Mary Magdalene: A Play In Three Acts
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Mary Magdalene - Maurice Maeterlinck
Maurice Maeterlinck
Mary Magdalene
A Play In Three Acts
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066448240
Table of Contents
Mary Magdalene: A Play In Three Acts
Characters
Act I
Act II
Act III
Mary Magdalene: A Play In Three Acts
Table of Contents
BY MAURICE MAETERLINCK
TRANSLATED BY ALEXANDER TEIXEIRA DE MATTOS
THIRD EDITION
METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON
First Edition published by Mcthutn &• Co. Ltd....October 6th, 1910 Second Edition ....October 1910 Third Edition.....January 1911
Author's Note
Characters
Act I
Act II
Act III
AUTHOR'S NOTE:
I have borrowed from Mr. Paul 'Heyse's drama, Maria von Magdala, the idea of two situations in my play, namely, at the end of the first act, the intervention of Christ, who stops the crowd raging against Mary Magdalene with these words, spoken behind the scenes: He that is without sin among you, let him cast the first stone;
and, in the third, the dilemma in which the great sinner finds herself, of saving or destroying the Son of God, according as she consents or refuses to give herself to a Roman.
Before setting to work, I asked the venerable German poet, whom I hold in the highest esteem, for his permission to develop those two situations, which, so to speak, were merely sketched in his play, with its incomparably richer plot than mine; and I offered to recognize his rights in whatever manner he thought proper. My respectful request was answered with a refusal, none too courteous, I regret to say, and almost threatening.
From that moment, I was bound to consider that the words from the Gospel, quoted above, are common property; and that the dilemma of which I speak is one of those which occur pretty frequently in dramatic literature. It seemed to me the more lawful to make use of it inasmuch as I had happened to imagine it in the fourth act of Joyzelle, in the same year in which Maria von Magdala was published and before I was able to become acquainted with that play.
I will add that, excepting the principle of these two situations, in all that concerns the subject of the play, the conduct of the action, the persons, the characters, the evolution and the atmosphere, our two works have absolutely nothing in common: not a phrase, not a cue of the one will be found in the other.
Having said this, I am happy to express to the aged master my gratitude for an intellectual benefit which is none the less great for being involuntary.
Maurice Maeterlinck.
CHARACTERS:
Table of Contents
Lucius Verus, a military tribune
Annceus Silanus
Appius
Ccelius
Lazarus
Joseph Of Arimathea
Nicodemus
Bartimaeus
Slaves, Blind Men, Cripples, Sick Men, Vagrants, and Men Cured By Miracles, Etc.
Mary Magdalene
Martha
Mary Cleophas
Mary Salome
Other Saints, Beggar-women, and Harlots, Etc.
The first and second acts take place at Bethany; the third act at Jerusalem.
ACT I:
Table of Contents
(The gardens of ANNCEUS SILANUS at Bethany. A Roman terrace. A quincunx. Marble benches, porticoes, and statues. In the center, there is a basin with a fountain. Arbors. Orange-trees and laurel-trees are in the stone vases. A balustrade on the right side and the left side, overlooking the valley. A balustrade at the back side, open at the middle to give access to a walk lined with plane-trees and statues and ending in a thick hedge of laurels which closes the garden.)
SCENE I:
(Enter ANNCEUS SILANUS and LUCIUS VERUS.)
SILANUS: Here is the terrace, the glory of my little domain: it reminds me of my terrace at Praneste, which was the crown of my desires. Here are my orange-trees, my cypresses and my oleanders. Here is the fish pond, the portico with the images of the gods: one of them is a statue of Minerva, discovered at Antioch. (Pointing to the landscape on the left.) And here you have the incomparable view over the valley, where spring already reigns. We hang midway in space. Admire the anemones streaming down the slopes of Beth any. It is as though the earth were ablaze beneath the olive-trees. Here I relish in peace the advantages of old age, which knows how to take pleasure in the past; for youth narrows the enjoyment of good things, by considering only those which are present. . . .
VERUS: At last! Here are trees and water and grass! . . . . I had lost the memory of them since my arrival in this stony desert which men call Judea. . . . But how comes it, Oh my good master, that you have taken up your abode near that dull and barren city, where the soil is abominable, where the men are ugly, churlish, crafty and mischievous, unclean and barbarous?
SILANUS: As you know, I came with the Procurator Valerius Gratus to Caesarea; then I returned to Rome, where you were for some time my faithful and favorite pupil. But soon I became ashamed of teaching a wisdom whose certainties be came more doubtful to my mind as the assurance wherewith I proclaimed them Mary Magdalene increased. I was brought back here, to this barbarous Judea, by the strangest curiosity. During my first sojourn, I had begun to study the sacred books of the Jews. They are crude and bloodthirsty; but they also contain beautiful myths and the early efforts of an uncivilized but, at times, singular wisdom. They have not yet wearied me.
VERUS: Yes, our friend Appius, whom I met at Antioch, told me of your studies and of your sudden and inordinate passion for old Jewish books....
SILANUS: He will be here shorty....
VERUS: Who? Appius?....Is he at Jerusalem?
SILANUS: Did you not know? . . . But how long have you yourself been in this country? . . . In your letter of two days since, you did not tell me. . . .
VERUS: Nearly a week; and I wished to give my first leisure to you. I left Antioch to go to Jerusalem with the Procurator Pontius Pilate. He fears disturbances and will probably need the help of my old legionaries. . . .
SILANUS: The spacious, ample Appius, whose words are as rambling as his habits and bring together the most distant friends, spoke to me of you, even as he spoke to you of me. He told me that, when he had the good fortune to meet you at Antioch, you seemed