Remembered Names: Third Edition
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The Dukes patrician mother passed
in May of nineteen thirty-fi ve.
His calling, even then, was cast,
but composing took a nosedive.
He fi lled her hearse with fl owers,
sorrowing in his solitude.
He bore a battleground of powers.
Then came, In a Sentimental Mood.
Its dancers took the tune from there,
and spread its spell from coast to coast,
stepping to it with such style, such fl air
that many c1ubbers could but toast.
My folks did the fox-trot to his band,
in Depression-dizzy Dallas,
Deep Ellum,1 where colored folks could stand.
Saw his show in Tylers Palace.2
Ghost trains would trumpet past our home,
passing its porch with Pullman cars
that carried white folks to and from
towns with names like Texarkana.
Those evening trains were lit like stars . . .
all the way to Corsicana.
My dad would play on our piano,
plunking out some boogies bitter bars.
A railroad clerk, he ran with woe,
drugging that journey with his gin . . .
Born for Christ in nineteen thirty-fi ve,
I bear a cross of love within,
to help somebodys heart survive.
Our darkest years saw Dukes comeback.
For Duke would joy his band with jive,
trumpeting his A Train on Loves track.
1Deep Ellum is on Elm Street in Dallas, Texas.
2the only black theater in Tyler, Texas.
October 17, 2009
Remembered Names 139
ON ELLINGTONIA
If you dig elegance,
his music is your mistress.
Take the A Train to dance
up in Harlem, with fi nesse,
if only in memory;
its in my solitude,
in my souls reverie.
In a sentimental mood
Im moving, Im praying:
Dear Lord, in heaven above,
keep us sweetly swaying
to Ellingtons deep groove.
Johnny Hodges is so hip,
when he swings Warm Valley,
that hell take you on a trip
to glory, to Gods alley;
hell give you a poets tip:
It dont mean a thing, man,
if it aint got that swing
a fantasy, black and tan!
Such love is everlasting.
The Duke would love you madly!
For his sound is so haunting,
as we glide to it, gladly.
November 9, 2009
Donley Phillips
About the Author Donley R. Phillips, a writer-poet, was born December 21, 1935, in Tyler, Texas. In 1945, near the end of World War II, Phillips lived in San Antonio, Texas. He attended segregated public schools: elementary school, Frederick Douglas Junior High School, and Phyllis Wheatley High School. In the early fifties, Phillips was elected president of the NAACP Youth Council. Along with Thurgood Marshall and Harry Burns of the NAACP, he actively participated to end public school segregation in San Antonio and the South. In 1953, Phillips was awarded a scholarship to tour Europe in a student exchange program, sponsored by the NAACP. Upon his return to the USA, he received a Ford Foundation Scholarship to attend Morehouse College in Atlanta, Georgia. In 1955, Phillips moved to Los Angeles, California. He continued his involvement in the Civil Rights Movement, with the NAACP and Martin Luther King Jr. During the sixties, he participated in the San Francisco marches. He also was a protester at the anti–Vietnam War rallies together with William McNeil during the late sixties and early seventies in southern California. Phillips presently resides in Los Angeles and is a Beverly Hills Optimist Club International member (promotes positive development of youth).
