Safe and Sorry: Poems and Stories Reflecting the Bright Day and the Dark Night That Follows
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About this ebook
In reflecting upon my own writing, I cannot name any writer who has influenced my style. In my opinion, a writer’s style is the most important feature of his or her writing. A writer’s style reflects not only a view of life but a sensitivity to the emotional thrust of the writing. My aim in the writings in this book is to combine my view of life with a sensitivity to the many emotions that it creates. My wish, dear reader, is that you find at least a suggestion of something that may enrich your experience.
William Elihu Palmer
William Elihu Palmer grew up on a farm on the Eastern Shore of Maryland during the Great Depression. He enlisted in the Army at the age of 17 and served n Occupied Japan and fought in the Korean War. He married Angeles Palmer in Madrid, Spain in 1960. They have four children. He spent his career as an educator, teaching at universities in the USA and abroad, including Ohio University, the University of Salamanca, Spain, and at Salisbury University in Maryland. He and Angeles moved to Coronado, California in 2017.
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Safe and Sorry - William Elihu Palmer
CONTENTS
Poetry and Prose
Introduction
For You
Baby Talk
My Secret Laughter Tree
Lost Childhood
To My Daughters At Age 22
With Love, Daddy
The Promise Of Youth
Johnny Wise
Sailing Home
Circles In The Sand
Crossing Paths
Words
Word Play And Then Some
A New Eden
From Madrid To Heaven
A Valentine Saga
Spanish Flower
To Angeles On Her 50Th Birthday
What If?
Two Travelers
American Pie
A Puppet Show
Great Teachers
Teaching From The Book: A Contemporary Pedagogy
Wait!
King Yucca
The Game
Confinement
The Puzzle
Pilgrim Road
The Final Answer
Alien Thoughts
An Old Man’s Lament
The Importance Of Me
Who I Am
Early Fall
Playmates
The Last Rites
Looking In The Looking Glass
My Old Man And Me
The Mortuary
Bright Star
Jornada De La Muerte
Lost Souls: A Cruise On The River Styx
The Wonder Of Christmas
Yule Tidings Of Yore
Felices Pascuas Con Ritos De Antaño
A Christmas Guest
Friend Of The Forever People
God’s Work
On Nugacity
I Understand
Residual Thoughts
The Mystery
Introduction
A Yarn About Earl, Sheryl’s Little Cat
A Sudden Revelation
An Early Awakening
Miss Sadler’s Christmas Story
Dreaming Up Grandma
The Emperor’s Blue Horse
Boys Don’t Dance
Noblesse Oblige A La Americain
Military Service
Military Service (Part 2)
Military Service In Korea (Part 3)
Seeking Direction In Charlotte, North Carolina
The 60Th Anniversary Of The Graduation Of The Wicomico High School Class Of 1948
The Cider Mill
On Educating Ernest
Ernest Graduates From College
Subject: Section 8: The Pehoe Research Institute Study On Marriage In America
Subject: Continuation Of The Pehoe Study On Marriage In America: Section 8
Back To Normalville
Final Word
The Book
Poetry and Prose
This book is divided into two sections:
Section I: Poetry
Section II: Prose
Poetry appears first in the book because I believe, that in the evolution of communication between humans, poetry was the first means of conveying meaning. Humans used vocal sounds such grunts, cries, shouts, and screams to call attention to their needs. Once they became familiar with their vocal ability, they began to repeat the sounds which were most pleasing to hear. They also discovered sounds which expressed the emotions of fear, danger, sadness, happiness and love. It was then that poetry began to form vocal sounds which suggest emotions. Poetry became a force of nature, an elemental form of communication.
Once the evolution of language came to the formation of words and phrases, language was used for practical purposes, for identifying things and for learning to use them. The rudiments of science came into existence. Through many stages of the evolution of civilization both poetry and prose, art and science, have co-existed, each contributing, within is means, to the advancement and improvement of humanity. It soon became evident, however, that some peoples and some cultures were more inclined toward either art or science.
Compare, for example, the Greeks and the Romans:
the Greeks with their great writers and artists and thinkers:
the Romans with their great engineers and builders of empire.
