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Huff & Stitch
Huff & Stitch
Huff & Stitch
Ebook131 pages1 hour

Huff & Stitch

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In huff, brothers Wind, Huff, and Charles are trying to cope with their father’s abusive whims and their mother’s recent suicide. In a brutal reality of death and addiction, they huff gas and pull destructive pranks. Preyed upon by Trickster and his own fragile psyche, Wind looks for a way out, one that might lead him into his mother’s shadow.

In Stitch, Kylie Grandview is a single mom struggling to make a living as a porn star while dreaming of being on the big screen. She’s painfully aware that she is among the many nameless faces on the Internet, the ones that blip across cyberspace, as her yeast infection, Itchia, reminds her at every turn. But when Kylie is offered the chance at a big break, a series of twisted events lead her down a destructive path, revealing a face no one will forget.

LanguageEnglish
Release dateMar 27, 2017
ISBN9781770917484
Huff & Stitch
Author

Cliff Cardinal

Born on the Pine Ridge Indian Reservation, Cardinal (Stitch, Huff, and Cliff Cardinal’s CBC Special) studied playwriting at the National Theatre School of Canada and is an associate artist at VideoCabaret, where he develops his new work.

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    Huff & Stitch - Cliff Cardinal

    Huff

    Production History

    Huff was first produced by Cardinal/Kantor Productions on June 21 and 22 at the Gordon Best Theatre, Peterborough, as part of the Ode’min Giizis Festival. It featured the following cast and creative team:

    Director: Karin Randoja

    Designer and Stage Manager: Elizabeth Kantor

    Performer: Cliff Cardinal

    Technician: Em Glasspool

    The play was remounted by Native Earth Performing Arts in 2015 and later toured throughout Canada in 2016.

    Characters

    Wind

    wind enters. He has a plastic bag over his head. It’s duct-taped around his throat to create an airtight seal.

    wind: Turn off your fucking cellphone.

    Put the remote down.

    This is an interruption of your regularly scheduled program.

    Don’t worry though.

    Your normal show will be on again soon.

    This isn’t life and death.

    Not for you.

    Where I am is in my apartment not trying to take a plastic bag off my head.

    It’s duct-taped to my throat.

    And my hands are handcuffed behind my back.

    The key to my handcuffs is stashed in the top cupboard where I can’t reach.

    Anoxia is the word for when your brain is deprived of oxygen.

    Anoxia will kill you somewhere between four and six minutes.

    You’ll pass out after three.

    I’ve been in this bag for two.

    Actually about one minute and fifty-seven seconds.

    wind breathes. The plastic bag crumples around his face.

    Now.

    Definitely.

    It’s been two minutes.

    My breath feels warm inside the mask.

    Like a baby’s…

    This is a suicide attempt.

    I say attempt but it’s looking pretty good.

    I should know.

    I’ve done this before.

    wind hears a gentle whisper through the plastic bag: Breathe. He looks around but can’t find where the voice is coming from.

    When you hear voices they don’t mean anything.

    You’re hallucinating because your brain is screaming out for oxygen.

    I’m ninety per cent sure that’s what you are.

    Hi, imaginary friends!

    He hears the whisper again: Breathe.

    Next time you hear it the voice is familiar.

    Like a TV show that’s gone off the air.

    A third time: Breathe. He shrugs at the plastic bag with his shoulders but can’t remove his death mask. He falls to the floor trying to get the bag off.

    I think about yelling at myself.

    About cursing my own stupidity.

    But I don’t want to give myself the satisfaction.

    Anyway, that’s how I got here.

    Really, there’s a perfectly rational explanation for all of this.

    (to an audience member) Hey, can you get this off me?

    Seriously.

    Seriously, get this off me.

    If you don’t help me I’ll suffocate right here.

    wind enters the audience. He bows to an audience member who removes the mask and duct tape and handcuffs. (If the audience member says anything aside from yes, wind goes to someone else.) wind takes the handcuffs back.

    I’ll take those.

    wind thrusts the plastic bag back into the audience member’s hands.

    And this.

    Hold onto this for me.

    And don’t give it back no matter what I say.

    Okay?

    I need you.

    Thanks.

    He goes back to the stage. He gives thanks.

    Hiye hiye.

    He turns back to the audience.

    Trickster.

    See, for my people, Trickster is a living, breathing spirit.

    Part shapeshifter, part ancient lesson.

    The coyote sniffing around your garbage has been tracking you for a long time.

    Trickster.

    That questionable piece of ass you tapped au naturel: Trickster.

    That the very story that brought you into the darkness is the only one that can lead you back to the light: Trickster.

    When you’ve got a plastic bag on your head, what you’re doing is rebreathing the same breath until you choke.

    This breath is a story that began a long time ago… in the eighties.

    One day a young warrior on the hunt met a beautiful girl.

    He’d known her since she was a child but looked on her with new eyes.

    At a time when all the young warriors were meeting their future wives, Tracey was the most beautiful girl Michael had ever seen.

    She had the kind of beauty that tribes went to war for.

    A beauty that pulled the air from an Indian’s lungs.

    With great respect and trepidation Michael approached and requested permission to begin courting:

    mike: Tracey, why are you so stuck up?

    tracey: Why you gotta be like that?

    Is it so hard to just be happy?

    wind: (to audience) The girl had many suitors but accepted the young warrior’s request because…

    But accepted the young warrior’s request because… because Trickster.

    Before long the warrior had acquired enough firewood for the winter and a lodge big enough for them both.

    When he was ready he brought her there and asked her to marry him.

    With joy in her heart the beautiful girl went to her mother to tell of the young warrior’s proposal.

    tracey: Mama, I’m pregnant.

    kohkum: Ah shit.

    Here we go.

    It’s because you don’t listen.

    Now here you are knocked up.

    Up the stick.

    Driking for two.

    And I’ll tell you something about that man of yours for free: Way he treats you?

    He’s either dumb, stupid, or just ain’t got no good sense.

    tracey: But, Mama, I love him.

    kohkum: Ah shit.

    Cuz you don’t listen.

    wind: (to audience) So the young warrior and the beautiful girl were wed; and they were happy…

    No one knows how the young warrior drew Trickster’s attention.

    Maybe one of those little

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