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South of the Pumphouse
South of the Pumphouse
South of the Pumphouse
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South of the Pumphouse

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A brothers’ fishing trip goes disturbingly off course in this drug-fueled backwater noir—the debut novel by the art-rock pioneer and frontman for Primus.

In the rural town of El Sobrante, California, two estranged brothers are reunited. While Earl Paxton never left, Ed moved on to a new life in Berkley. When the death of their father brings Ed back home, a fishing trip seems like the perfect way to reconnect. But Ed didn’t count on Donny Vowdy joining the party. As frustrations, alcohol, and hallucinogens start dredging up old grudges and long-held rivalries, the trip soon takes an unsettling turn.

A dark, clever tale of brotherhood, misconceptions, drugs and murder, South of the Pumphouse combines classic motifs of epic struggle, evocative imagery, and the raw, tweaked perspective of a Hunter S. Thompson novel.
LanguageEnglish
PublisherAkashic Books
Release dateJul 1, 2006
ISBN9781936070473
South of the Pumphouse

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  • Rating: 4 out of 5 stars
    4/5
    As a first novel I thought this was wonderful. I have been a fan of Les Claypool's music and lyrics for a very long time and I couldn't wait to read his book. The style is musical, the sentences sonorous. It is a book to be read out loud as it is filled with sounds and onomatopoeia. The storyline is somehow more realist than I expected and the characters are bordering the stereotypical. But of course archetypes and stereotypes help with visualizing unfamiliar characters, and if addressed correctly, using stereotypes is a form of satire and critique of society. Claypool succeeded in this critique...just as in his songs.I was thrilled with the roller-coaster of emotions, the drug-induced narration, and ended up rooting for the fish!Hopefully he will produce another oeuvre that is as artistic and dark as this one. We need a new Hunter Thompson anyway don't we?

Book preview

South of the Pumphouse - Les Claypool

Chapter 1

THE TOWN

THWAP. PLOINK-A-CHINK!

That little prick, she muttered, opening her eyes. She’d been wrestling with insomnia since her mid-fifties, and she cherished what little sleep came her way. The woman knew the local sounds of the night: cats, dogs, the occasional backfire or squealing tire of an adolescent joy ride through the neighborhood. Most nights the house was quiet except for the drip of the bathroom faucet or the random gurgles and blurps that emanated from the flatulent man who had shared her bed for the past thirty-odd years. He was a journeyman machinist on the verge of retirement. They had plans. The thirty-six-foot diesel pusher with two slide-outs that sat in the driveway was their ticket out of this blue-collar neighborhood. It had been a good place to live and grow, but lately these particular sounds in the night troubled her. These were the sounds of the old couple’s impending obsolescence, the sounds of suburban vandalism.

THWAP. PLOINK-A-CHINK!

The chubby kid in the split-level two doors from the end of the block was using the streetlamp outside his window for wrist-rocket target practice again. He was the type of fat bastard who would thump the small kids just for the hell of it and was known to torture any neighborhood feline misfortunate enough to cross his path when he was holding firecrackers or other celebratory explosives.

Late that summer evening, hopped up on sour balls and Baskin-Robbins ice cream, this plump youth decided that the time had finally come to get the job done right, once and for all. He’d been plinking away unsuccessfully at the streetlamp on a nightly basis since the weather had turned warm. Up until then, his only ammo had consisted exclusively of glass marbles that he’d stolen from his younger cousin. Earlier that day, however, he’d stumbled across some steel ball bearings while rummaging through an old coffee can filled with random nuts, bolts, and wood screws that he’d found in his father’s garage. Now armed with more formidable ammunition, he grabbed his trusty wrist rocket and went forth that very night to hunt and kill his shiny old foe.

THWAP. PLOINK-A-CHINK!

That little prick! she repeated much louder than before, sitting up in her bed.

What the hell, hon?

It’s that little prick across the street shooting his BB gun at the street light again.

It’s not a BB gun. The words were muttered in a groggy fog. It’s a wrist rocket.

Rocket?

Slingshot, hon.

THWAP. PLOINK-A-CHINK!

