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The Warden
The Warden
The Warden
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The Warden

Rating: 4 out of 5 stars

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The first novel of Trollope’s “Chronicles of Barsetshire” series, “The Warden” introduces the fictional cathedral town of Barchester and many of its clerical inhabitants. Originally published in 1855, the story centers on Mr. Septimus Harding who has been granted the comfortable wardenship of Hiram’s Hospital, an almshouse from a medieval charity of the diocese. Mr. Harding, a fundamentally good man and an excellent musician, conscientiously fulfills his duties to the twelve elderly occupants of the hospital. He also cares for his younger daughter Eleanor, who is in love with a young doctor named John Bold. The misfortunes of Harding begin when Bold becomes an enthusiastic reformer and endeavors to expose the great disparity in the allotment of Hiram’s antiquated charity funds. This leads to a sequence of events that he becomes powerless to stop, from the editorials of Tom Towers in “The Jupiter” to the legal interference of Archdeacon Grantly. The novel is a thoughtful description of clerical life infused with the romance of a young couple, which combines to form a novel with a melancholy conclusion. This edition includes a biographical afterword.
LanguageEnglish
Release dateMar 20, 2020
ISBN9781420968361
Author

Anthony Trollope

Anthony Trollope (1815-1882) was the third son of a barrister, who ruined his family by giving up the law for farming, and an industrious mother. After attending Winchester and Harrow, Trollope scraped into the General Post Office, London, in 1834, where he worked for seven years. In 1841 he was transferred to Ireland as a surveyor's clerk, and in 1844 married and settled at Clonmel. His first two novels were devoted to Irish life; his third, La Vendée, was historical. All were failures. After a distinguished career in the GPO, for which he invented the pillar box and travelled extensively abroad, Trollope resigned in 1867, earning his living from writing instead. He led an extensive social life, from which he drew material for his many social and political novels. The idea for The Warden (1855), the first of the six Barsetshire novels, came from a visit to Salisbury Close; with it came the characters whose fortunes were explored through the succeeding volumes, of which Doctor Thorne is the third.

