Why Freshmen Fail
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About this ebook
Each year bright-eyed freshmen arrive on campus anticipating success and the freedom--finally--to enjoy life as an adult. But too many of those students fail to complete their first year. Some may enter college for the wrong reasons. Some may be overwhelmed by academic or social pressures. Some may discover that their goals and motivations have changed or are not well matched with their chosen institution. And some students need more time and breadth of experience before entering college. As a tenured professor at Southern Methodist University, Dr. Carol Reynolds watched the students come and go, listened to their frustrations, and helped to put some of them back on track. She explains that failure is often predictable . . . and avoidable! Dr. Reynolds lays out the primary reasons for failure based on her personal experience and observations in the trenches. More than that, she offers a lighthearted prescription, to students and parents alike, for avoiding the pitfalls and turning college into a rewarding experience.
Carol Reynolds
Professor Carol Reynolds is a uniquely talented and much sought-after public speaker for arts venues and general audiences. She combines her insights on music history, arts, and culture with her passion for arts education to create programs and curricula, inspire concert audiences, and lead arts tours. Never dull or superficial, Carol brings to her audiences a unique mix of humor, substance, and skilled piano performance to make the arts more accessible and meaningful to all. Carol has led arts tours to Russia, Poland, Austria, Germany, Hungary, Switzerland, the Czech Republic, Croatia, Slovakia, San Francisco, and Broadway on behalf of several arts organizations and has recently teamed with Smithsonian Journeys for cruises to the Holy Land, Mediterranean, Caribbean, Baltic Sea, Indian Ocean, and across the Atlantic. Her enthusiasm and boundless energy give tour participants an unforgettable experience. For more than 20 years, Carol was Associate Professor of Music History at the Meadows School of the Arts, Southern Methodist University in Dallas, Texas. She now makes her home in North Carolina and maintains a second residence in Weimar, Germany — the home of Goethe, Schiller, Bach, and Liszt, and the focal point of much of Europe’s artistic heritage.
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Why Freshmen Fail - Carol Reynolds
Introduction
I come to this topic honestly. My own freshman year back at Ohio University in 1969 was filled with mistakes and poor decisions, including several that I’ll mention in the course of this book. Furthermore, it took me more than one attempt to get college right.
Suffice it to say, I bring personal experience in failure
to the discussion.
In time, I righted my course and found the formulas I needed to excel. But later, in my career as a professor, I watched an annual parade of first-year students make the same mistakes I had made. The times surely have changed since I was a freshman, but the pitfalls facing first-year students have remained remarkably the same
In retirement, especially in my new role as Professor Carol,
I find myself giving frequent talks about college success to parents and students across the country. No matter where I am, my remarks trigger an outpouring of memories in my adult listeners—many of them bitter memories. Even if they themselves scraped out a decent first year at college, they likely watched friends, relatives, or roommates falter and fail.
High-school students who attend these talks register surprise at the negative comments they hear from adults who speak up during these sessions. How can this be?
You almost see their eyes widening in disbelief. "Wait, this is college—the very thing adults have been preparing me to undertake for my whole life." Understandably, these kids have been so focused on getting into college that there has been little time to consider what can go wrong. Furthermore, they cannot imagine their parents and teachers withering under the situations I describe in my talks.
Kids don’t necessarily realize that most people who attended college recall at least one awful teacher whose mere name sends shudders up the spine! Common, too, are memories of classes that annoyed, disappointed, or angered. Young people can not imagine unfocused or baffling professors who rarely taught on topic, big introductory classes poorly run by overworked teaching assistants, unfair practices such as papers never returned and grades unfairly issued, or routine cancelling of classes necessary to complete a major.
Taken together, my discussion of these realities of college life may produce surprises, especially in young readers. In the first part of this book, I give the top eight reasons that students fail in college. The second part of the book is filled with advice that, without question, can help a student avoid many of the pitfalls that await first-year students in today’s colleges, universities, and vocational schools. Throughout the pages, I emphasize the real life skills needed for a successful college experience. Such skills cannot be measured by transcripts and SAT scores.
