The Importance of Being Earnest (Warbler Classics)
By Oscar Wilde and Ulrich Baer
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About this ebook
Often considered the wittiest play in the English language, The Importance of Being Earnest has thrilled audiences for nearly one hundred and fifty years with undiminished sparkle, wit, and bite. Many of Wilde's famous epigrams are uttered by the memorable characters in this comedy of mistaken identities. But th
Oscar Wilde
Oscar Wilde (1854–1900) was a Dublin-born poet and playwright who studied at the Portora Royal School, before attending Trinity College and Magdalen College, Oxford. The son of two writers, Wilde grew up in an intellectual environment. As a young man, his poetry appeared in various periodicals including Dublin University Magazine. In 1881, he published his first book Poems, an expansive collection of his earlier works. His only novel, The Picture of Dorian Gray, was released in 1890 followed by the acclaimed plays Lady Windermere’s Fan (1893) and The Importance of Being Earnest (1895).
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The Importance of Being Earnest (Warbler Classics) - Oscar Wilde
The Importance of Being Earnest
First Warbler Classics Edition 2020
First published in 1899 by Leonard Smithers, London
Afterword and Biographical Timeline © 2020 Ulrich Baer
All rights reserved. Afterword and Biographical Timeline may not be reproduced in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission from the publisher, which may be requested at permissions@warblerpress.com.
isbn
978-1-7355151-2-0 (paperback)
isbn
978-1-7355151-3-7 (e-book)
warblerpress.com
Printed in the United States of America. This edition is printed with
chlorine-free ink on acid-free interior paper made from 30% post-consumer
waste recycled material.
The Importance of Being Earnest
A Trivial Comedy for Serious People
OSCAR WILDE
afterword by ulrich baeR
Contents
First Act 1
Second Act 27
Third Act 58
Afterword by Ulrich Baer 75
Saturday Review by George Bernard Shaw 86
The Unimportance of Being Oscar by Mary McCarthy 89
Biographical Timeline 94
The Persons of the Play
John Worthing, J. P.
Algernon Moncrieff
Rev. Canon Chasuble, d.d.
Merriman,
Butler
Lane,
Manservant
Lady Bracknell
Hon. Gwendolen Fairfax
Cecily Cardew
Miss Prism,
Governess
The Scenes of the Play
Act I
Algernon Moncrieff’s Flat in Half-Moon Street, W.
Act II
The Garden at the Manor House, Woolton.
Act III
Drawing-Room at the Manor House, Woolton.
Time. … The Present
London: St. James’s Theatre
Lessee and Manager: Mr. George Alexander
February 14th, 1895
John Worthing, J. P.
Mr. George Alexander
Algernon Moncrieff
Mr. Allen Aynesworth
Rev. Canon Chasuble, d.d.
Mr. H. H. Vincent
Merriman
(Butler) Mr. Frank Dyall
Lane
(Manservant) Mr. F. Kinsey Peile
Lady Bracknell
Miss Rose Leclercq
Hon. Gwendolen Fairfax
Miss Irene Vanbrugh
Cecily Cardew
Miss Evelyn Millard
Miss Prism
(Governess) Mrs. George Canninge
First Act
SCENE—Morning-room in Algernon’s flat in Half-Moon Street. The room is luxuriously and artistically furnished. The sound of a piano is heard in the adjoining room.
(Lane is arranging afternoon tea on the table, and after the music has ceased, Algernon enters.)
Algernon.
Did you hear what I was playing, Lane?
Lane.
I didn’t think it polite to listen, sir.
Algernon
. I’m sorry for that, for your sake. I don’t play accurately—anyone can play accurately—but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.
Lane.
Yes, sir.
Algernon
. And, speaking of the science of Life, have you got the cucumber sandwiches cut for Lady Bracknell?
Lane.
Yes, sir. (Hands them on a salver.)
Algernon
. (Inspects them, takes two, and sits down on the sofa.) Oh! … by the way, Lane, I see from your book that on Thursday night, when Lord Shoreman and Mr. Worthing were dining with me, eight bottles of champagne are entered as having been consumed.
Lane.
Yes, sir; eight bottles and a pint.
Algernon
. Why is it that at a bachelor’s establishment the servants invariably drink the champagne? I ask merely for information.
Lane.
I attribute it to the superior quality of the wine, sir. I have often observed that in married households the champagne is rarely of a first-rate brand.