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  • Rating: 4 out of 5 stars
    4/5
    Love the writing and the language, even if I have to, at times, read a sentence twice, three times. I still love the beauty of how the words are used and each sentence is an interpretation. Trollope created a character who was drowning in his virtues. I thought there was a better solution to his dilemma, he wasn't a practical man, idealistic perhaps, but unable to see the impact of his actions on other people. His conscience was satisfied, but he abandoned the others who were his responsibility, via his job. The future bedesmen that could have benefited from the trust were never allowed the opportunity because of the warden's need to keep his conscience pure.
  • Rating: 3 out of 5 stars
    3/5
    This is the first Trollope book I've read and it was slow-moving and somewhat mediocre. However, I have been promised that the ones that follow are better! That being said, the story revolves around the question of the possible misuse of charitable funds by Septimus Harding, a well-liked clergyman in the town of Barhcester, who is also the warden of a man's alms house. The chief protagonist who suggests the accusations against the warden is also in love with the Harding's daughter and there is the conflict of duty and love. Definitely a Victorian read.
  • Rating: 5 out of 5 stars
    5/5
    Gorgeous writing!
  • Rating: 5 out of 5 stars
    5/5
    Strangely contemporary . . .
  • Rating: 5 out of 5 stars
    5/5
    I really didn’t mean to set out on my journey through Trollope’s Barsetshire novels this year. I loved the Palliser novels, I planned to read a few more of his stand-alone novels before I began his other series; and, if I’m honest, I have to admit that I was a little wary of this first book, that many have said is weaker that the books that follow and that I gave up on back in the days before I came to understand what makes Trollope so very special.A disappointing dramatisation of a book from the middle of this series – I’ll say no more because others who know and love that book have said it already, and much better than I could – made me want to read that book. Because, disappointing though it was, I could see enough in the underpinning to suggest that it was likely to be a book I would love.That was why, with just a little apprehension, I picked up this first book in the series.I loved it. And now that I am well into the second book in the series I have to say that I’m not enjoying it as much as I enjoyed this first book. ‘Barchester Towers’ feels rambling and unstructured after this book; I do like it, but not as much as I had hoped, and so I have put it to one side for a while.‘The Warden’ is one of Trollope’s shorter novels, and I would liken it to a beautifully wrought miniature; not quite perfect but lovely nonetheless.This story, like many a Trollope, spins around a will. An alms house was set up under the terms of the will of John Hiram in the fifteenth century, to provide food, comfort and shelter for twelve old men who had no home and no means. They were also granted a shilling and fourpence a day for any other wants they might have.What surplus there was – and sometimes there was very little – was granted to the warden a clergyman responsible for the running of what would become known as ‘Hiram’s Hospital’ and for the spiritual welfare of the men who resided there.The explaining of this took a while, and that may have been why I put the book down first time around. This time though I felt at home in the author’s company and I recalled that my aunt had been warden of a similar alms house, albeit in a different age and under very different terms.This story begins when Septimus Harding, a respected, well-liked clergyman, was the warden of Hiram’s Hospital, and when the value of the bequest had grown significantly. That meant that Mr Harding had a very healthy income as well as a lovely house and garden; and he was happy in his work; he cared for his twelve residents and they all liked and respected him.It is the story of the trials of Mr Harding.John Bold, an earnest young reformer, was convinced that the hospital funds were being unfairly allocated and that the warden’s income was out of proportion to the minimal duties he is expected to perform. Mr Harding was unworldly, he had never thought to question the financial arrangements of the hospital, though he had had used his personal funds to increase the allowance given to the hospital’s residents to one and sixpence a day.The popular press took up Mr Bold’s cause, it became a cause celebre, and a court case ensued.The clerical community, with the forceful archdeacon Dr Grantly, son of the Bishop and husband of Mr Harding’s elder daughter at the forefront, supported the continuation of the warden’s right to the surplus income from the bequest.John Bold took the opposite view; even though he considered Mr. Harding as a friend, even though he sought the hand in marriage of his younger daughter, Eleanor.Mr Harding wanted to do the right thing, but he was none to sure what the right thing was.I loved the way that Trollope told this story. He presented his characters and all of the arguments so well; his narrative voice was warm, acute and witty; and I was particularly taken with how well he created the letters and newspaper reports that illuminated his story.I appreciated that, though I had a good idea where his sympathies lay, he presented both sides of the matter quite clearly. That made it easy to feel empathy with Mr Harding, a good man who really didn’t know what the rightness of the case was. And to wonder what had been the intentions of John Hiram when he made his will, and what would happen to the old