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Mountain Interval
Mountain Interval
Mountain Interval
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Mountain Interval

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Mountain Interval (1916) is a collection of poems by American poet Robert Frost. Having gained success with his first two collections, both published in London, Frost returned home to New Hampshire and completed his third volume, Mountain Interval. The book opens with “The Road Not Taken,” and though this would become Frost’s most famous poem, the collection is not defined by it. Here we find the hallmarks of Frost’s work: rural landscapes, dramatic monologues, and subtle meditations on the meanings of life and art. This is Frost at the height of his power, a poetry that speaks as much and as often as it listens.

“The Road Not Taken” is a meditation on fate and free will that follows a traveler in an autumn landscape, unsure of which path to take, but certain he cannot stand still. Often summarized using only its final two lines—“I took the one less traveled by, / And that has made all the difference”—Frost’s poem refuses such neat categorization. Far from simple praise of independence, “The Road Not Taken” examines the anxiety of choice, the psychic response to the uncertainty that precedes even the simplest decision. In “Birches,” Frost recalls his childhood fondness for climbing trees, raising himself from the ground “To the top branches,” only to fling himself “outward, feet first” back to earth. Against the backdrop of adulthood, in which “life is too much like a pathless wood,” the poet recalls the simplicity and wonder of being a child in nature, no more and no less than “a swinger of birches.”.

This edition of Robert Frost’s Mountain Interval is a classic of American literature reimagined for modern readers.

Since our inception in 2020, Mint Editions has kept sustainability and innovation at the forefront of our mission. Each and every Mint Edition title gets a fresh, professionally typeset manuscript and a dazzling new cover, all while maintaining the integrity of the original book.

With thousands of titles in our collection, we aim to spotlight diverse public domain works to help them find modern audiences. Mint Editions celebrates a breadth of literary works, curated from both canonical and overlooked classics from writers around the globe.

LanguageEnglish
PublisherMint Editions
Release dateFeb 1, 2021
ISBN9781513275918
Author

Robert Frost

Robert Frost (1874-1963) was an American poet. Born in San Francisco, Frost moved with his family to Lawrence, Massachusetts following the death of his father, a teacher and editor. There, he attended Lawrence High School and went on to study for a brief time at Dartmouth College before returning home to work as a teacher, factory worker, and newspaper delivery person. Certain of his calling as a poet, Frost sold his first poem in 1894, embarking on a career that would earn him acclaim and honor unlike any American poet before or since. Before his paternal grandfather’s death, he purchased a farm in Derry, New Hampshire for Robert and his wife Elinor. For the next decade, Frost worked on the farm while writing poetry in the mornings before returning to teaching once more. In 1912, having moved to England, Frost published A Boy’s Will, his first book of poems. Through the next several years, he wrote and published poetry while befriending such writers as Edward Thomas and Ezra Pound. In 1915, after publishing North of Boston (1914) in London, Frost returned to the United States to settle on another farm in Franconia, New Hampshire, where he continued writing and teaching and began lecturing. Over the next several decades, Frost published numerous collections of poems, including New Hampshire: A Poem with Notes and Grace Notes (1924) and Collected Poems (1931), winning a total of four Pulitzer Prizes and establishing his reputation as the foremost American poet of his generation.

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    Mountain Interval - Robert Frost

    THE ROAD NOT TAKEN

    Two roads diverged in a yellow wood,

    And sorry I could not travel both

    And be one traveler, long I stood

    And looked down one as far as I could

    To where it bent in the undergrowth;

    Then took the other, as just as fair,

    And having perhaps the better claim,

    Because it was grassy and wanted wear;

    Though as for that the passing there

    Had worn them really about the same,

    And both that morning equally lay

    In leaves no step had trodden black.

    Oh, I kept the first for another day!

    Yet knowing how way leads on to way,

    I doubted if I should ever come back.

    I shall be telling this with a sigh

    Somewhere ages and ages hence:

    Two roads diverged in a wood, and I—

    I took the one less traveled by,

    And that has made all the difference.

    CHRISTMAS TREES

    (A Christmas Circular Letter)

    The city had withdrawn into itself

    And left at last the country to the country;

    When between whirls of snow not come to lie

    And whirls of foliage not yet laid, there drove

    A stranger to our yard, who looked the city,

    Yet did in country fashion in that there

    He sat and waited till he drew us out

    A-buttoning coats to ask him who he was.

    He proved to be the city come again

    To look for something it had left behind

    And could not do without and keep its Christmas.

    He asked if I would sell my Christmas trees;

    My woods—the young fir balsams like a place

    Where houses all are churches and have spires.

    I hadn’t thought of them as Christmas Trees.

    I doubt if I was tempted for a moment

    To sell them off their feet to go in cars

    And leave the slope behind the house all bare,

    Where the sun shines now no warmer than the moon.

    I’d hate to have them know it if I was.

    Yet more I’d hate to hold my trees except

    As others hold theirs or refuse for them,

    Beyond the time of profitable growth,

    The trial by market everything must come to.

    I dallied so much with the thought of selling.

    Then whether from mistaken courtesy

    And fear of seeming short of speech, or whether

    From hope of hearing good of what was mine,

    I said, There aren’t enough to be worth while.

    "I could soon tell how many they would cut,

    You let me look them over."

    "You could look.

    But don’t expect I’m going to let you have them."

    Pasture they spring in, some in clumps too close

    That lop each other of boughs, but not a few

    Quite solitary and having equal boughs

    All round and round. The latter he nodded Yes to,

    Or paused to say beneath some lovelier one,

    With a buyer’s moderation, That would do.

    I thought so too, but wasn’t there to say so.

    We climbed the pasture on the south, crossed over,

    And came down on the north.

    He said, A thousand.

    A thousand Christmas trees!—at what apiece?

    He felt some need of softening that to me:

    A thousand trees would come to thirty dollars.

    Then I was certain I had never meant

    To let him have them. Never show surprise!

    But thirty dollars seemed so small beside

    The extent of pasture I should strip, three cents

    (For that was all they figured out apiece),

    Three cents so small beside the dollar friends

    I should be writing to within the hour

    Would pay in cities for good trees like

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