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Mistatim / Instant
Mistatim / Instant
Mistatim / Instant
Ebook201 pages56 minutes

Mistatim / Instant

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In these two plays for young audiences, award-winning playwright Erin Shields presents the challenges of friendship and communication.

In Mistatim, which is based on a concept from Sandra Laronde of Red Sky Performance, two eleven-year-olds strike up an unlikely friendship at the fence between one’s reserve and the other’s ranch. On Speck’s side, she’s carved names of family members into the wooden posts as she tries to piece together her identity. On Calvin’s side, he’s trying to train a horse in order to prove himself to his father. When Speck realizes she can communicate with Calvin’s horse Mistatim, the pair work to liberate the animal, and in the process learn about one another’s cultures.

In Instant, three teens find out how far they’ll go in their quest to be seen and heard. Meredith is a singer-songwriter who makes YouTube videos of covers in an attempt to gain Internet fame. But her friend Jay, a rising hockey star, can’t understand why she won’t post her original songs. When their classmate Rosie suddenly goes viral after a video is posted of her singing to raise money for her father’s medical bills, Meredith’s jealousy takes over and she pushes Rosie too far, triggering a near-deadly response.

LanguageEnglish
Release dateNov 28, 2018
ISBN9781770919310
Mistatim / Instant
Author

Erin Shields

Erin Shields is a Canadian playwright best known for radical adaptations of classical texts which bring neglected female characters centre stage. Her additional text for Shakespeare’s Much Ado About Nothing at The Stratford Festival gives a voice to silenced Hero at the climax of the play. Queen Goneril, which premiered at Soulpepper Theatre in rep with King Lear, centres Lear’s stifled daughters as they contend for power in a world that insists they remain powerless. Erin’s illuminating and hilarious adaptation of Paradise Lost (Stratford Festival), won the Quebec Writers Federation Prize for Playwriting. And her harrowing tragedy about sexual violence, If We Were Birds, won the Governor General’s Award for playwriting. Other plays include: Jane Eyre (Citadel Theatre), Piaf/Dietrich (Mirvish Productions/Segal Centre), Beautiful Man (Factory Theatre), The Lady from the Sea (The Shaw Festival), The Millennial Malcontent and Soliciting Temptation (Tarragon Theatre) and Instant (Geordie Theatre). Erin’s plays are published by Playwrights Canada Press and you can read more about upcoming projects on her website – www.erinshields.ca.

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    Book preview

    Mistatim / Instant - Erin Shields

    9781770919297.jpg

    Mistatim / Instant

    Also by Erin Shields

    If We Were Birds

    Paradise Lost

    Soliciting Temptation

    Mistatim

    Concept by Sandra Laronde


    Instant

    Erin Shields

    Playwrights Canada Press

    Toronto

    Mistatim / Instant © Copyright

    2018

    by Erin Shields

    First edition: November

    2018

    Cover art and design by Meags Fitzgerald

    Playwrights Canada Press

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    Richmond St. W., Toronto, ON M

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    :: info@playwrightscanada.com :: www.playwrightscanada.com

    No part of this book may be reproduced, downloaded, or used in any form or by any means without the prior written permission of the publisher, except for excerpts in a review or by a licence from Access Copyright, www.accesscopyright.ca.

    For professional or amateur production rights, please contact:

    Ian Arnold at Catalyst TCM

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    :: ian@catalysttcm.com

    Library and Archives Canada Cataloguing in Publication

    Shields, Erin

    [Plays. Selections]

              Mistatim ; Instant / by Erin Shields ; concept for Mistatim by Sandra Laronde.

    Plays.

    Issued in print and electronic formats.

    ISBN

    978

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    77091

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    929

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    7

    (softcover).--ISBN

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    77091

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    (PDF).--

    ISBN

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    (EPUB).--ISBN

    978

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    77091

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    932

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    7

    (Kindle)

              I. Laronde, Sandra II. Shields, Erin. Mistatim. III. Shields, Erin.

    Instant. IV. Title.

    PS

    8637

    .H

    497

    A

    6

    2018

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    Playwrights Canada Press acknowledges that we operate on land which, for thousands of years, has been the traditional territories of the Mississaugas of the New Credit, the Huron-Wendat, Anishinaabe, Métis and Haudenosaunee peoples. Today, this meeting place is home to many Indigenous peoples from across Turtle Island and we are grateful to have the opportunity to work and play here.

    We acknowledge the financial support of the Canada Council for the Arts — which last year invested $

    153

    million to bring the arts to Canadians throughout the country — the Ontario Arts Council (OAC), the Ontario Media Development Corporation and the Government of Canada for our publishing activities.

    For my friend, Joc Palm

    Contents

    Foreword

    Mistatim

    Scene 1

    Scene 2

    Scene 3

    Scene 4

    Scene 5

    Scene 6

    Scene 7

    Scene 8

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    Instant

    About the Author

    Landmarks

    Cover

    Half Title Page

    Title Page

    Copyright Page

    Dedication

    Table of Contents

    Start of Text

    Mistatim

    Scene One

    Scene Two

    Scene Three

    Scene Four

    Scene Five

    Scene Six

    Scene Seven

    Scene Eight

    Scene Nine

    Scene Ten

    Scene Eleven

    Scene Twelve

    Scene Thirteen

    Instant

    About the Author

    Page List

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    Foreword

    by Stephen Colella

    Erin Shields’s work with Sandra Laronde at Red Sky Performance and Dean Fleming at Geordie Theatre led to the creation of two individually compelling pieces of work for young audiences: Mistatim and Instant. It was with great pleasure that we were able to program the presentation of both at Young People’s Theatre (YPT). Each season at YPT is programmed around a theme or idea. Mistatim appeared in our fiftieth anniversary season, which was built upon YPT founder Susan Rubes’s belief that only the best is good enough for children. Instant played two seasons later under the theme finding yourself. I think these plays could have appeared interchangeably in either season as these two notions could hold true for both.

    On the surface these two stories seem to have very little in common. In one, two people on traditional Cree territory attempt to save a horse. In the other, three people look to the Internet, and the fame that it brings, as a way to solve their individual problems.

    The link between these plays is found not on the stage or page but in the audience who attends. The young protagonists in these

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