That little prick! I’m gonna call a cop, she said, leaping up to look out the window.

He’s just a kid horsin’ around. Leave him be.

THWAP. CHINK-A-POP, followed by the sound of glass shards hitting the asphalt.

The woman looked out between the curtains at the newfound darkness.

There it is. The little prick killed it, she fumed, and shook her fists at her side. I’m calling a cop.

Half asleep, the old machinist responded inadvertently with a gentle fart.

The little neighborhood went unnoticed by the good folks at the city maintenance yard, as far as regular upkeep was concerned. The streetlamp, as of two years later, remained just as shattered as it had been on the night it was hunted down and executed. It wasn’t a bad area by any stretch of the imagination, but still far from the best that Contra Costa County had to offer. Twenty years earlier, it had been a good alternative to the cookie-cutter tract housing that was readily available throughout the area. Indeed, the decision to purchase—or not to purchase—a tract home was based less on personal taste than on finance in the little town of El Sobrante.

Calling it a town might have been something of an exaggeration. El Sobrante was more of an annex-village striving to be a town. It had neither a city hall nor offices, neither mayor nor city council. There was a fire station but no police department, with law-enforcement duties falling under the jurisdiction of the Contra Costa sheriff’s department. The term semi-rural would be fitting, if such a term actually existed. At one point, El Sobrante was known to have had more horses per capita than any other town in Contra Costa County, which was not an area known for horses. Spanish for the surplus or, as it was more commonly translated, the leftovers, El Sobrante had for many years lived up to this title.

Triangulated uncomfortably within the borders of the more industrial city of Richmond, the suburban valley town of Pinole, and the more upscale village of Orinda, El Sobrante had always been a cultural enigma. Most who moved there did so because it was cheaper than Pinole and less, for lack of a better term, ethnic than Richmond. In the ’70s, forced bussing of African-American kids from Richmond may have changed the complexion of the local high school, but it was at least a decade before it made much of a difference in the racial imbalance that existed in the neighborhoods. One semi-notorious account of conflict occurred when the ex-mayor of Richmond, who happened to be black, moved with his family to one of the nicer homes in El Sobrante. Shortly after settling into their new neighborhood, the family awoke one morning to find a large cross etched into their front lawn by an extra-potent mixture of fertilizer. The story earned headlines on the third page of the back section of the West County Times, provoking ominous whispers about a rogue element of the KKK lurking in the area, waiting for their chance to over-fertilize the lawn of anyone potentially posing a threat to the pure El Sobrante way of life.

Eventually adding to the ethnic diversification of the region was the addition of a rather large Sikh temple to the hillside overlooking the main area of commerce, known as San Pablo Dam Road. Once the brown kids with the black hankies in their hair, as the more outspoken citizens described them, started showing up in school and the bearded rag heads began running the local Pit-Stop, the more aggravated elements of bigotry tended to move northward to less Anglo, heritage-threatening regions such as Solano and Lake counties.

As the decades passed, cultural change found its way into the neighborhoods of El Sobrante, but in 1995, the defining elements of typical blue-collar, white suburbia still remained.

On the aforementioned darkened corner, next door to the retired machinist and beneath the long delinquent streetlamp, stood a modest two-bedroom, channel-ply sided, tar-and-gravel, flat-roofed house. It belonged to Earl Paxton, a man who proudly called himself an El Sobrantian.

It was the wee hours of the morning, and Earl was once again about to watch the sunrise—but not without a slight feeling of discomfort. While seeing the sun come up may be a wondrous sight for many, for Earl it was a reminder of days not long past when he would stay up all night polishing his ’78 Trans Am or rebuilding a carburetor or cleaning his garage. Funny thing about tweakers, they always seem to have the cleanest garages. Methamphetamine will do that to a man. Just as the impending birth of a child may instinctively prompt an expectant father to nest, methamphetamine— or crank—can also be the motivator of many an addict’s most meticulous tendencies. Though tweakers’ houses are sometimes in a state of utter disarray, the more industrious tend to have impeccably clean garages and work spaces. While this particular day’s early stirrings might have had a more innocent motivation, the fact remained that, for the first time in his short bout with sobriety, Earl had once again forgone sleep under suspicious circumstances.

