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Archipelago: Selected Early Poems
Archipelago: Selected Early Poems
Archipelago: Selected Early Poems
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Archipelago: Selected Early Poems

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Archipelago is a vision of the historical past in collision with the future. First glimpsed in a dream over forty years ago, the poet traces the evolution of the underlying myth in poems over the course of one life.
LanguageEnglish
PublisherAuthorHouse
Release dateJan 7, 2019
ISBN9781546274247
Archipelago: Selected Early Poems
Author

Geoff Peterson

Born just after World War II, Peterson inherited his mother's nervous system and went on to memorize and perform poetry in a lyric vein for family and card parties. Raised Catholic, the boy learned the value of dreams, visions, and the soothing aspects of prayer in unison. He later earned degrees in Literature and Writing at Eastern Washington University, and served as poetry editor for Willow Springs Magazine. With the publication of his first novel in 1989, Peterson turned his back on mainstream publishing and has not looked back. Since 2007 he has published nearly thirty books of poetry and fiction. He lives in the Southwest and still gets around.

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    Book preview

    Archipelago - Geoff Peterson

    © 2019 Geoff Peterson. All rights reserved.

    No part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author.

    Published by AuthorHouse  01/07/2019

    ISBN: 978-1-5462-7425-4 (sc)

    ISBN: 978-1-5462-7424-7 (e)

    Any people depicted in stock imagery provided by Getty Images are models,

    and such images are being used for illustrative purposes only.

    Certain stock imagery © Getty Images.

    Because of the dynamic nature of the Internet, any web addresses or links contained in this book may have changed since publication and may no longer be valid. The views expressed in this work are solely those of the author and do not necessarily reflect the views of the publisher, and the publisher hereby disclaims any responsibility for them.

    for James J. McAuley,

    poet in the priestly tradition

    of black suits & ties

    Cargo Manifest

    Author’s Note

    Prologue: radio traffic

    Land’s End

    Land’s End

    Periscope Depth

    Cafeteria

    Okinawa

    Neptunus Rex

    Night Vision

    Fishing Off Naha

    Black Ships

    Ghost Nets

    Treasure Island

    Treasure Island, 1939

    Kuan-Yin

    China Girls

    Exit Wounds

    Destroyer: the complete kit

    Ship’s Log: 1942

    Ship’s Log: 1944

    Ship’s Log: 1945

    Kamikaze

    Tokyo Rose

    Aces

    PSYOPS

    Flashbacks

    Volunteers

    On Point

    exit wounds

    Ghost Opera

    North Brother Island

    Ghost Opera

    Post-war

    My Life

    Off Course

    Yūgen: beyond worlds

    Icarus

    Natal Chart

    Scroll

    The Rapture

    Hotel Calhoun

    Anacortes

    Hotel Calhoun

    Black Beauty

    Homestead

    Losses

    Birthing

    Letter from Wyoming

    Sea of Forgetfulness

    Another Room

    The Big One

    After the Divorce

    Breakfast at Em’s

    Swimming to China

    Kabuki: The Heron Maiden

    The Pillow Book

    Near Gifu

    dear Christine

    Chinese Menu

    Balboa

    Frequent Flyers

    The Big One

    Acknowledgments

    Afterword: A Magical Place Where Everybody Recovers a remembrance by George Thomas

    About the Author

    Author’s Note

    Now it’s forty-three years later. I thought there’s a way to bring back the dream-vision behind these poems, but I’m damned if I can find it. And I suppose that’s the subject of Archipelago in its present state: how vision mutates over time, especially at the end.

    Many of the poems are the fruits of my student years [1975-80]. They came abundantly after a dream about my father’s war and months separated from a proud woman—one of those dreams recognized as something huge beneath the surface, when everything speaks in code and opens to a rich interior: a primer of longing & wonder, so to speak. Any testament to youth visited late in life must qualify as that.

    The initial dream introduced me to the idea that my real life lay elsewhere. The poems are completely without humor. You know how it is. Curious and prone to obsessing, you’re a kid, you think you’re on to something. So much energy directed at one thing, one woman, one break in the case…

    So I took a break. Besides, other themes soon began bubbling to the surface: marriage, job, parenthood, divorce, the full catastrophe wrote Kazantzakis, but not to be avoided.

    One early influence was my friend’s story of serving a stretch in the brig on Okinawa during the final days of Vietnam, and his ensuing camaraderie with a resident cockroach. After the war we met in college. Later, he married, moved away and started a family. We didn’t stay in touch.

    Decades after these poems began to surface in journals, I lay in tall grass on the island of Kauai listening to waves and watching the stars pulse like on no other night of my life. Melville

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