering the Princess’ heart? Who is writing the story of Genie?

    Great news: I am not running anymore. I woke up President one morning such as Kafka woke up a beetle. I look at politics and I am parallel to it. I share bread with impatient people for their thirty pieces of silver worth of sacrifice. They always need more.

    Who knows Jesus does not know Aladdin. Charlie needs Mohammed in order to exist. Some identities include others, even if they are opposites. The story of all stories reveals a dark or invisible side: only death can truly speak to whole life.

    Death is the consciousness that provides elements of reality. Each of us is solar system and non-existence is the void that separates us. To reach each other, we use thoughts. People are bearers of ideas and ideas are bearers of people. Thoughts use people.

    Thoughts are separating fences and opened gates. Non-existence also has other gates than death. Happiness is the imagination of help coming from ignorance or non-existence. Happiness is a hoax that unravels and this way it manages to become reality.

    I do not need to learn. I know everything. I want to talk to your boss. You are not teacher. Happiness belongs to imagination and not to knowledge. What if woman was made first and man came after? We can trust God.

    0

    Satire Handbook. What, How, Why to Write

    Politics: How relevant is it for progress?

    Satire is written by one who does not enjoy things appreciating in the West, knowing them from home.

    It addresses progressives who offer help in politics as the domain which comes to improve everything.

    It starts from attitudes which frequently become traps by sanctioning or idealizing good faith and patriotism.

    It outlines less highlighted relations in order to alleviate resentment, help decoding fake news and improve mental states and debates.

    It considers the circulation of fables which are improbable to communicate publicly like the rabbits who teach courage to bees who teach freedom.

    It highlights frequently used unclear concepts: The parallel state is what establishment does not recognize about itself; The renewal of political class is the mirror which changes before reality does.

    It addresses journalists and communication professionals to exemplify reflection, analysis and self-analysis which include the teleological perspective.

    Interest in politics is not always harmful, always boring, always justified or deserved, but it is always necessary.

    This book aims at the first time voters who discuss with parents or teachers (age 16+). It is a satire in form of a diary of parallel President 2014-2021.

    It includes demo Presidential platform, Water demo party, Cubic demo activity, demo letter to Donald Trump, Cityfest demo project and sets out golden rules of journalism.

    The application on political realm of natural philosophy is reflected in the choice of chapters. The first is theoretical (Air), the second is practical (Water), the third is critical (Earth) and the fourth ideal (Fire).

    The articles are dated in order to allow correlation with certain events. Some facts which do not represent author’s vision are included in order to question reality. Ideas are useful when being wrong if they manage to form a truly personal opinion through healthy debate.

    ‘Author is the theorist of Avow, the Actual Veritable Order of the World.’ (Washington Coast)

    ‘A cheerful and detailed description of the weapons and strategies experienced by the public’ (The Evening Truth)

    ‘An insight report on the world’s first televised revolution and its proposals’ (Daily Email)

    ‘Belongs in the pocket of every journalist’ (Babadag Chronicle)

    ‘Everything the President and the Party hide’ (Today’s Event)

    ‘Here’s to propaganda: Meet your maker’ (All Sports)

    ‘The book about you is not written by itself’ (Chris Ian Anderson)

    On January 8, 2021, guided by Cătălin Chirilă and Irina Cangeopol to the Holy Monastery of the Cave of St. John Cassian in Târgușor Dobrogea, I commemorated one year since the departure of writer brother Bogdan Lupescu. At the written stone, after worshiping at the holy spring, I made connection with Saint John Cassian of the character Casențio from ‘The Man And His Bee’ which I presented at the Mask Theater of New Bucharest in 2011. For its debut on June 11th I made an English poster: ‘Incoming Growl of Planetosaurus Nealterarta’.

    After ten years, I publish the poem here. The connection between the words I discover unveils gradually. Planetosaurus is only heard and it reads Nealterarta. He is the developer of Caesar’s world along millennia. Caesar Casențio has access to the church through a Holy Father. The rules are seldomly greeted with joy but with a groan of effort. Intervention into Caesar’s world is essential. Planetosaurus gives satire for better understanding of sometimes necessary integration.

    The Man And His Bee. Incoming Growl of Planetosaurus Nealterarta

    1

    as audience enters the hall, the dishwasher works

    together with the washing machine

    seated face to face they play cards on the massive clock tick

    while in 1994 in the city of Tulcea

    the first advertisement shot by the local TV

    gathers a well-dressed child

    with black boots, white stockings and sailor suit

    a caring grandmother who gives cookies

    an old-fashioned suit in dialogue with a plump guy

    a kid playing with a camera

    two women with brocades on the way to a table full of bottles

    the image of Bruce Lee onscreen

    a craftsman with trousers tied with string

    a few mouths ready to drink

    garlands and Christmas lights

    they dance to the music of the saxophone

    they are perfectly synchronized, then detach and release

    each by himself, as in Pina Bausch

    then together again

    and all around just plenty

    2

    everything is still and the clock is heard

    someone mounts the screen, the projector appears drunk

    we are ready to watch cartoons

    Tom and Jerry fade out, the screen turns upside down

    the text appears in giant granite letters

    (cover your ears and scream, because your head hurts)

    EVERYONE WANTS TO USE

    REFRIGERATOR AND WASHING MACHINE

    VACUUM CLEANER AND DISHWASHER

    BUT WERE YOU NOT HAPPIER WITHOUT THEM?