Chapter 2

THE RAGE

SNIFF.

The refrigerator light illuminated Earl’s face as he began poking through the shelves, moving items, searching. While he rummaged, he continually sniffed and pinched his nostrils as if to clear his sinuses.

SNIFF.

Earl hovered from shelf to shelf moving downward. He reached the bottom, shuffling some items out of the way, eventually finding what he was looking for.

SNIFF. SNIFF.

It was a large plastic Ziploc bag containing a medium-sized whole fish. He removed the bag, opened it, and smelled the contents. He then closed his eyes, flaring his nostrils and inhaling abruptly.

SNIFF.

He paused for a moment, contemplating the freshness of this particular fish, a modest specimen of striped bass caught a few days earlier off the Brothers Islands in San Pablo Bay. Just how few days had passed since he’d caught the fish, Earl was now trying to calculate.

The trip itself had been all but a wash, as far as fishing goes. The target fish of that journey was, as usual, sturgeon. Failing to produce anything in the mud flats, Earl had decided to stop off at the Brothers on the way back, with hopes of catching a striper or two. The Brothers are two islands—more like grand rocks—that sit a couple of miles north of the Richmond Bridge at the south end of San Pablo Bay. The more easterly of the two hosts a small lighthouse that was converted to a bed and breakfast in the early ’80s. The other is barren, apart from the layer of seagull shit that projects not only a dull white color but also quite a pungent stench for anyone who ventures close enough downwind. After a handful of drifts between the two, Earl picked up the one and only fish of that day’s journey. As modest as it may have been, it was still a game fish, and one modest striper beats a skunk-fishing trip any day.

Earl stepped up to the sink and poured the contents from the bag. The striper plopped into the sink, staring with its dead gray eye out of the slimy pink film that continued to drip from the bag. Earl grabbed his special filet knife from the rack on the wall. Most of the knives in the house were kept in the drawer, but the few that Earl deemed his special fish-cleaning knives resided on a magnetic strip tacked onto the side of a cabinet above the sink. His personal favorite wasn’t one of the more expensive but an old Russell carbon-bladed filet knife that had belonged to his father. It wasn’t so much the sentimental value that drew him to it time and again but purely a matter of function. It was a good knife. One thing about the carbon blade: The steel needed to be kept oiled or it became overly oxidized. Denise, Earl’s wife, often commented on how confounding it was to watch him work a nice piece of fish flesh with that rusty old piece-of-shit knife.

Best knife in the house, hon.

Elch, disgusting, she’d say, shaking her hands and scurrying away.

Best knife in the house, he’d mutter as he carved, working like a sculptor with a fine piece of marble. Earl truly was an artist with a filet knife. He prided himself on his filets, his favorite being salmon. He likened the night before salmon season each year to the experience of Christmas Eve as a kid. He could barely sleep in anticipation, hoping to get out there and catch a splitter, a large Chinook yielding a grand pair of filets. Earl would amaze his friends by taking a fish, sometimes over thirty pounds, and, gripping it by the head, run his old Russell just behind the gill plate downward, then sharply turn the knife ninety degrees to run the blade along the spine, down the length, to the tail. Without fail, this would produce the finest salmon filet to be found anywhere around, and with the least amount of meat left on the bone.

This particular fish was not a salmon, but to Earl the striper was still a quality catch. He regretted not cleaning it sooner after catching it, but recent circumstances placed this modest bass low on his priority list. Denise was gone again, off to stay with her mother until Earl got his shit together.

It was now or never for the little striper, he thought. Soon the fish would turn, if it hadn’t already, and that would be just plain wasteful. Grabbing it by the tail, he flopped it up onto the cutting board with a greasy wet slap.

SNIFF. SNIFF.

He began to filet the bass with an incision just behind the gill.

SNIFF.

Earl wiped his nose with the back of his right hand, which held the knife, and continued to work on the fish. A slight trickle of blood appeared from his right nostril. Small droplets of red began to fall on the shiny gray stripes of the bass.

Ah, fuck, he groaned, wiping his nose again, streaking blood and mucus across his face

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