The Chronicle of Aladdin
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The craziest saxophonist has written the craziest book in the form of a satire manual which includes an ancient god and a true revolution.
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The Chronicle of Aladdin - E. Jak Neumann
Copyright © 2022 E. Jak Neumann
Paperback: 978-1-63767-804-6
eBook: 978-1-63767-805-3
Library of Congress Control Number: 2022904715
All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any electronic or mechanical means, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.
Ordering Information:
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Printed in the United States of America
Contents
0. Satire Handbook. What, How, Why to Write
1. Democracy Cheat Sheet
2. The Swimming Prince*
3. Demonic Chronicle
4. Grounded Manuscript
Яlяddin Яl Яimяniя
ANARCHIC JOURNAL
2014-2021
-Civic education and political culture for high school-
-Drawn upon seven years around Romanian centenary-
-Sets up key topics for creativity and harmony of society-
-Provides necessary immunization for the first steps to satire-
-Romanian vaccine against communism with 120% success rate and still counting-
Focal: Race
Defrost of the Soviet empire in the ’80s promoted American jazz on Ukrainian radio on ultra short waves. This marked author’s adolescence in the Danube Delta. As a kid he taped on a Russian machine jammed music programs on short waves from Radio Free Europe and Voice of America. Twenty years later in Transylvania he found that the radio of his gigging van is limited to one tune on long waves called Romania Regional. It is the birth time for ‘The Man and His Bee’.
The saxophonist did a solo run in the 2014 general elections. He made no compromise and received no help. The 250,000 signature form remained almost blank. These articles document from the position of journalist what has been gained for he was not voted President.
The book hints a new Race: ‘Research for Adaptive Civic Education’. It gives birth to Focal: ‘The Faculty of Occasioning of Civic Artistic Liberation’. An intuitive expression of mathematics is the music. It harmonizes understanding when it is improvised. Discover the news written by creative artists.
The Unheard Sound of Understanding
History is enacted by practical un-verbalized understanding. Action is inner speech. Is language the only instrument of thought? Art has own door backstage of imagination. Romanian art is laughing at troubles. If each nation had a civic education manual, the Romanian one would be the funniest.
The book is born online as a reaction to journalism. It centers Aladdin to story telling as a mirror to political alter ego. Who sees Government as the magic lamp? When is becoming king more important than conquering the Princess’ heart? Who is writing the story of Genie?
Great news: I am not running anymore. I woke up President one morning such as Kafka woke up a beetle. I look at politics and I am parallel to it. I share bread with impatient people for their thirty pieces of silver worth of sacrifice. They always need more.
Who knows Jesus does not know Aladdin. Charlie needs Mohammed in order to exist. Some identities include others, even if they are opposites. The story of all stories reveals a dark or invisible side: only death can truly speak to whole life.
Death is the consciousness that provides elements of reality. Each of us is solar system and non-existence is the void that separates us. To reach each other, we use thoughts. People are bearers of ideas and ideas are bearers of people. Thoughts use people.
Thoughts are separating fences and opened gates. Non-existence also has other gates than death. Happiness is the imagination of help coming from ignorance or non-existence. Happiness is a hoax that unravels and this way it manages to become reality.
I do not need to learn. I know everything. I want to talk to your boss. You are not teacher. Happiness belongs to imagination and not to knowledge. What if woman was made first and man came after? We can trust God.
0
Satire Handbook. What, How, Why to Write
Politics: How relevant is it for progress?
Satire is written by one who does not enjoy things appreciating in the West, knowing them from home.
It addresses progressives who offer help in politics as the domain which comes to improve everything.
It starts from attitudes which frequently become traps by sanctioning or idealizing good faith and patriotism.
It outlines less highlighted relations in order to alleviate resentment, help decoding fake news and improve mental states and debates.
It considers the circulation of fables which are improbable to communicate publicly like the rabbits who teach courage to bees who teach freedom.
It highlights frequently used unclear concepts: The parallel state is what establishment does not recognize about itself; The renewal of political class is the mirror which changes before reality does.
It addresses journalists and communication professionals to exemplify reflection, analysis and self-analysis which include the teleological perspective.
Interest in politics is not always harmful, always boring, always justified or deserved, but it is always necessary.