Algernon
. Good Heavens! Is marriage so demoralizing as that?
Lane.
I believe it is a very pleasant state, sir. I have had very little experience of it myself up to the present. I have only been married once. That was in consequence of a misunderstanding between myself and a young person.
Algernon
. (Languidly.) I don’t know that I am much interested in your family life, Lane.
Lane.
No, sir; it is not a very interesting subject. I never think of it myself.
Algernon
. Very natural, I am sure. That will do, Lane, thank you.
Lane.
Thank you, sir.
(Lane goes out.
Algernon
. Lane’s views on marriage seem somewhat lax. Really, if the lower orders don’t set us a good example, what on earth is the use of them? They seem, as a class, to have absolutely no sense of moral responsibility. (Enter Lane.)
Lane.
Mr. Ernest Worthing.
(Enter Jack.) (Lane goes out.)
Algernon
. How are you, my dear Ernest? What brings you up to town?
Jack.
Oh, pleasure, pleasure! What else should bring one anywhere? Eating as usual, I see, Algy!
Algernon
. (Stiffly.) I believe it is customary in good society to take some slight refreshment at five o’clock. Where have you been since last Thursday?
Jack.
(Sitting down on the sofa.) In the country.
Algernon
. What on earth do you do there?
Jack. (Pulling off his gloves.) When one is in town one amuses oneself. When one is in the country one amuses other people. It is excessively boring.
Algernon
. And who are the people you amuse?
Jack.
(Airily.) Oh, neighbours, neighbours.
Algernon
. Got nice neighbours in your part of Shropshire?
Jack.
Perfectly horrid! Never speak to one of them.
Algernon
. How immensely you must amuse them! (Goes over and takes sandwich.) By the way, Shropshire is your county, is it not?
Jack.
Eh? Shropshire? Yes, of course. Hallo! Why all these cups? Why cucumber sandwiches? Why such reckless extravagance in one so young? Who is coming to tea?
Algernon
. Oh! merely Aunt Augusta and Gwendolen.
Jack.
How perfectly delightful!
Algernon
. Yes, that is all very well; but I am afraid Aunt Augusta won’t quite approve of your being here.
Jack.
May I ask why?
Algernon
. My dear fellow, the way you flirt with Gwendolen is perfectly disgraceful. It is almost as bad as the way Gwendolen flirts with you.
Jack.
I am in love with Gwendolen. I have come up to town expressly to propose to her.
Algernon
. I thought you had come up for pleasure? … I call that business.
Jack.
How utterly unromantic you are!
Algernon
. I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty. If ever I get married, I’ll certainly try to forget the fact.
Jack.
I have no doubt about that, dear Algy. The Divorce Court was specially invented for people whose memories are so curiously constituted.
Algernon
. Oh! there is no use speculating on that subject. Divorces are made in Heaven——(Jack puts out his hand to take a sandwich.
Algernon
at once interferes.) Please don’t touch the cucumber sandwiches. They are ordered specially for Aunt Augusta. (Takes one and eats it.)
Jack.
Well, you have been eating them all the time.
Algernon
. That is quite a different matter. She is my aunt. (Takes plate from below.) Have some bread and butter. The bread and butter is for Gwendolen. Gwendolen is devoted to bread and butter.
Jack.
(Advancing to table and helping himself.) And very good bread and butter it is too.
Algernon
. Well, my dear fellow, you need not eat as if you were going to eat it all. You behave as if you were married to her already. You are not married to her already, and I don’t think you ever will be.
Jack.
Why on earth do you say that?
Algernon
. Well, in the first place girls never marry the men they flirt with. Girls don’t think it right.
Jack.
Oh, that is nonsense!
Algernon
. It isn’t. It is a great truth. It accounts for the extraordinary number of bachelors that one sees all over the place. In the second place, I don’t give my consent.
Jack.
Your consent!
Algernon
. My dear fellow, Gwendolen is my first cousin. And before I allow you to marry her, you will have to clear up the whole question of Cecily. (Rings bell.)
Jack.
Cecily! What on earth do you mean? What do you mean, Algy, by Cecily? I don’t know anyone of the name of Cecily.
(Enter Lane.)
Algernon
. Bring me that cigarette case Mr. Worthing left in the smoking-room the last time he dined here.
Lane.
Yes,