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You Make Things Better
You Make Things Better
You Make Things Better
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You Make Things Better

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Beautiful and elegant Ellie Spire notices her best friend Alice Peatrunk isn’t happy these days. How can she be after losing her husband and son a year earlier? Life has become an unshielded and emotional blur for Alice as her grieving continues, even with Ellie’s help.

Alice currently resides with Ellie, a temporary arrangement until she can move into her newly-purchased condominium. Ellie’s romantically affected by Alice, though, and finds her more than kind, thoughtful, and extraordinary. Ellie watches Alice: reading, sleeping, and gardening, as summertime swiftly moves forward.

As Ellie’s tender and erotic emotions for her grieving guest heighten, she notes Alice relies on the next door neighbor’s abandoned dandelion garden for therapy. A week passes, then another. But something strange begins to unearth at the garden as the anniversary of Alice’s loss unfolds. Something unsettling, ominous, and troublesome occurs. Ellie notices Alice keeps digging and digging among the dandelions. But why? What’s happening at the garden? A single afternoon’s moment of necessary survival change their lives forever, but is it for better or worse?
LanguageEnglish
PublisherJMS Books LLC
Release dateJan 29, 2022
ISBN9781685500351
You Make Things Better
Author

Faye Worthington

Faye Worthington was born and raised in Niagara. She attended Templeton University in western Pennsylvania. Her degree is in female human studies. Faye's main focus is theories of womanliness and femininity. Her fiction has appeared in The Writer's Post Journal and other small literature venues. Her collections of poetry are Cult People, He Followed Me Home, and If You Ever Loved Me. Faye has also written three plays: Abusive, Suzanne and Margaret, and Breaking His Concentration.

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    Book preview

    You Make Things Better - Faye Worthington

    cover.jpg

    You Make Things Better

    By Faye Worthington

    Published by JMS Books LLC

    Visit jms-books.com for more information.

    Copyright 2022 Faye Worthington

    ISBN 9781685500351

    Cover Design: Written Ink Designs | written-ink.com

    Image(s) used under a Standard Royalty-Free License.

    All rights reserved.

    WARNING: This book is not transferable. It is for your own personal use. If it is sold, shared, or given away, it is an infringement of the copyright of this work and violators will be prosecuted to the fullest extent of the law.

    No portion of this book may be transmitted or reproduced in any form, or by any means, without permission in writing from the publisher, with the exception of brief excerpts used for the purposes of review.

    This book is for ADULT AUDIENCES ONLY. It may contain sexually explicit scenes and graphic language which might be considered offensive by some readers. Please store your files where they cannot be accessed by minors.

    This is a work of fiction. Names, characters, places, and incidents are solely the product of the author’s imagination and/or are used fictitiously, though reference may be made to actual historical events or existing locations. Any resemblance to actual persons, living or dead, is entirely coincidental.

    Published in the United States of America.

    * * * *

    You Make Things Better

    By Faye Worthington

    Bishop and Coyne are dead. They’ve been for over a year now. I’m sure Alice still thinks about them and the accident on Brushton Road. I’m sure her sadness will never go away. Not in four years. Not in fourteen years. Not in twenty-four years. Never. Life doesn’t work this way and we both realize it. We’re not stupid women. Never have been. Sometimes you can roll around in the garden of plenty and enjoy yourself. Other times the rolling causes tiny pricks that break open your skin and form long, narrow, bloody gashes that won’t stop flowing. It’s always about blood with women. Isn’t it? Of course it is.

    Alice is usually happy, though. At peace somehow, but still unsettled. I can see her deterred spirit in the tiny crow’s feet around her eyes and mouth. I can see the madness the way she flares her nostrils. A woman with these etchings of time has had quite a life. Most of these skeletal lines represent the bad uglies opposed to the hopeful goodies. But I’ll get more into those details later. So listen.

    Alice is in the neighbor’s garden again. It still belongs to Mrs. Guinevere Recee. There are Private Property signs on all four sides, but Alice pays no attention to them. Why should she with all she’s been through? I’d probably do the same thing if I were in her gardening, sunshine yellow Crocs. Heck yes, I would. But I’m not the gardening type. Never have been.

    Guin. She’s eighty-two now, quite retired from life, and lives with her oldest son, Gerald Recee, in Tampa Bay. Gerald has always been a bully, every since I’ve known him. Pushed me around at eight. Pushed everyone in Templeton around. Pushed and pushed and pushed. I bet he pushes his mother around. No doubt. But that’s another story for another time. Today, here and now, I want to talk about Alice…Alice Peatrunk.

    Not a day slips by and Alice sees the Huntingdon Realty For Sale sign in Guin’s front yard. The house is a Tudor. Two bedrooms. A finished basement. Sixties-styled kitchen. A single garden out back. The lot’s almost a half acre. A fair enough space to bury a husband and child that died in a car accident just three days before Labor Day last year. A kind-to-the-eyes kind of plot that Guin’s realtor—that husky and big-boned Daphne de Parde with the right limp because she complains of having a heel spur—is asking far too much for, over three hundred thousand dollars. The house will never sell. Never! Whatever. Honestly, it’s none of my business. What is my business just happens to be a trespassing Alice, which I scold her for almost every day, when she’s not in La La Land, dreaming of being an actress or a producer’s lover. Gone. Distant. Elsewhere Alice. This is what I call her. Shame on me. But it’s the truth.

    Here she is, mending her dandelions again. On her knees, sitting on her curvy rear. I see the bottoms of her Crocs covered in fresh earth, narrow hips, broad shoulders. She’s half slouched forward and her head is missing. But I can see the sunhat—something made by Martha Stewart and purchased on Amazon, I’m sure—bob up and down, up and down, up and down as if it’s feeding on the precious weeds like a straw alien. Alice at work. Alice hiding from the world again. Alice

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