This book aims at the first time voters who discuss with parents or teachers (age 16+). It is a satire in form of a diary of parallel President 2014-2021.
It includes demo Presidential platform, Water demo party, Cubic demo activity, demo letter to Donald Trump, Cityfest demo project and sets out golden rules of journalism.
The application on political realm of natural philosophy is reflected in the choice of chapters. The first is theoretical (Air), the second is practical (Water), the third is critical (Earth) and the fourth ideal (Fire).
The articles are dated in order to allow correlation with certain events. Some facts which do not represent author’s vision are included in order to question reality. Ideas are useful when being wrong if they manage to form a truly personal opinion through healthy debate.
‘Author is the theorist of Avow, the Actual Veritable Order of the World.’ (Washington Coast)
‘A cheerful and detailed description of the weapons and strategies experienced by the public’ (The Evening Truth)
‘An insight report on the world’s first televised revolution and its proposals’ (Daily Email)
‘Belongs in the pocket of every journalist’ (Babadag Chronicle)
‘Everything the President and the Party hide’ (Today’s Event)
‘Here’s to propaganda: Meet your maker’ (All Sports)
‘The book about you is not written by itself’ (Chris Ian Anderson)
On January 8, 2021, guided by Cătălin Chirilă and Irina Cangeopol to the Holy Monastery of the Cave of St. John Cassian in Târgușor Dobrogea, I commemorated one year since the departure of writer brother Bogdan Lupescu. At the written stone, after worshiping at the holy spring, I made connection with Saint John Cassian of the character Casențio from ‘The Man And His Bee’ which I presented at the Mask Theater of New Bucharest in 2011. For its debut on June 11th I made an English poster: ‘Incoming Growl of Planetosaurus Nealterarta’.
After ten years, I publish the poem here. The connection between the words I discover unveils gradually. Planetosaurus is only heard and it reads Nealterarta. He is the developer of Caesar’s world along millennia. Caesar Casențio has access to the church through a Holy Father. The rules are seldomly greeted with joy but with a groan of effort. Intervention into Caesar’s world is essential. Planetosaurus gives satire for better understanding of sometimes necessary integration.
The Man And His Bee. Incoming Growl of Planetosaurus Nealterarta
1
as audience enters the hall, the dishwasher works
together with the washing machine
seated face to face they play cards on the massive clock tick
while in 1994 in the city of Tulcea
the first advertisement shot by the local TV
gathers a well-dressed child
with black boots, white stockings and sailor suit
a caring grandmother who gives cookies
an old-fashioned suit in dialogue with a plump guy
a kid playing with a camera
two women with brocades on the way to a table full of bottles
the image of Bruce Lee onscreen
a craftsman with trousers tied with string
a few mouths ready to drink
garlands and Christmas lights
they dance to the music of the saxophone
they are perfectly synchronized, then detach and release
each by himself, as in Pina Bausch
then together again
and all around just plenty
2
everything is still and the clock is heard
someone mounts the screen, the projector appears drunk
we are ready to watch cartoons
Tom and Jerry fade out, the screen turns upside down
the text appears in giant granite letters
(cover your ears and scream, because your head hurts)
EVERYONE WANTS TO USE
REFRIGERATOR AND WASHING MACHINE
VACUUM CLEANER AND DISHWASHER
BUT WERE YOU NOT HAPPIER WITHOUT THEM?
