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Carving Small Characters in Wood: Instructions & Patterns for Compact Projects with Personality
Carving Small Characters in Wood: Instructions & Patterns for Compact Projects with Personality
Carving Small Characters in Wood: Instructions & Patterns for Compact Projects with Personality
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Carving Small Characters in Wood: Instructions & Patterns for Compact Projects with Personality

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Making tedious wood carving techniques more approachable, Carving Small Characters in Wood offers simple methods in a smaller format to carve compact caricatures with personality. With step-by-step directions and photography, you’ll be able to learn and appreciate this form of miniature character wood carving. Starting off with basic less

LanguageEnglish
Release dateOct 1, 2020
ISBN9781607657101
Carving Small Characters in Wood: Instructions & Patterns for Compact Projects with Personality
Author

Jack Price

Jack Price, author of Carving Compact Characters and 50 Character Patterns for Woodcarvers, is a retired Texas public school administrator living in Cleburne, Texas. He began carving in 1975 and has specialized in compact figures since 1978. Jack definitely doesn't believe that "bigger is better," as most of his carvings are only 2-3 inches in height. As he travels to display his carving talents, Jack is more than willing to share his carving knowledge with others. Jack is a founding member of CCA. He also belongs to several woodcarving groups and is past-president of the Texas Woodcarvers Guild.

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    Book preview

    Carving Small Characters in Wood - Jack Price

    CARVING 101

    GETTING STARTED

    WHY CARVE SMALL CHARACTERS?

    1. They are fun to carve.

    2. Carving these little characters is energy efficient. The process does not require great strength and large muscles are not overworked.

    3. Carving small is environmentally friendly; very little wood is used per character.

    4. The cost of wood is minimal. They can even be carved from other people’s scrap wood.

    5. It is often easier to find 1 in. (25 mm) basswood than it is to find thicker wood.

    6. Only a few tools are needed to complete a project.

    7. Each character can be completed in a short period of time.

    8. If you mess up a carving you can toss the piece away and start another character without feeling a loss of time or money.

    9. Carving compact characters can be done almost anywhere. If you carry a piece of wood and a sharp pocketknife with you whenever you are away from home you can make idle time more enjoyable.

    10. Small carvings make excellent gifts. They can be produced in a short time and each is highly prized by the recipients.

    11. They make good prototypes for larger carvings. If you want to do a large character, do a small one first. Work out some of the problems on a small, inexpensive piece of wood rather than goofing up a large expensive piece.

    12. If you sell your carvings you will find that people who would ordinarily not purchase a carving because of the expense, will buy small character carvings because they are affordable.

    13. Small character carvings take up very little display space.

    14. The variety of characters you can make from the patterns is limited only by your imagination.

    15. Carving compact characters helps you make friends. Compact characters are very popular people. They are great conversation starters.

    16. People who buy them love them and treasure them. They become collector’s items.

    17. They make people smile.

    18. Carving them relieves stress and makes the carver a better person to be around.

    19. Small person character carving slows down the aging process, refreshes the spirit, counters depression, and frees the mind.

    20. People who carve small characters stay young in spirit.

    Russell

    Hermes

    BASIC INFORMATION

    This portion of the book is written specifically for the beginning carver—the person who wants to carve but is a tad short on know-how. It is not a treatise on beginning woodcarving but it contains the basic information that I think a novice woodcarver needs to know before attempting a first carving.

    Wood

    Almost all general-information carving books have a chapter about carving wood. These books identify several woods that are suitable for carving. Talk to experienced carvers and they will give you information about different woods that you may want to try sometime. For this project I suggest that you obtain a piece of 1 in. (25 mm) basswood and cut it into 2 in. (51 mm) long blocks of wood. A compact character can be carved from each of these blocks.

    One-inch basswood is usually only 13/16 in. (21 mm) thick. You will find some that is only ¾ in. (19 mm) thick and others that are a full inch. Any size will do but the 13/16 in. (21 mm) fits the basic man pattern better.

    When you price basswood you may think it is expensive. Actually it isn’t when you carve small characters. From one board foot of lumber—12 × 12 × 1 in. (30 × 30 cm × 25 mm) you can saw seventy-eight little people blocks.

    If you have friends who carve medium to large pieces, ask them to save their scrap lumber for you. Most carvers will be delighted to do so because they hate to throw away wood. You will be surprised how many 2 in. (51 mm) blocks of wood you can cut from wood that was worthless to someone else.

    One more suggestion. Whenever possible buy kiln-dried wood. It is usually more uniform and cuts better than air-dried wood. Buy northern basswood if you can. When you carve compact characters the quality of wood you select determines the excellence of the finished product to a large degree.

    Grain

    Wood is made up of layers of microscopic fibers that run the length of the tree. When we speak of grain, we refer to the direction in which the wood fibers are aligned.

    It is easy to tell the direction the grain runs when wood is in a rough state. If it has its hair on the grain is evident. Basswood that has been planed smooth is more difficult because some basswood is so clear that the grain is hidden.

    The easiest way to determine the direction of the grain is by making a cut in the wood. If the knife meets only a little resistance and the cut surface is smooth and shiny, the cut is with the grain. If there is resistance and the surface is rough after the cut is made, the cut is against the grain. Whenever possible, carve with the grain. If you have to carve against the grain do so very carefully or you may cut away a large chunk of wood that is essential to the

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