    5. STAY IN A ROOM WITHOUT A DOOR

    4. WHERE NO SOUND WAS MENTIONED BY JOHN COLTRANE

    3. WHERE THE RABBIT LIVES HAPPILY

    2. WITH CAT, HAMSTER, BEETLE, AMIBA,

    1. PLANT, TREE, MICROBE

    REALLY BUSY AND NOT FAKING IT

    THE NEIGHBOR IS A FRIEND AND THE ENEMIES FAR AWAY

    BETWEEN PEOPLES WE DO NOT KNOW

    AND WHO DO NOT SEE BETTER PLACE FOR

    WEAPONS AND AMMUNITION BUSINESS

    and fat grandmothers cook all the time

    and give diet advice

    and their slender, angular spouses are hidden in smoky rooms

    with music made by humanoids

    great grandparents are holy

    they know the secret for a long time

    you did not find

    a more interesting discussion

    it is hard to be with them

    because everyone wants them

    3

    the man enters the theater

    he has a knife and looks like a pirate

    he gets on the ship safely

    once, you saw the sea

    and you remember the sound of an unknown instrument

    with impossible details

    which remained so long

    that you must remind it

    and try, try, try

    the first sound of the alarm clock hurts you

    you tried many ringtones

    and finally

    you wake up when you wake up

    and ready dressed, you make it call

    that is how it sounds best

    a guitar sends its voice everywhere

    once, the gods entrusted their peace

    see the slaves under stone windows

    wiping off bloody swords

    Pandora’s box changed everything

    and over the splendid carpet, in the mosaic bathtub

    lays the young heir

    surrounded by chickens’ and pig’s feet

    blood flows down the wall to mix with mud

    4

    Casențio is seen from ancient times

    the king of all Igurs and Penovians

    who ruled his peoples for 30,000 years

    when words were not widely used

    but agreement took place more often

    they were born, lived and died so differently that

    women were frozen in admiration

    they laughed if there was time for what they specialized in

    few see before Casențio and no wonder

    millions and millions murmured his name without knowing

    whoever inherited his blood was celebrated

    his features were recognized, it was the best thing possible

    something they all had in common

    many traveled and told stories and made music

    others were judges and were buried after death, others were soldiers

    others lived in isolation until time was ripe

    and their deeds were sung and placed in calendars and in movement of stars

    they all traveled and replaced each other

    anyone became Casențio upon meeting

    sometimes at a distance

    the light on their faces was reproduced with a combination of plants

    which was no secret, and which cured disease

    but it was tiring for some

    and they said, ‘So much constant attention, so many precise recipes

    make one asleep, let these Casențio wait’

    that was what they thought, and it was not illegal

    for the substances, the forms, the noise and the attitude gave them science

    5

    there is a candle in front of the room

    the honey in her cup had not melted and a pleasant aroma remained

    after a while, she went out in the Sun

    the forest called her louder than ever and behold her

    running between branches and all sorts of traps, some set by herself

    she sometimes remained motionless listening to life

    the birds and squirrels were eating

    she fell asleep among growing plants, sending their seeds to the ground

    it was dark when she arrived at the cave

    her hand trickles down the rough, colorful face of her ancestor’s rock

    ‘we are all actors on a text of the eternal poetry of life

    and we utter our remarks with wonderful clumsiness

    it happened to me yesterday to meet a bee that annoyed me

    until I decided to let it live

    and it told me that we used to hang out together long time ago

    raw meat eaters we died embraced on the sea

    I return to the village, I finish the job

    Igurs and Penovians, we are all bound by Casențio’s blood

    the same food, the same clothes, the same words

    war has no basis

    it took me a hundred years to remember the sound of a Penovian flute

    before the war, your grandparents took me to the seashore

    where he called me

    Casențio

    when I started hearing what I was not listening

    I am ready to see him again, go tell them to sharpen the big spears

    I will follow my bee, thrown up into the air’

    6

    your story has no beginning. You do not remember it

    what you are being told about it is improbable and not worth mentioning

    rough and empty as the earth is your face

    which you do not pursue, for this reason

    it is enough or not enough hundreds of faces

    which you see every day

    an instability that says all about you

    what to expect from these faces you learned and learned

    you want to be without error

    for the troubles they cause

    hang over you like a chasing gray cloud

    always others appear

    it is the time to put the mystery into words

    as a saving prayer

    the names come back with small variations

    each period has its taste

    you met Akash and Bernard but did not meet Xi and Zee

    although you wrote about them

    maybe they are female

    only a woman ends everything

    the feminine has the gift to begin and to end

    the masculine has the role of filling up and varying

    subtle and vague are the sexual connotations of the life that you lead

    how well said to ‘lead’ life, as if it were a pack

    where else will it lead other than

    phenomenal energy of moments of great disappointment

    the cruel truth that undresses and burns

    7

    on the edge of the good life you promised yourself

    there is a bus full of useless clothes and plates, discs and papers

    many of them unrecognized

    you do not set it on fire in exchange of formless and void

    you ask the driver about health

    careful not to get too involved

    you exchange lives according to the will of its windows

    you have on headphones several jazz tapes

    which strangers copied for you

    in ecstatic moments of loneliness

    when you take them out of the backpack, hosts are terrified

    as if they should listen them all at once or one at a time

    the secret lies in the choice

    there are moments when nothing compares to Thelonius Monk

    unlike those dominated by Sonny Rollins

    the one you nicknamed ‘Solly Rolling’

    according to the Bulgarian DJ in the summer of ’84

    nothing depends on these decisions but your dazed feelings

    fear of the melon seller**

    is not the same as your fear of the melon seller

    they are far

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