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Reverberations from Fukushima: 50 Japanese Poets Speak Out
Reverberations from Fukushima: 50 Japanese Poets Speak Out
Reverberations from Fukushima: 50 Japanese Poets Speak Out
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Reverberations from Fukushima: 50 Japanese Poets Speak Out

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This anthology conveys the enormity of Fukushima, the first nuclear disaster of the 21st Century, on both the environmental and human scale. Contributions by Nobel Peace Prize nominee Dr. Helen Caldicott, Fairewinds Energy Education founder Maggie Gundersen, and professor emerita Dr. Norma Field discuss the nuclear disaster in the con

LanguageEnglish
Release dateMar 11, 2021
ISBN9781736283219
Reverberations from Fukushima: 50 Japanese Poets Speak Out

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    Reverberations from Fukushima - Parkdale Press LLC

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    Praise for the Second Edition

    This collection of poems is essential reading, as are the essays. The decisions we make in our own communities with regards to this technology must be guided, not just by scientific abstraction—but by our ability to fully imagine what is at risk. The poets in this book engage our hearts and imagination in a way that is critical for our understanding. I wept reading this book and you will too.

    —Melissa Tuckey, editor of Ghost Fishing: An Eco-Justice Poetry Anthology

    Poetry speaks the language of the heart, and this is the language of peace and justice. Poetry does not prevaricate or justify. It looks at what is or may be, and finds insights, new and old. The fifty Japanese poets in this book on Fukushima are focused on a technological tragedy. One cannot read these poems without feeling the very real threat posed by the so-called peaceful uses of nuclear power. First, Japan was the victim of the atomic bombings of Hiroshima and Nagasaki. And then came Fukushima. These poems are love letters to humanity, warnings of the possibility of extinction.

    —David Krieger, President Emeritus of the Nuclear Age Peace Foundation

    The conversation about nuclear power usually centers on scientific and technical details, limiting the debate to experts." Yet every aspect of nuclear power generation, including uranium mining, nuclear accidents and nuclear waste disposal, affects all of us as it inevitably results in environmental injustice and human suffering. Ten years after the Fukushima nuclear disaster, the second edition of Reverberations from Fukushima makes a significant contribution to the anti-nuclear conversation, helping us grasp the true cost of nuclear power and what it means for impacted people and their health. The poems and essays featured in the book help us fathom the unfathomable and understand the injustice inherent in nuclear power from a deeply human perspective."

    —Kelly Campbell, Executive Director, Oregon Physicians for Social Responsibility

    The poems and essays in this important anthology greatly impacted me, especially the writings of Dr. Helen Caldicott on the health damage to children from the Fukushima Daiichi nuclear disaster. I was born and raised in the radiation plumes downwind from the Hanford nuclear facility in Washington State. I now suffer from severe thyroid dysfunction and other disabling radiogenic diseases. In spite of the broad range of radiogenic cancers and other diseases that can result from radiation exposure, only thyroid damage has been tracked in the downwinders of Fukushima and Hanford. The human health toll of environmental radiation exposure extends far beyond thyroid damage. Obfuscation of this truth constitutes an unforgiveable wrong against those of us irretrievably harmed by these exposures.

    —Trisha T. Pritikin, The Hanford Plaintiffs: Voices from the Fight for Atomic Justice

    Praise for the First Edition

    Poetry may not be capable, in the literal sense, of cleansing Japan and the world of radioactive particles released into the atmosphere, groundwater, soil and seawater from the nuclear disaster at Fukushima. But poetry can cleanse the insensitive atmosphere of perception, the upturned ocean of sorrow, the groundwater of despair. And the poems in this anthology most certainly provide a means to experience something that, hopefully, we will never have to experience. Each poem here provides language as a living response, examples of a consciousness turned toward extremity, and ultimately a primal commitment to the art of witness.

    —David Biespiel, author of The Book of Men and Women

    Here, finally reaching our shore, the first wave of poems out of Fukushima: disaster in the first-person, no longer paraphrased, managed, or supposed. These are the voices that bring the experience closer than journalism ever could, that ask us to plant ourselves in the path of contamination, fear, betrayal. Our losses become all too real….