men at the institution the bore his name.I was very taken with archdeacon, Dr Grantly. He was so certain of the rightness of his cause, and so formidable as he set out to fight for that cause. He was wonderfully entertaining on the printed page, and, though I’m not sure I’d like to meet him in real life, I loved his tenacity, and his loyalty to his family and the church.I loved Eleanor Harding. She was as devoted to his father as he was to her, and she snubbed John Bold while he was in the enemy camp. She didn’t cut her ties with him though; his sister continued to be her dearest friend, and she hoped that her romance could be rekindled when the court case was over and the dust had settled. She would always be loyal to her father, but she would never lose sight of the future that she knew was ahead of her, the life she wanted to lead.Most of all though I loved Septimus Harding. He loved his daughters, he loved the old men who were in his care, he loved the work he had been called to do, he appreciated all of the good things he had in his life; and when finally decided what was the right thing to do he proved to be as tenacious, in his own quiet way as his formidable son-in-law.The sequence of events, as he travelled to London and found his way to the people he needed to see – very much an innocent abroad – was beautifully judged and a joy to read.,His subsequent visit to the bishop, an old and sympathetic friend, and his return to Hiram’s Hospital were every bit as good.There were one or two character I would have liked to spend a little more time with – Mary Bold, Susan Grantly and certain of the residents of Hiram’s Hospital – but this is a small book and there is a whole series ahead of me to see a little more of the characters in this book and to meet others.I’m not sure that I’ll like the next book as much as this one, but I do want to give it another chance and I do want to spend more time in this world.
  • Rating: 3 out of 5 stars
    3/5
    This is the first Trollope book I've read and it was slow-moving and somewhat mediocre. However, I have been promised that the ones that follow are better! That being said, the story revolves around the question of the possible misuse of charitable funds by Septimus Harding, a well-liked clergyman in the town of Barhcester, who is also the warden of a man's alms house. The chief protagonist who suggests the accusations against the warden is also in love with the Harding's daughter and there is the conflict of duty and love. Definitely a Victorian read.
  • Rating: 5 out of 5 stars
    5/5
    The first of Anthony Trollope's Barchester Chronicles, The Warden is a short but beautifully formed book. The story of Mr Septimus Harding, the precentor of Barchester Cathedral, and the warden of Hiram's Hospital, an almshouse in the cathedral city of Barchester. The twelve old men housed by the hospital receive an income of one shilling and four pence per day, whereas the increase in the value of the property in the centuries since the charity was founded leaves the warden with a substantial income of eight hundred pounds a year and the use of a handsome house. But as voices begin to be raised questioning whether this division of funds is in line with the original wishes of John Hiram, the very private Mr Harding must face the public scrutiny of his affairs. And to complicate matters the chief instigator of the enquiries is the man with whom Mr Harding's daughter Eleanor is in love.For me the strength of this book is in the memorable characters that Trollope creates: the honest and generous Mr Harding battling with his own concience; the gentle but ineffectual Bishop; and blowing through the book like a whirlwind there is the wonderful archdeacon Dr Grantley, who alternately organises and terrorises all around him.Trollope's language at times is just perfect. On discovering that Mr Harding's daughter is likely to become engaged to the chief reformer, John Bold:'The bishop did not whistle; we believe that they lose the power of doing so on being consecrated; and that in these days one might as easily meet a corrupt judge as a whistling bishop; but he looked as if he would have done so, but for his apron.'This would probably have rated five stars were it not for some of the satire being lost on the modern reader, although his portrait of the famous novelist Mr Popular Sentiment is still recognisable to anyone who has read any Dickens at all!I'll definitely going on to read the rest of the Barchester Chronicles.
  • Rating: 4 out of 5 stars
    4/5
    This is the first in the classic Chronicles of Barsetshire series and features befuddled cleric Septimus Harding and a kafuffle over his income. Trollope set his story in his current day, in this case 1855. There is lots of social satire (including a veiled reference to Charles Dickens), biting humour, and pokes at church & state.I’ll admit this was humourous, but I’m not really into early Victorian times so began to find Trollope’s references boring. I’m glad I read this (my introduction to Trollope) but I’m not in a hurry to read more by him, even though it’s likely that if I did want Victorian literature, he would be near the top of my list.Read this if: you’re a fan of Victorian literature. 3½ stars
  • Rating: 4 out of 5 stars
    4/5
    The first of the Barsetshire Chronicles by Anthony Trollope. Set in mid 1800's England, Mr. Harding as Warden of a home for the poor. Due to some lucky investments, the Warden receives a sizeable stipend, which was never intended by the original legacy that created the home. Reverend Hardy has the dilemma of choosing between poverty (only 100 pounds a year!) vs. staying in his current comfortable position even though he feels it is morally wrong.