5. STAY IN A ROOM WITHOUT A DOOR
4. WHERE NO SOUND WAS MENTIONED BY JOHN COLTRANE
3. WHERE THE RABBIT LIVES HAPPILY
2. WITH CAT, HAMSTER, BEETLE, AMIBA,
1. PLANT, TREE, MICROBE
REALLY BUSY AND NOT FAKING IT
THE NEIGHBOR IS A FRIEND AND THE ENEMIES FAR AWAY
BETWEEN PEOPLES WE DO NOT KNOW
AND WHO DO NOT SEE BETTER PLACE FOR
WEAPONS AND AMMUNITION BUSINESS
and fat grandmothers cook all the time
and give diet advice
and their slender, angular spouses are hidden in smoky rooms
with music made by humanoids
great grandparents are holy
they know the secret for a long time
you did not find
a more interesting discussion
it is hard to be with them
because everyone wants them
3
the man enters the theater
he has a knife and looks like a pirate
he gets on the ship safely
once, you saw the sea
and you remember the sound of an unknown instrument
with impossible details
which remained so long
that you must remind it
and try, try, try
the first sound of the alarm clock hurts you
you tried many ringtones
and finally
you wake up when you wake up
and ready dressed, you make it call
that is how it sounds best
a guitar sends its voice everywhere
once, the gods entrusted their peace
see the slaves under stone windows
wiping off bloody swords
Pandora’s box changed everything
and over the splendid carpet, in the mosaic bathtub
lays the young heir
surrounded by chickens’ and pig’s feet
blood flows down the wall to mix with mud
4
Casențio is seen from ancient times
the king of all Igurs and Penovians
who ruled his peoples for 30,000 years
when words were not widely used
but agreement took place more often
they were born, lived and died so differently that
women were frozen in admiration
they laughed if there was time for what they specialized in
few see before Casențio and no wonder
millions and millions murmured his name without knowing
whoever inherited his blood was celebrated
his features were recognized, it was the best thing possible
something they all had in common
many traveled and told stories and made music
others were judges and were buried after death, others were soldiers
others lived in isolation until time was ripe
and their deeds were sung and placed in calendars and in movement of stars
they all traveled and replaced each other
anyone became Casențio upon meeting
sometimes at a distance
the light on their faces was reproduced with a combination of plants
which was no secret, and which cured disease
but it was tiring for some
and they said, ‘So much constant attention, so many precise recipes
make one asleep, let these Casențio wait’
that was what they thought, and it was not illegal
for the substances, the forms, the noise and the attitude gave them science
5
there is a candle in front of the room
the honey in her cup had not melted and a pleasant aroma remained
after a while, she went out in the Sun
the forest called her louder than ever and behold her
running between branches and all sorts of traps, some set by herself
she sometimes remained motionless listening to life
the birds and squirrels were eating
she fell asleep among growing plants, sending their seeds to the ground
it was dark when she arrived at the cave
her hand trickles down the rough, colorful face of her ancestor’s rock
‘we are all actors on a text of the eternal poetry of life
and we utter our remarks with wonderful clumsiness
it happened to me yesterday to meet a bee that annoyed me
until I decided to let it live
and it told me that we used to hang out together long time ago
raw meat eaters we died embraced on the sea
I return to the village, I finish the job
Igurs and Penovians, we are all bound by Casențio’s blood
the same food, the same clothes, the same words
war has no basis
it took me a hundred years to remember the sound of a Penovian flute
before the war, your grandparents took me to the seashore
where he called me
Casențio
when I started hearing what I was not listening
I am ready to see him again, go tell them to sharpen the big spears
I will follow my bee, thrown up into the air’
6
your story has no beginning. You do not remember it
what you are being told about it is improbable and not worth mentioning
rough and empty as the earth is your face
which you do not pursue, for this reason
it is enough or not enough hundreds of faces
which you see every day
an instability that says all about you
what to expect from these faces you learned and learned
you want to be without error
for the troubles they cause
hang over you like a chasing gray cloud
always others appear
it is the time to put the mystery into words
as a saving prayer
the names come back with small variations
each period has its taste
you met Akash and Bernard but did not meet Xi and Zee
although you wrote about them
maybe they are female
only a woman ends everything
the feminine has the gift to begin and to end
the masculine has the role of filling up and varying
subtle and vague are the sexual connotations of the life that you lead
how well said to ‘lead’ life, as if it were a pack
where else will it lead other than
phenomenal energy of moments of great disappointment
the cruel truth that undresses and burns
7
on the edge of the good life you promised yourself
there is a bus full of useless clothes and plates, discs and papers
many of them unrecognized
you do not set it on fire in exchange of formless and void
you ask the driver about health
careful not to get too involved
you exchange lives according to the will of its windows
you have on headphones several jazz tapes
which strangers copied for you
in ecstatic moments of loneliness
when you take them out of the backpack, hosts are terrified
as if they should listen them all at once or one at a time
the secret lies in the choice
there are moments when nothing compares to Thelonius Monk
unlike those dominated by Sonny Rollins
the one you nicknamed ‘Solly Rolling’
according to the Bulgarian DJ in the summer of ’84
nothing depends on these decisions but your dazed feelings
fear of the melon seller**
is not the same as your fear of the melon seller
they are far