    —Kathleen Flenniken, author of Plume

    Sometimes a poet can grasp the human significance of a technological failure better than a scientist. We are fortunate to have these poetic voices from Japan collected here. May we hear them and, more importantly, may we heed them.

    —John Pearson, MD, Past President, Oregon Physicians for Social Responsibility

    Reverberations from Fukushima

    The cart that overturns on the road ahead is a warning to the one behind. – Buddhist proverb

    Table of Contents

    Acknowledgements xiii

    Foreword by Dr. Helen Caldicott xv

    Preface to the Second Edition xvii

    Introduction

    Fukushima: Ten Years After xix

    This will still be true tomorrow:

    Fukushima Ain’t Got the Time for Olympic Games xxix

    SMALL MODULAR REACTORS—SAME NUCLEAR DISASTERS xxxv

    A LETTER FROM THE SHROUD 1

    THE WALLS 3

    IF A MAN SNATCHES FIRE 4

    ON THE NIGHT MARKING SUMMER’S END 6

    SITE WHERE DANGEROUS OBJECTS ARE BURIED 8

    FRESH AIR 9

    TO GIVE BIRTH 10

    A LAND OF SORROW: A CITY SPIRITED AWAY BY GOD 12

    HEAVY DAYS AND YEARS 15

    A PHANTOM COUNTRY OF CIVILIZATION 16

    WHAT SHOULD WE DO? 17

    EINSTEIN’S VOICE 19

    LIKE TOMATOES 20

    TRANSITION OF A MYTH 21

    HELEN KELLER’S FINGERTIPS 22

    GIVE US BACK EVERYTHING 23

    FUKUSHIMA 25

    THE DAY MY PROFESSIONAL CAREER ENDED 27

    CHURCH ROCK & FUKUSHIMA 29

    THE POLLUTION OF OUR ANCESTRAL LAND 31

    OUR HOUSEDOG WAS WATCHING US 32

    A DIFFERENT VERSION OF A RECORD OF THE LIVING 33

    A VISIT TO A NUCLEAR POWER STATION 35

    SWINDLING OF ONE MILLION YEARS 36

    THE TEN MILLION DOLLAR NIGHT VIEW 38

    A SONG FOR TOMORROW 39

    MY HOME, NAMIEMACHI 40

    TO MY HOME 41

    FETAL ACTIVITY OF BLUE 42

    DECONTAMINATION 43

    LIFE IS A TRUE TREASURE 44

    FAIRYLAND 45

    THE PLACE WHERE THE SOUL FLIES 46

    WASH 47

    THE BEAUTIFUL FUTURE 48

    THE HEARTBEAT 49

    TO THE NEW GENERATIONS 50

    OH, HOW I WISH TO HAVE A FULL-BLOOMING CHERRY TREE 51

    TO TELL YOU THE TRUTH 52

    STEALTH 53

    AT TOMARI NUCLEAR PLANT 54

    YOU’RE GONNA GET IT! 56

    THE DARKNESS OF BUILDING MORE NUCLEAR PLANTS 57

    THE REVIVED PIANO 58

    THE SOUND OF WAVES X 59

    RESTART 61

    LET’S LISTEN TO THE VOICELESS VOICE 62

    THE FIRE IN HELL 63

    THE HOLLOW EARTH 64

    BUDDING 65

    Remarks about Editing the Translations in Reverberations from Fukushima 67

    Page References for the Poems 69

    About the Editor 73

    Bilingual First Edition 74

    Also by Leah Stenson 75

    Copyright 76

    Acknowledgements

    It has taken a global village spread over three continents to publish the first and second editions of Reverberations from Fukushima. To everyone who played a part in helping me raise awareness of the Fukushima nuclear disaster and its dire consequences, I am sincerely grateful.

    First and foremost among contributors to the second edition is Maggie Gundersen, founder of Fairewinds Energy Education. She has been an inspiration in her steadfast effort to educate the public about the dangers of nuclear power. In addition to promoting the first edition of Reverberations from Fukushima by reviewing the book in the Fairewinds Energy Education newsletter, she contributed the introduction to the second edition and was tremendously supportive as I labored to prepare the book. Moreover, it was Maggie who introduced me to Norma Field, professor emerita, University

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