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The Remedies
The Remedies
The Remedies
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The Remedies

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Katharine Towers' second collection is a book of small wonders. From a house drowning in roses to crickets on an August day, from Nerval's lobster to the surrealism of flower remedies, these poems explore the fragility of our relationship with the natural world. Towers also shows us what that relationship can aspire to be: each poem attunes us to another aspect of that world, and shows what strange connections might be revealed when we properly attend to it. The Remedies is a lyric, unforgettable collection which offers just the spiritual assuagement its title promises, and shows Towers emerging as a major poetic talent.
LanguageEnglish
PublisherPan Macmillan
Release dateAug 11, 2016
ISBN9781509813063
The Remedies
Author

Katharine Towers

Katharine Towers was born in London and now lives in Derbyshire with her family. She has published two poetry collections, both with Picador. The Floating Man (2010) won the Seamus Heaney Centre Prize and was shortlisted for the Jerwood-Aldeburgh First Collection Prize and for the Ted Hughes Award for New Work in Poetry. A poem from the collection ‘The Way We Go’ appeared as a Poem on the Underground and was also set to music by the composer Laura Stevens. Her second collection The Remedies (2016) was shortlisted for the TS Eliot Prize. Katharine’s poems have been broadcast on Radio 3 and Radio 4 and have appeared in several anthologies, as well as in The Guardian, Poetry Review and Poetry London. From 2016 – 2018 Katharine was Poet in Residence at the Cloud Appreciation Society.

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    Book preview

    The Remedies - Katharine Towers

    Baudelaire

    I

    The Roses

    Because my father will not stand again

    beneath these swags of Himalayan Musk

    nor stare for hours to see which stems are safe

    and which need tying back, I have it in my mind

    to let the roses pull our house down slowly

    for a hundred years. Then I’ll come back

    to find its wreck of thorns and brick, my father

    lying on the bed in which he died

    and blinking in the petal-scented light.

    Porcelain

    clay rears up

    wavering towards its shape

    headstrong and fragile

    as the new-born fawn

    swaying at her mother’s flank

    uncertain and certain

    The Grasshopper

    Origami made him from a leaf

    folded into minute symmetries

    of eye and wing, long hind legs

    fitted for leaping and music-making.

    One day he elbowed his way up

    out of the mire to sing of love

    and of his perfectly broken heart –

    O, such meagre tinder for a fire!

    The Chaffinch

    His endless chink chink.

    Pity his obsession:

    all he knows is that he is

    and he must say so.

    If once or

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