One more thing. In light of the enormous expense of college today, students need to approach college with the most maturity possible. People are finally beginning to speak more openly about the crippling costs of today’s college education. They question the contradiction between the time-honored ideal of a university education and the realities that hit the 21st-century student right in the face, starting with financial ruin. It says a great deal that the blood-red cover of the July 2016 issue of Consumer Reports bears the banner: I Kind of Ruined My Life by Going to College.
To avoid this sad, but increasingly common, result, a student needs to be both academically prepared and emotionally purposed—focused and mature—before walking into (or logging onto) that first expensive class. Even the student who seems fully prepared on paper
will be met with great surprises that can derail the college experience. Let me tell you my story.
My Own Story
My college experience began in the summer of 1969. I was venturing from the sleepy southern city of Roanoke, Virginia, onto the intensely political campus of a major northern
university (Ohio University). My credentials for admission into the university were strong on paper. I had played a fine audition for acceptance into the Music Department and merited a good scholarship. But I could not have been more unprepared.
Probably there is no need to remind readers that 1969 was a tumultuous time on America’s campuses. My parents did not want me going so far from home, nor to such a big school. They acquiesced only because I had a generous scholarship and would be studying piano with a well-known teacher. A promising pianist from a young age, I played at a high level, specializing in the piano music of Russian composer Sergei Prokofiev. This is what caught the scholarship committee’s attention. Coming from a generation that venerated Van Cliburn, my profile seemed to promise strong musical success.
Amidst the preparation to go off to college, I recall no discussion of any of the pitfalls
awaiting me. Books such as this did not exist, even though they surely would have been helpful. Plus, times were different back then. College was still affordable (especially with the kind of scholarship I had received). Student loans, when necessary, were a supplemental resource that could be recommended without reservation. A lot was still on the line financially, but not nearly as much as there is today.
Could I have analyzed my own (un)preparedness back then or the challenges which faced me? I doubt it. No one asked me whether I wanted to be taking this step, and if they had, I had a pat answer down. But when I look back on it, my mother already foresaw my failures. And since my educational success was the most important goal for her, my failures caused her, as well as my father, great sadness.
Remember, attending college back then was considered a special privilege and it was assumed that anyone admitted would do well. Chances to go to college
weren’t everywhere, as they seem to be today. Better luck next time
was not a phrase likely to be uttered if someone faltered.
I write all of this, first, in order to offer encouragement. We don’t really know how smooth or rocky our children’s paths will be. Plus, what seems like utter failure at one point may end up as a temporary bump. Or, perhaps it is more of a ravine into which students will fall, but out of which they will climb. Kids are resilient at seventeen, eighteen, or nineteen (just as they were as babies).
In addition, we do live in a country where it is common to make mistakes at this age and recover from them. A second chance (or third) would not be possible in many parts of the word, where educational opportunities are severely rationed and a failure is just that: a life-long failure.
But back to my own story. Of course, I did want to enter Ohio University. Nevertheless, my motives for wanting to be in college were far more tied up with wanting my independence
and instant adulthood. (I couldn’t have voiced that, but someone questioning me deeply would have seen that to be true.)
Beyond that, I did not envision the level of practice and study that would be required (things had come too easily to me up to that point). Nor had I been around many performers of such high level before. I did not understand the rigors of competition. I did not know how to manage anything by myself (my dedicated mom had been the driving force my daily routine). Also, I fell prey to two of the biggest pitfalls you will read about in this book: 1) the inability to handle the deceptive freedom of the college class schedule and, 2) the practice of skipping classes that seemed common and so harmless.
It wasn’t harmless. My failure to complete my freshmen year at Ohio University came about from these two reasons. This failure burned on my mind for many years: so many lost opportunities, especially considering the esteemed piano teacher I had.
Still, this was the U.S.A., and I was able to try again. After some time passed, I entered college again, also on a big scholarship, but this time at the North Carolina School of the Arts. It’s embarrassing to admit that I had not fully reformed my attendance pattern, although I had come to terms with the need to treat each week as a continuum of practice and