Fragments of a Revolution
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1969: Revolution in Mexico!
Decades later, charismatic guerrilla leader Lorenzo is living in Europe with a young son. Approached by a German revolutionary organization for his account of the conflict, he struggles to recall repressed memories of violence, absurdity, and tragedy. Lorenzo's past returns in Seb Doubinsky's kaleido
Seb Doubinsky
Seb Doubinsky is a French bilingual writer, born in 1963 in Paris. He has published more than 15 novels and 6 poetry collections in France, the UK and the USA. His fiction can be seen as a mosaic of different styles and subjects, although it is always centered on the questions of freedom and identity. He currently lives and teaches in Aarhus, in Denmark, with his wife and their two children.
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Fragments of a Revolution - Seb Doubinsky
PRAISE FOR SEB DOUBINSKY
Seb Doubinsky is a great writer, both rambuctious and subtle, who can do anything…Read his work.
—Jeff VanderMeer, NYT-bestselling author of The Southern Reach Trilogy
Sébastien Doubinsky is among the most important authors writing today, arguably in some realities the most important writer working today.
—Paul Gallagher, Dangerous Minds
Doubinsky, a self-professed anarchist, is writing prophetic Protest Lit in the classic tradition of Orwell or Huxley.
—T. E. Grau, author of The River
ALSO BY SEB DOUBINSKY
THE CITIES-STATES INTERRELATED NOVELS
The Babylonian Trilogy
The Song of Synth
Absinth
White City
Omega Gray
Suan Ming
Missing Signal
The Invisible
POETRY COLLECTIONS
Mothballs
Zen and the Art of Poetry
Spontaneous Combustions
Mountains
This Little Poem
FRAGMENTS OF A REVOLUTION
Copyright © 2021 by Seb Doubinsky
ISBN: 978-1-7340126-4-4
ISBN: 978-1-7340126-6-8 (e-book)
This paperback edition published by Stalking Horse Press, May 2021
All rights reserved. Except for brief passages quoted for review or academic purposes, no part of this book may be reproduced, stored in a retrieval system, or transmitted by any means without the written permission of the author and publisher. Published in the United States by Stalking Horse Press.
The characters and events in this book are fictitious. Any similarity to real persons, living or dead, is coincidental and not intended by the author.
www.stalkinghorsepress.com
Design by James Reich
Cover painting: Diego Rivera Zapatista Landscape
(1915)
Stalking Horse Press
Santa Fe, New Mexico
CONTENTS
Prologue
San Juan Del Desierto Sonora April 2nd 1969
Mexicali April 5th 1969
Somewhere On The Road Back From Tijuana April 12th
Mexicali Same Evening April 12th
Tijuana April 18th
Tijuana April 20th
Tijuana April 21th
Kbtv Television Station April 26th
Epilogue
About Seb Doubinsky
DEDICATION
To the Subcomandante Marcos, for the accidents of histories, to Paco Ignacio Taibo II, for the domino evenings and to Claudio Bogantes, for the portrait of Zapata hanging on my office wall.
Meditation in the midst of action is a worth a thousand times more than meditation in the midst of peacefulness.
—Hakuin
FRAGMENTS OF A REVOLUTION
« D. C. V. X. V. I. «
—Blaise Cendrars.
PROLOGUE
DARK BIRDS crossed the eye of the sun, burning high overhead like the aura of a vengeful Christ. They weren’t vultures yet, but the vultures would come soon enough. The man felt dizzy and the sea replaced the sky.
He tried vainly to hold on to the reins, but slouched slowly to the ground. The horse stopped and waited next to its dismounted rider. The ocean muttered secret prayers. The waves licked the boots of the man lying on the wet sand, arms outstretched, his face turned toward the never-ending blue.
All this water,
he thought, and nothing to drink…
His mouth opened with a mute laughter, a web of spit mingled with the salt on his beard. The ocean turned away its powerful shoulders. The horse’s ears made a perfect angle.
If this is death, it is really quiet.
SAN JUAN DEL DESIERTO SONORA APRIL 2ND 1969
1
THE ANGRY MOB stormed the cantina, its double doors slamming open against the stucco walls. The music seeping out of the jukebox was drowned out and the thick cigar smoke was ripped like a theatre curtain. The crowd pushed in front of them a swearing and struggling fat man, his eyes wide with fear. The eyes of a horse surrounded by flames
Lorenzo thought. Sitting comfortably, he took a sip of his beer, which was as warm and flat as the woman he had slept with last night. He searched briefly for her name, but without luck. The procession trampled by, a few inches away from his boots and—amongst the crowd—he recognized the faces of Marco and Patricio, two of his compañeros on this expedition, energetically twisting the prisoner’s arms behind his back. A few women were shrieking hysterically.
Hang him! Hang him!
A hand fell on Lorenzo’s shoulder and he looked up, startled.
Sven was smiling down at him. May I sit down?
he asked, pointing at a vacant chair at the Italian’s table.
Sure.
Sven was a young Dane. A month ago, he had been on his way to Mexicali when he had met the small gang in a run-down motel where they had taken refuge for the night. A student in theology at the University of Copenhagen, he had discovered—by chance, in a 1763 Jesuit correspondence—a reference to an old book, El Libro de Esmeralda, which Columbus’ astrologist had brought with him to the new world. According to Sven, this book contained very crucial esoteric secrets, linked the school of Odessa, a lost Gnostic society. The last mention of this book dated back to 1867. A French Expeditionary Corp officer, Commander Vinson, himself an amateur of occult studies, had sent a letter to his wife in which he talked about the book a day before getting killed at the battle of Queretaro. According to Vinson, the book could be found in Mexicali. Sven was convinced it was still there. Lorenzo thought his comrade was at least a little crazy, not to say more, but his enthusiasm was contagious, and he had to admit that his quest did add some poetry to this revolution.
Who’s the fat guy?
the Dane asked, waving to the waitress.
The owner of the general store. All of the village owes him money.
The man fell to his knees, praying in Spanish.
Marco made him stand while a rope travelled from hand to hand through the crowd. A long balcony overlooked the bar. One end of the rope was thrown through its railing, where somebody tied it fast. A noose was made swiftly with the other end. Patricio hoisted the man up onto the counter and Marco, already there, put the noose around his neck.
The grocer suddenly attempted a desperate escape, scrambling with his hands and feet, but to no avail. He found himself with a broken nose and his hands tied painfully behind his back. A moment later, Marco pushed him forward with a strong kick in the ass. The man screamed, gargled, shook, twitched for two long minutes until he finally remained motionless.
Immediately, the bartender poured tequila in an army of empty glasses. To the cheers of the surrounding