Play with Me

By Lisa Renee Jones

A dedicated reporter and a powerful businessman will find passion, drama, and a sizzling romantic connection in this story from New York Times bestselling author Lisa Renee Jones.

 

Kali Miller has spent three years reporting fluff stories for a small-town Texas paper, waiting for the opportunity to pen the article that will launch her career to new heights. That dream has never felt further away when she suddenly finds herself out of work, forced to take a job as an executive secretary at a Las Vegas casino. But that's exactly where Kali meets the subject of what will surely be a shocking exposé: her boss, Damion Ward, the casino's arrogant and undeniably sexy CEO.

 

Watching Damion make his cold, calculating business maneuvers, Kali is positive she's doing the right thing. But after Damion invites her to help him plan a Thanksgiving charity event, Kali begins to see another side of the man. And when she surrenders to the exhilarating tension that's been simmering between them since day one, Kali becomes part of her own story, which she hopes will have a happy ending.

 

This was previously published with Loveswept, and is a reissue.

• Language: English
• Publisher: Julie Patra Publishing
• Release date: Nov 9, 2021
• ISBN: 9798201697983

Lisa Renee Jones

Visit Lisa at www.lisareneejones.com

Book preview

Table of Contents

Part One

Part Two

Part Three

Part Four

Part Five

Part Six

Part Seven

Part Eight

Part Nine

Part Ten

Part Eleven

Part Twelve

The Adrian Trilogy

The Brilliance Trilogy

The Lilah Love Series

Also by Lisa Renee Jones

About Lisa

This ebook is licensed for your personal enjoyment only. This ebook may not be re-sold or given away to other people. If you would like to share this book with another person, please purchase an additional copy for each person. If you’re reading this book and did not purchase it, or it was not purchased for your use only, then please return it to the supplier and purchase your own copy. Thank you for respecting the hard work of this author. To obtain permission to excerpt portions of the text, please contact the author at lisareneejones.com/contact

All characters in this book are fictional and figments of the author’s imagination. www.lisareneejones.com.

PLAY WITH ME

LISA RENEE JONES

Part One

The first meeting…

Ms. Miller.

At the sound of my name, I hop to my feet in the center of the Las Vegas temp service. Rushing forward, I stop in front of my interviewer, a forty-something woman in a navy suit not so unlike my own.

Hi, I say, sounding as awkward and nervous as I feel about being unemployed for the first time in my life.

My greeting earns me a quick up-and-down inspection that has my already rattled nerves swan-diving off an invisible cliff. She levels a stare at me and asks, Can I help you? And her prickly tone says I’ve failed her sixty-second assessment.

I’m Ms. Miller, I reply, and try to win her over. But, please, you can call me Kali.

Her lips twist and tell me she is clearly not charmed, as I had intended. Instead, she looks down her nose, which is as straight as the long brunette hair neatly tied at her nape, and repeats with formality, Ms. Miller. I’m Ms. Williams, your job-placement counselor. Come with me.

Ms. Williams charges down a narrow hallway and I chase after her, just as I did for the reporting job at the Vegas Heat that fell through before I ever started to work. She disappears into an office and I follow, swiping at a strand of my long blond hair, which suddenly feels as disheveled as the new life I’ve gambled on.

Ms. Williams settles behind a basic wooden desk and motions me to the burgundy cloth-covered visitor’s chair. Claiming the seat that might as well be labeled FOR DESPERATE, UNEMPLOYED FOLKS, I adjust my skirt to rest primly at my knees and watch Ms. Williams study my paperwork for what feels like an excruciatingly long amount of time.

She glances up at me, and the skeptical glint in her eyes—real or created by my insecurity—makes me wish she hadn’t. Let me get right to the point, she declares. You were working as a reporter in college.

"And for a year at the Texas Sun, I quickly add, afraid she’s missed that line on my application. I only left for a better offer, which was eliminated while I was en route."

I was getting there, Ms. Miller, she reprimands sharply. My point is that I do not have any reporting jobs. They’re hard to come by. In other words, no one has any reporting jobs. If you can return to Texas and get your job back, you should.

The whiplash effect of her words has me slumping and then straightening in rebellion. Even though my savings are gone, I will not go back to covering watermelon festivals and, well, other … stuff I’d rather not think about now. Or ever. I’d rather not think about it ever. I took your administrative tests, I point out, and, as you should be able to tell, I have excellent clerical skills. Additionally, I’m highly organized and I’m dedicated to whatever I do. I need work—therefore, I will be timely and productive while on the job.

I saw your testing. The question is, will you be reliable if I send you to a job that isn’t a reporting position? It doesn’t come out as the question it claims to be but more as an accusation.

