Before Dawn on Bluff Road / Hollyhocks in the Fog: Selected New Jersey Poems / Selected San Francisco Poems
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About this ebook
A collection of August Kleinzahler’s best poems, divided—like his life—between New Jersey and San Francisco
When August Kleinzahler won the 2004 Griffin Poetry Prize for his collection The Strange Hours Travelers Keep, the judges’ citation referred to his work as “ferociously on the move, between locations, between forms, between registers.” They might also have added “between New Jersey and San Francisco,” the places Kleinzahler has spent his life traveling between, both on the road and on the page.
This collection assembles the best of his New Jersey and San Francisco poems for the first time, organized according to place, with each city receiving its own title and cover.
Providing readers with a gorgeous guide to Kleinzahler’s interior geography, Before Dawn on Bluff Road (New Jersey) and Hollyhocks in the Fog (San Francisco) function as both word-maps and word-anatomies of one of our greatest poet’s lifelong passions and preoccupations.
August Kleinzahler
August Kleinzahler was born in Jersey City, New Jersey, in 1949. He is the author of more than a dozen books of poems and a memoir, Cutty, One Rock. His collection The Strange Hours Travelers Keep was awarded the 2004 Griffin Poetry Prize, and Sleeping It Off in Rapid City won the 2008 National Book Critics Circle Award for poetry. That same year he received a Lannan Literary Award. He lives in San Francisco.
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Before Dawn on Bluff Road / Hollyhocks in the Fog - August Kleinzahler
BEFORE DAWN ON BLUFF ROAD
FOR MARSS-SSHALITA,
I KNEW I’D LEAN BUT I NEVER THOUGHT I’D FALL
—MEL STREET, THE DEVIL IN YOUR KISSES (AND THE ANGEL IN YOUR EYES),
1976
WHO KNOWS THE PALISADES AS I DO KNOWS THE RIVER BREAKS EAST FROM THEM ABOVE THE CITY—BUT THEY CONTINUE SOUTH—UNDER THE SKY—TO BEAR A CREST OF LITTLE PEERING HOUSES THAT BRIGHTEN WITH DAWN BEHIND THE MOODY WATER-LOVING GIANTS OF MANHATTAN.
—WILLIAM CARLOS WILLIAMS, JANUARY MORNING
INERT GRENADE FOUND IN NUTLEY
—NEWS BULLETIN FLASHED ACROSS THE SCREEN ABOVE THE COUNTER AT PHO’NOMENON NOODLE & GRILL, HOBOKEN, NEW JERSEY, JANUARY 6, 2014
BEFORE DAWN ON BLUFF ROAD
The crow’s raw hectoring cry
scoops clean an oval divot
of sky, its fading echo
among the oaks and poplars swallowed
first by a jet banking west
then the Erie Lackawanna
sounding its horn as it comes through the tunnel,
through the cliffs to the river
and around the bend of King’s Cove Bluff,
full of timber, Ford chassis, rock salt.
You can hear it in the dark
from beyond what was once the amusement park.
And the wind carries along as well,
from down by the river,
when the tide’s just so,
the drainage just so,
the chemical ghost of old factories,
the rotted piers and warehouses:
lye, pig fat, copra from Lever Bros.,
formaldehyde from the coffee plant,
dyes, unimaginable solvents—
a soup of polymers, oxides,
tailings fifty years old
seeping through the mud, the aroma
almost comforting by now, like food,
wafting into my childhood room
with its fevers and dreams.
My old parents asleep,
only a few yards across the hall,
door open—lest I cry?
I remember
almost nothing of my life.
LO MEIN
You were still only a child,
I, nineteen, the age of your eldest boy now.
It was the evening of the Marijuana Caper
your eyes first met mine at the China Chalet.
I believe it would have been spring,
early, but days clearly lengthening,
a patch of ice maybe here or there,
pussy willow catkins …
We nearly bought it twice that evening,
my father swerving left and right,
Mother, beside him, silent, stiff with fright.
He was mad at something.
Mad, of course, at life, but mad:
only very occasionally, and on this occasion.
They’d dose a man like that these days,
or try. He’d never have stood for it,
nor any of us, who knew the storm he sailed in
and trembled to be on board with him, but still …
Your hair was black, or nearly so,
and long for a child’s, partway down your back.
Your eyes dark as well, roving, restless,
then, as now, taking in the busy room,
as you fitfully dug through your pile of lo mein.
We hadn’t planned to get him stoned.
Improvisation was a habit in that household.
He insisted we put it in his pipe,
to prove that he was right, getting high
was humbug, a notion fools entertain.
Mother hid in the kitchen, out of sight.
It was a longish drive for us of a Sunday,
but not so long as it ordinarily might have been.
His frenzy, that’s what would have caught your eye,
the way he went after it, like a dog at a carcass,
scowling over his left shoulder, then his right,
dare a stranger approach to share or take away
the wonton crisps or dumplings, beef
with scallions, shredded pork, whatever floated by—
New Jersey Chinese fare of the day.
It would have thrilled, or frightened, a child
to behold an adult at table quite so wild.
Forty years ago, forty years …
You don’t remember all that, do you?
How could you? I’m making it up,
the two of us both there at the same time.
It might easily have been true.
If I made it up, it’s because it pleases me to.
As you please me, poking through your lo mein,
raising your head nervously to take in the