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Remembered Names - Donley Phillips
Contents
ACKNOWLEDGMENTS
MEMENTO MORI
THE CREEK BEHIND
MY AUNT’S RANCH HOUSE
HOMECOMING
MOTHER AT HER WINDOW
1211 WEST CLAUDE STREET,
TYLER, TEXAS
MY GRANDPARENTS’ NEIGHBORS
IN SOLITUDE, IN LA
HYMNAL
IN ST. AUGUSTIN CHURCH,
PARIS, 1980
I LIVE
THE SUPPLIANT
THE WHITEWASHERS:
LATE 20TH CENTURY POSTSCRIPT
LEGACY
LORE
COMMUNIONS
SO LITTLE, LORD
AFTER THE HOLOCAUSTS
RUSH HOUR ON A CITY BUS
STARGAZERS
IN TYLER, TEXAS, CIRCA 1947
OF ROOTS AND OTHER THINGS
THE WELL-WATER BLUES
THE BOTTOM
GENERATIONS
ONE SOUL BROTHER TO ANOTHER
BALLAD
FREEDOM RIDERS
FRAGMENTS
ON GENESIS
ON LEAVING JERUSALEM,
IN AUGUST 1979
THE OTHER SIDE
WORK SONG
ON LISTENING TO A RECORDING
OF JOHN COLTRANE’S DEAR LORD
ORPHEUS IN NEW YORK
ANCESTRAL GROUND
AMERICANA
LIKE DOGWOOD BLOSSOMS’ BLAZING CROSS, IN ATLANTA, GEORGIA, SPRING 1955
AMERICAN INFERNO
EVERYMAN
MEMENTO
THE BATHROOM
THE PYRAMID
THE PRESENT TENSE
PARTICULARS
LONDON, SEPTEMBER 1979
ON THE DEATH OF MIMSIE,
MY MAINE COON CAT
SEPIA LADY’S SONG
FIRST LOVE
LA TIME MACHINE
PAEAN
SONNET
OVERTURE
EARLY ROSES
LIGHTING THE NIGHT
ALL THE TIME IN THE WORLD
ENCOUNTER
EPITAPH
CLOCK-WATCHING
LODESTAR
AT SHAKESPEARE’S DEATHBED
LIKE LAZARUS
THE RAINY SEASON
JAZZ SUMMER
ELEGY FOR MY UNWRITTEN LINES
SOME POETS
ATHENS, 1979
THIS SIXTY-FOUR-YEAR-OLD
EVENSONG FOR EARTH
CROSSINGS
ALL THINGS
AN OLD POET’S DREAM
A PARADOX
THE SCENT OF HONEYSUCKLE
THE CONQUERORS
TO A WOULD-BE PROPHET
SUNSET IN LA
BIRD LORE
DENIAL
DIVING IN
PRELUDE
OLD-TIMERS
ELEGY FOR JOE DELANEY, RUNNING BACK FOR THE KANSAS CITY CHIEFS
NOCTURNE
AMERICA IN THE DARK
LA 1999
EVERYMAN II
EURYDICE
ANCIENT SLEEP
A DAY
THE SECOND COMING:
CONFESSION
THE PRESENCE
FOUND
A GIRL AT A Y.W.C.A. CHRISTMAS DANCE
IN SAN ANTONIO IN 1952
REQUIEM FOR THE TWENTIETH CENTURY
ON JACOB LAWRENCE’S ‘LADDERS’
THE THANKSGIVERS
REVELATION
A LOVE SONG
LIKE A ROSE
ON SOME BLACK TEACHERS
ENDNOTES
To my mother, Billie M. Ware; my sister, Carolyn L. Wallrich;
my grandparents, Diora and Jody Phillips and Emma Louise and Will R. Downey; my aunt, Sadie Melton, and her husband, Frank Melton, and their daughter, Francine Bryant.
This book is also dedicated to
Barbara Mounts
Gloria Lindsay-Hobbs, PhD
Victor George
Samuel Allen
Leonard Taylor
Rose Clements
Harry Burns
William McNeil
Rev. Dr. Martin Luther King Jr.
Justice Thurgood Marshall
Rosa Parks
T. M. Alexander Jr.
T. M. Alexander Sr.
Jeanne Jackson and
her brother, Maynard Jackson
Kim and Bill Downey
Ethel Owens
Madame Beatrix of Paris, France
Toni Morrison
Rev. Dr. Cecil L. Murray
Florence Anderson
Willis Bonner
Myra Hemmings
Burghardt Edwards Jr.
Dr. Eugene Fuller and his wife, Mae
Dewey Edward Chester
Jacob Lawrence and his wife Gwendolyn Knight, painters
Joyce Whitaker
Cheryl R. Leigh
Benny Carter, jazz artist
ACKNOWLEDGMENTS
I wish to thank my sister, Carolyn L. Wallrich, and Rose Clements, my friend and publicist, for their support in making this book possible. In addition, I should like to extend my gratitude to the novelist Toni Morrison for her encouragement.
Donley Phillips
After great pain, a formal feeling comes.
—Emily Dickinson
Image #1.JPGMs. Billie Marie Ware