Bead by Bead: The Ancient Way of Praying Made New
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About this ebook
Divided into three parts, the first part of Bead by Bead takes a historical look at prayer beads across centuries and cultures. Part Two showcases opportunities for heart/mind/body ways to “pray the beads without the beads,” including activities that are whimsical, ordinary, and spirited, to inspire readers to create their own. The book concludes with an invitation to contemplate one’s own life as a rosary. Readers are encouraged to draw their own set of prayer beads and, with discernment and prayer, label each bead. They then can keep and literally hold their life in their hands in prayer, gratitude, and awe.
Suzanne Henley
Suzanne Henley is a former community college English instructor, college development director, and hospice volunteer director. She is an artist focusing on mixed-media wall sculptures and mosaic glass installations, as well as a jewelry designer, a creator of prayer beads, and a residential contractor who renovates early 20th century houses. She and her husband live in Memphis, Tennessee.
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- Rating: 1 out of 5 stars1/5In the introduction alone, too many things that were easily fact-checked, like saying Judaism is the oldest monotheistic religion in the world when it is in fact not, were incorrect for me to take this book seriously.
Book preview
Bead by Bead - Suzanne Henley
Prologue
It is dawn. I sit with a cup of English breakfast tea at my work space, a salvaged farm table marked by the hieroglyphs of many years’ use. My quiet studio on the second floor is a tree-house perch among giant oaks pressing against the two walls of windows. The early light snakes through the leaves and creates moving prisms in the 100-year-old bubbled-glass panes.
Stacks of clear plastic bins, hundreds of beads full, bank the walls behind me, the bin drawers pulled out at haphazard levels, miscellaneous strands of ancient beads spilling over the sides. Mounds of various beads on the table wait patiently. In the growing light the room becomes a messy swirl of color.
I pick up a handful of my favorite Mongolian sand beads from the Gobi Desert—translucent and wind-pitted and older than we can imagine—and some beads of ancient Roman glass fragments from the Afghan Silk Road. I press them, rough and irregularly shaped, deep into the meat of my palm.
I think of those who spent their lives thousands of years ago chiseling our earth’s core for shards that would become these beads—our universe’s first art form; of those who hunkered, precariously bow-drilling holes in them; and of those who painstakingly polished by hand, sometimes for a month each, the roughed shards into a smooth bead. I imagine a connection from the tendons of my hands to theirs, to their sweat, their lean muscles, their dirty fingernails. I think of what these artisans traded their labor for and of the merchants who traveled on camel, by foot, and by ship, sailing the continents through rough seas and parched deserts across centuries and cultures.
I think of the path of a single bead from the wrist of a Buddhist monk, next to the heart of an Asian princess, traded by a Bedouin shepherd for a chicken, tossed in the waves of a ship carrying it from Venice to Nigeria, passed with its history from calloused hand to calloused hand to my own. I feel a connection to the volcanic gifts and shifting tectonic plates of our young, spinning universe; to those earliest peoples who first felt the need to hold these beads as rosaries or malas; and to those who through the years have worn down their rough edges in repetitions of supplication, fear, gratitude, duty, and awe.
I am the latest in a long line to add the imprint of my hands’ oils to the humanand earth-marked patina of all those who have come before me. I feel the weight of their histories in my palm.
And, with a final glance of thanksgiving through the morning windows, I take off my slippers, as Moses was told to do on holy ground, and bow my head toward my table to begin creating another set of prayer beads, beads that soon will come to bear the patina of its next recipient’s longing and joy.
In the Beginning
You look like a deer in the headlights,
my friend Robbie laughed. Or maybe like you’ve just seen a snake handler.
It was 2005 and Robbie, in charge at the time of Adult Formation at Holy Communion Episcopal Church in Memphis, asked me to make three sets of Episcopal prayer beads for her upcoming class on prayer.
I was appalled. An Episcopalian, I had been a Southern Baptist as a child, but neither of these denominations prepared me for the thought of rosaries with a bleeding Christ affixed. I did not know a modern animal called Episcopal or Anglican prayer beads even