The Obligations of the Universities Towards Art
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The Obligations of the Universities Towards Art - William Holman Hunt
William Holman Hunt
The Obligations of the Universities Towards Art
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066065805
Table of Contents
Cover
Titlepage
Text
THE ROMANES LECTURE
1895
The
Obligations of the Universities
towards Art
Table of Contents
BY
W. HOLMAN HUNT
DELIVERED
IN THE SHELDONIAN THEATRE, MAY 30, 1895
London
HENRY FROWDE, AMEN CORNER, E.C.
OXFORD: CLARENDON PRESS DEPOSITORY, 116 HIGH STREET
1895
PREFACE
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No one who has experienced the satisfaction of knowing the leading Universities of this country during the last half of the century, can have failed to remark the increasing interest in Art on the part of their members. I have followed this advancing recognition of the Art I pursue, since first as a visitor to Oxford, in the year 1850, I made the acquaintance of many of its Fellows, and leaders of the time.
William Sewell, the founder of Radley, on one occasion, lecturing on a general subject—when I attended with Mr. and Mrs. Combe—took occasion to refer, in terms of dignified laudation, to the active and courageous taste which they had shown, in bringing to the city, at their own initiative, works of art of a disputed but obviously conscientious character. In doing so, he expressed the conviction that Art is a necessary attainment for a refined Nation.
At the same period lectures were delivered by Dr. Wellesley on the Raphael drawings in the Taylor Buildings.
The roof of Merton Chapel was then fresh with the decorations executed by John Hungerford Pollin, one of the Fellows of the College. Ere the scaffolding was removed, John Everett Millais had taken advantage of it to copy some of the old glass in the window, as an accessory in a picture he was painting. This contact of representatives of University learning and taste with artistic knowledge and proficiency was not merely of transient importance.
A few years later Dr. Henry Acland had succeeded in his efforts to extend the teaching of the University to Science, and the new Museum by Woodward and Deane was in progress. This brought Dante Gabriel Rossetti, my fellow-student at the Royal Academy, and my recent painting pupil, on a visit to the University. He commenced certain mural decorations in the 'Union,' for which he enlisted the efforts of Spencer Stanhope, who had taken to painting after completing his undergraduate term, with those of certain young London artists, who had volunteered their gratuitous services.
William Morris and Edward Burne Jones were by Rossetti's encouragement on that occasion induced to adopt the career of Art. The Schools of Design soon after were found to be a necessity to the city. A few years later John Ruskin was installed as Slade Professor to the University, and on Mr. Combe's death, his widow gave 'The Light of the World' to Keble College, and last year her further collection of pictures was bequeathed to the Taylor Buildings.
That Professor Romanes shared with others in the University this steadily growing interest in Art, to those who knew him needs little proof; but