Clara Schumann, Pianist and Composer
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About this ebook
From the moment four-year-old Clara Wieck Schumann heard music coming from her father's piano store, she wanted to play the piano. She became a child prodigy and made her debut at nine and went on to have the longest concert career of any woman in the nineteenth century. At the age of eighteen, she was named Royal and Imperial Virtuosa—the highest musical honor in Austria.
Clara wanted to do more than entertain. She wanted the audience to feel love, sorrow, joy, and beauty. She achieved this with a new style of playing the piano. She managed to have a sixty-year concert career, marry Robert Schumann and oversee his estate, plus raise their eight children. As a celebrated composer, she wrote a piano concerto, chamber music, songs, pieces for piano, and her most well-known work, the Piano Trio in G Minor.
Janet Nichols Lynch
Janet Nichols Lynch is the author of twelve books, including Wheel of Fire, My Beautiful Hippie, Messed Up, and Racing California. Her fiction has appeared in The New Yorker, Seventeen, and elsewhere. She has an MA in Music and an MFA in Creative Writing. She and her husband live in Visalia, California, and they have two grown children. Lynch’s website is www.JanetNicholsLynch.com. Find her on Facebook @JanetNicholsLynch and on Twitter @JanetNicLynch.
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Clara Schumann, Pianist and Composer - Janet Nichols Lynch
Chapter 1
Bright Light
One spring day in 1824, four-year-old Clara Wieck sat in the nursery with her three younger brothers, Alwin, Gustav, and baby Victor. Clara was thin and petite with sloping shoulders. She had a pointed chin and wide, dark eyes. She was a serious girl who rarely smiled. Alwin and Gustav babbled in baby-talk, Victor wailed, but Clara was perfectly silent. Clara was always quiet—mute. She had not yet spoken a word. The people of Leipzig whispered gossip about her. Nearly five years old and not a single word out of her! The child must be simple. Maybe she was deaf. How tragic for Music Master Wieck to have such a daughter!
But Clara was not deaf. From her window seat in the nursery she could hear the customers downstairs, bustling in and out of her father’s piano store to buy or rent sheet music. Ping-ping
went the keys of the pianos as her father tuned them. The silvery tones of her mother’s singing voice soared up the staircase. The piano music of her father’s students rang out. Clara heard the glorious strains of music wafting through the house all day long.
Leipzig, a city in Saxony-Germany, was famous for its musicians and music publishing industry. The illustrious Johann Sebastian Bach had conducted the choir, played the organ, and composed in St. Thomas Church during the previous century. Later, the composer Felix Mendelssohn conducted the Leipzig Gewandhaus Orchestra and his sister Fanny, who also composed, opened her home to famous musicians from all over Europe. Busy highways and three converging rivers made Leipzig an important trade center. The wealthy merchants and craftsmen of the city were eager to spend time and money attending concerts and playing music in their own homes.
In Leipzig, a family of musicians was highly respected and could make a good living. Clara’s father, Friedrich Wieck, loved music since he was a small boy, but his family was too poor to afford music lessons for him. Growing up, he was often cold, hungry, and sick. As an ambitious young man, he was determined to make a better life for himself. He studied at the University of Wittenberg, then worked as a tutor for children of rich families. He taught himself how to play and repair pianos. After tutoring for nine years, he borrowed money from a friend to open a store to sell pianos and give lessons. Through natural talent and hard work, Friedrich built the reputation of one of the finest piano teachers in Leipzig.
Clara’s mother, Marianne Tromlitz Wieck, was a professional singer and often sang with the Gewandhaus Orchestra. Her first child, a daughter named Adelheid, was born in 1818, but died as a baby. Clara Josephine Wieck was born in Leipzig on September 13, 1819. Three boys were born in quick succession: Alwin in 1821, Gustav in 1823, and Victor in 1824. Clara’s father chose her name, which means bright light.
He was determined to make her a famous pianist who would earn him the great fortune he coveted.
But how could Clara become a great musician if she couldn’t even talk? Friedrich grew impatient waiting for her words. That spring day in 1824 he summoned his four-year-old daughter from the nursery, and when she arrived at his studio door, he lifted her onto the piano bench. He plucked out a short, easy tune from the keys.
Now, Clara, play it just as I have.
Eager to please her father, Clara repeated the melody precisely as he had played it.
Friedrich tilted his head, his eyebrows raised. He played another piece, this time a little longer and more complicated. Clara raced her tiny hands across the keys, imitating the grace and style of her father’s playing.
This time Friedrich smiled. Indeed, his Clara could not only hear, but she possessed great talent. With her hard work and his fine teaching, he would have a great pianist.
Chapter 2
A Star is Born
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Clara’s ears were quick to pick up music. Why, then, was she so slow to talk? No one knows for sure. It might have been because her parents were unhappy together and argued much of the time. Clara heard them hurl harsh, angry words at one another. Perhaps sensitive Clara shut out the cruel words and didn’t try to repeat or understand them. Other times, the Wieck home was tense with Friedrich and Marianne’s long, stony silences. Friedrich once remarked that Clara’s nursemaid, Joanna, was not talkative.
Clara didn’t hear many words from her daily adult companion so maybe that was why she didn’t speak.
Marianne sang and practiced the piano for many hours a day.