Compare the Italians and the Germans:
the Italians with their music, their artists and architects;
the Germans with their manual skills, their engineer and machines.
The Age of Enlightenment saw a renewed interest in the arts. Then the Industrial Revolution brought about a resurgence of the sciences. Today the arts and sciences seem to have gone in different directions. The scales of balance have broken and the sciences now far outweigh the arts. The rapid advancement of the sciences may lead to an unbalanced and unsustainable world leading to an unknown destiny, leaving us without the art or inspiration or culture to enable us to adapt.
Introduction
Collected Poems
By William Elihu Palmer
If you are familiar with the word dilettante,
then I must confess that it probably applies to me. I like poetry very much, especially spoken poetry. However, I dare not call myself a poet. The poems in this collection represent my interest in poetry over the years. You can also find other poems of mine in the book Secrets of the Heart
which is now available commercially. The poems there were originally printed up locally under the title Reflections at Random
a copy of which some of you may already have.
Although the poems here do not fall into any clear categories, I have tried to put them into a more or less order according to the age referred to in the poem. Some of the poems, such as Johnny Wise
and Circles in the Sand
were written and rewritten over the years. Others, such as Pilgrim Road
and Jornada de la Muerte
come from my interest in things related to Spain. The poems written about my family have been written for special occasions. Those poems are, of course, autobiographical and represent points in my life that are very meaningful to me. The other poems were inspired by idle thoughts and reflections on life in general. I hope that you, Dear Reader, will find some things of interest to you in reading the poems.
I would like to dedicate this collection of poems not only to my wife Angeles, but also to all our descendants and to those who come after them. Our present descendants are the following:
FOR YOU
It matters not to the mountain
Whether there be rain or there be snow.
Only when the moon
Peeps over the mountain
Does it make the mountain glow.
It matters not to those who know you
How many years may come
Nor how many years may go.
Just your cherished presence
Sets our hearts aglow.
BABY TALK
When I say Goo, Goo
I mean Goo, Goo.
So don’t go "Boo, Boo, to me!
When I say Dah, Dah
I mean Dah, Dah.
So don’t start Coo, Cooing
to me!
I say what I mean.
I mean what I say.
When I cry in-between,
You don’t get what I mean.
You wiggle your fingers.
You tickle my nose.
You rattle my sense of repose.
Please keep your fingers away.
Just listen to all that I say:
If I say Goo, Goo,
Don’t give me that "Boo. Boo!
If I say Dah, Dah.
Don’t start Coo, Cooing
to me!
If I should cry, you ought to know why:
You don’t get how I mean what I say!
MY SECRET LAUGHTER TREE
I used to have a laughter tree,
Its branches filled with smiles.
From its highest branches I could see
For miles and miles and miles.
I found a narrow woodland path
And ran about so young and free.
I could hear the sound of the distant laugh
Of my secret laughter tree.
I was so strong and felt so carefree
I ran for miles and miles.
I ran to see my secret laughter tree
With its branches filled with smiles.
Too soon the forest began to fail
And all the limbs grew bare.
Too soon I grew sad and pale,
And my heart was filled with care.
The woodland path is long and dark,
And the sunny days are gone.
All the brittle bushes hide from me
My secret laughter tree.
Still I faintly hear the laughter
Of my secret laughter tree,
Though over the miles I cannot see
The smiles on the branches
Of my secret laughter tree.
LOST CHILDHOOD
How quickly thou hast gone, my child,
And I beside thee all the while!
Among the flowers I see you still.
In sunny fields we stand.
You picked a golden daffodil
And crushed it in your hand.
You pulled apart the pedals
And threw away the stem.
You saw a narrow woodland path
And gave my hand a squeeze.
You pated from me with a laugh
To dash among the trees.
You trusted me to follow
And guard you at your play,
To shout through every hollow
And drive the wolves away.
You gave me twigs and woodland cones
And smiles like sunny skies.
Then in the stream you threw some stones
And chased the butterflies.
Deep into the woods we went.
How quickly the day was spent.
How quickly thou hast gone, my child,
And I beside thee all the while!
Among the shadows now I stand
No more to take you by the hand
In the fading light of the deep woodland.
TO MY DAUGHTERS AT AGE 22
1. On thee