My experience in journalism should assure an employer that I’m articulate and know how to censor when necessary. And I want to be an asset. I need a stable career. Not a dream that can’t pay the bills, no matter how hard it is to let it go.

She purses her lips and stands up. Give me a moment to look at our job board.

Yes. Yes. Yes. She’s going to the job board, whatever that is. I track her departure, twisting in the chair and watching her from over my shoulder, then sinking down when she disappears from sight. Thrumming my nails on the arms of the chair, I anxiously feel every second Ms. Williams is gone. I used my savings to come here and start a new life. I couldn’t leave if I wanted to, which I don’t.

Okay, Ms. Williams announces, walking back into the office. I have a secretarial job opening, but you have to start today.

I sit up on the edge of the chair. Now? It’s already two in the afternoon.

Now means now. The pay is exceptional and the opportunity amazing. You just happen to be at the right place at the right time. If you do well, I have no doubt you could go full-time. The CEO of the Vantage Hotel and Casino group has fired his assistant. Because he is in a highprofile position and fields a great deal of press, I think you hit the nail on the head in your earlier assessment of your journalism background as being useful. He oversees a three-property operation and is extremely powerful. That will make you extremely powerful if you do well. He’s leaving town in an hour. He needs you there for a briefing immediately. In or out, Ms. Miller?

For a moment I am paralyzed by where this is taking me. How far from my dreams, and how close—even at a distance—to a home that is now hell. But stability is not overrated. Not when a girl is alone in a new city. Not even when a girl is near family who feel like strangers.

How much is the pay? I ask. Then, holding my breath, I wait for the answer and curse the part of me that wants it to be bad, the part of me that wants an excuse to turn this down and cling to my dreams, to my escape from greed, pain, and powerful people who will stomp on you for no reason other than that they can.

She grabs my application off her desk, studies it for a moment, and then flicks me a look. Double the salary you made in Texas.

The promise of stability wins over watermelon festivals and ramen noodles much easier than I’d expected. I stand up. Where do I go?

* * *

Thirty minutes later, I’ve parked the rental car and found the lot’s elevator when my cell phone rings. Quickly scooping it from my purse, I answer to hear Ms. Williams demand, Why are you not there yet?

Shifting my purse and briefcase on my shoulder, I straighten my navy-blue jacket and reply, I’m headed into the casino now.

Make it snappy. Mr. Ward has to leave. He needs to meet you first.

I’m almost there, I assure her, right before I enter the building and the phone thankfully goes dead. That woman is as rude as they come, but she will be my new best friend if I get this job.

Once inside the building, I walk through rows of clanging slot machines to yet another elevator. Twenty-five floors later, I exit to a lobby that screams of money and luxury, from the fine hardwoods beneath my feet to the gorgeous mahogany desk.

The pretty blond receptionist, who I guess to be twenty-three, or maybe twenty-four like me, stands up. She is strikingly similar to an older version of someone I’d rather forget, and I am angry with myself for how easily the confidence I’ve fought to recover slips away. Suddenly I am not blond enough, not tiny or pretty enough.

Kali? she asks hopefully.

Yes, I’m Kali.

I’m so glad you’re here, she says, pressing her hand to her chest, and her genuine friendliness begins to ease my tension. She waves me toward a hallway and I follow as she adds, I’m Dana, and I’m so glad it’s you working for Mr. Ward instead of me. You just shout if you need anything, and I’ll help you.

Oh. Thanks. Why didn’t you want to work for him?

She snorts. Too good-looking and intense for me. I barely have time to process that answer when we enter a second lobby, with leather chairs, fancy art on the walls, and a secretarial desk that looks as if six or seven files exploded on top of it.

Good grief, I whisper, but before I can ask what happened, Dana motions to the door directly behind the mess. "That’s his office, she whispers, as if it’s a secret, then rushes forward and grabs the phone in the midst of the piles of papers. Mr. Ward, she says into the receiver, your new secretary has arrived. A brief pause, then, I’ll send her right in."

Dana hangs up and turns to me. Good luck.

I’m supposed to just walk in?

Yes.

Knock first?

She gives an uncertain shrug. Whatever feels right. She waggles her fingers at me and hightails it in the other direction.

I sigh and walk behind the desk, intending to take the liberty of placing my purse in the drawer of what I assume will be my work space, but I gape at how much worse the mess is from this angle. The papers that have erupted on the desk are scribbled on with a black marker, as if someone was being malicious. And childish.

I study them, and it appears many are financial reports. Reaching for one, I freeze when the door behind me creaks, followed by, Ms. Miller?

The deep, richly masculine voice has me whirling around and then freezing: My new boss is an early-thirties, clean-shaven version of Robert Downey, Jr., in a gray pin-striped suit perfect for the role of Tony Stark. And while I’d have sworn the past few years had left me immune to men like this one, the low thrum