Peripheral Vision

By Mounir Fatmi

"Fatmi was invited to the Setouchi Triennale in Japan, where he exhibited an installation in a disused schoolyard on Awashima Island. He used stick-like materials placed around an existing statue of children. He also exhibited an installation inside the school building using clocks and world maps, suggesting relative relationships between space and time. This installation occupied many rooms, including a former music room and the head teacher’s office, but giving visitors the impression of an integrated storyline. fatmi also uses sound as the material of his installations and has created many video works. In this sense, he can be called a storyteller in many, varied materials and in a truly liberated manner. This solo show by mounir fatmi uses the limited space of the gallery to give a symbolic glance into his diverse modes of expression."

• Language: English
• Publisher: Mounir Fatmi
• Release date: Nov 8, 2021

Mounir Fatmi

mounir fatmi is a visual artist born in Tangier, Morocco in 1970. He constructs visual spaces and linguistic games. His work deals with the desecration of religious objects, deconstruction, and the end of dogmas and ideologies. He questions the world and plays with its codes and precepts under the prism of architecture, language and the machine. He is particularly interested in the idea of the role of the artist in a society in crisis. mounir fatmi's work offers a look at the world from a different glance, refusing to be blinded by convention. He brings to light our doubts, fears and desires.He has published several books and art catalogs including: The Kissing Precise, with Régis Durand, La Muette edition, Brussels, 2013, Suspect Language, with Lillian Davies, Skira edition, Italy, 2012, This is not blasphemy, in collaboration with Ariel Kyrou, Inculte-Dernier Marge & Actes Sud edition, 2015, History is not Mine, SF Publishing, Paris, 2015, and Survival Signs, SF Publishing, Paris, 2017. He has also participated in the collective book, Letter to a young Moroccan, edition Seuil, Paris, 2009.He has participated in several solo and collective exhibitions in museums and galleries around the world including: Mamco, Geneva, The Picasso Museum, Vallauris, Centre Georges Pompidou, Paris, The Brooklyn Museum, New York, N.B.K., Berlin, Palais de Tokyo, Paris, MAXXI, Rome, Mori Art Museum, Tokyo, Museum on the Seam, Jerusalem, Moscow Museum of Modern Art, Moscow, Mathaf Arab Museum of Modern Art, Doha, the Hayward Gallery, London, the Art Gallery of Western Australia, the Victoria & Albert Museum in London, and the Van Abbemuseum in Eindhoven.His installations have been selected in biennials such as the 52nd and the 57th Venice Biennial, the 8th biennial of Sharjah, the 5th Dakar Biennial, the 2nd Seville Biennial, the 5th Gwangju Biennial and the 10th Lyon Biennial, the 5th Auckland Triennial, Fotofest 2014, Houston, the 10th and 11th Bamako Encounters, as well as the 7th Biennale of Architecture in Shenzhen.mounir fatmi was awarded several prizes such as the Cairo Biennial Prize in 2010, the Uriöt prize, Amsterdam, the Grand Prize Leopold Sedar Senghor of the 7th Dakar Biennial in 2006 as well and he was shortlisted for the Jameel Prize of the Victoria & Albert Museum, London in 2013.

Book preview

PERIPHERAL VISION

mounir fatmi

Peripheral Vision

mounir fatmi

This publication was made on the occasion of the solo exhibition Peripheral Vision at the Art Front Gallery in Tokyo, Japan, by moroccan artist mounir fatmi, from November 16th to December 24 th, 2017.

© 2020 mounir fatmi

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher or in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency.

Published by: mounir fatmi

Cover Design: Studio Fatmi

Cover Photography: mounir fatmi

Table of Contents

Forward

Classroom

Suspended Machinery

Calligraphy of Fire 04

The Blind Man

Peripheral Vision

Calligraphy of Fire

Technologia

Periperal Vision Show

Biography

Colophon

Forward

Alchemy - mounir fatmi

mounir fatmi as Storyteller 

I first encountered the large scale works of mounir fatmi at Africa Remix, a touring exhibition that came to the Mori Art Museum. Fatmi made a Constructivist-like installation from horse jumping barriers. It suggested fragility, as if even a light touch would cause everything to collapse. It was a sublimation