    As a Dickens fan, many people have suggested I read Anthony Trollope. I really enjoyed his style, similar setting to Dickens, but not quite the drama of some of Dickens' novels. I have already picked up the next in the series.

    I listened to the Simon Vance audio edition of this book. Excellent, excellent, excellent!
  • Rating: 4 out of 5 stars
    4/5
    Wading through the first two chapters of exposition, I was wondering why anybody still bothered with Trollope. After that, I found out. There's a tidy little story here about a seemingly straightforward issue that becomes increasingly complex as we become familiar with each side of it. I'm not sure what moral is arrived at by the end, since anything I'm able to imagine has a counter-example when viewed from one of the many other perspectives. Perhaps the press comes off as the one true villain of the piece, although it's side of the story is curiously missing from the epilogue so that might be all that created that impression. Trollope plays very fair to all sides - maybe a little too fair, although my sympathies remain with Mr. Harding. This was pre-reading for Barchester Towers; I'll enjoy revisiting these characters but I hope that story will be a little more clear about its message. (PS - appreciated the dig at Dickens he slips into this novel, not sure I agreed with him though.)EDIT: on further thought, the message is that money can't buy the happiness earned by a clean conscience. The Warden feels no worse off for his reduced income, while the tenants lose many of the pleasures they were enjoying after striving for more.
  • Rating: 3 out of 5 stars
    3/5
    I can't read only fluff in the summertime: my goal for the summer is to bust through a few books in the Barsetshire Chronicles. Loved reading the free ebook, but I used the Penguin Classics edition for the footnotes and intro.
  • Rating: 5 out of 5 stars
    5/5
    Highly enjoyable satire skewering the administration of bequests by the church, and the role of the press and the law in public disputes. Apart from the language it could have been written today, so sharp was the wit and pillorying of the central protagonists. Dickensian character names e.g. John Bold, who is Bold, but ill-considered; Mr Harding, who is a pushover, not hard at all; etc., add to the fun. Highly recommended to book groups, as ours enjoyed a full 90 minutes of discussion, with more to discuss yet.
  • Rating: 4 out of 5 stars
    4/5
    The first of the Barchester series, The Warden seems obviously designed to set up the next five novels. It's fine on its own, but not the best of Trollope by any means. Mr. Harding, warden of an almshouse for 12 elderly disabled men, finds himself the target of a lawsuit promoted by his daughter's admirer. The claim is that the benefactor's will did not mean for the church to use the bequest to fund a warden, but that it was meant to go directly to the 12 men. Complicating factors is the fact that the archdeacon, married to Harding's elder daughter, insists on fighting the suit, which gets nasty in the public press. The plot focuses on how Mr. Harding, a genuinely kind and good man, deals with the stress and his own conscience, and how his daughter Eleanor struggles between her fierce love for her father and her growing affection for John Bull, the lawyer behind the lawsuit.
  • Rating: 3 out of 5 stars
    3/5
    Not exactly perfectly structured, not beautifully written, simplistic plot. There's plenty of filler - the parody of Carlyle is funny, but did we need two versions? And yet enjoyable - especially if you suspect that 'the media' is mainly a tool for whipping 'the public' into a frenzy with misinformation, that a laudable interest in justice is often perverted by self-interest and naivety, or that the three-volume Victorian novel really was too long - and very smart. You might disagree with the Warden's position, but it's sympathetic, and Trollope doesn't let you agree with it unthinkingly. But really, a long short story would have been enough. I'll definitely dig deeper into his Barchester novels.
  • Rating: 4 out of 5 stars
    4/5
    With a small town Victorian setting, the fictional Barsetshire, and an appealing somewhat Austen-like cast of characters, Trollope's novel The Warden illustrates just how complicated reforming a centuries old church policy can be, even when everyone involved has valid concerns and mostly the best of intentions. When John Hiram died in long ago 1434 his will left money and property for the support of twelve impoverished older men retired from the trade of wool-carding, the men being replaced by others as they passed on to the better world, all of which was to be overseen by a warden compensated for his work. The charity has prospered in the 400 or so years since it was established and has been able to continue its mission unabated. Obviously by Victorian times though things had changed--there were no longer wool carders in Barsetshire for instance--so terms have had to be adjusted, but maybe they have strayed too far from the original intent? Currently the twelve elderly recipients are housed in comfortable lodgings, receiving all they need to live and allocated a small amount of money for their own use. Rev. Harding, the just and compassionate warden, also gives the twelve an extra stipend from his own pocket, and the men enjoy both his company and the beautiful music he plays in the evenings. But then John Bold, a reform minded young man incidentally in love with the warden’s daughter, takes it into his head that the warden’s yearly salary is too much and that more of the charity's money should be going directly to the twelve men. Which sets up an achingly poignant conundrum. Should such a caring warden’s income be reduced? Everyone has a strong opinion about what is right, including the men themselves, and when the matter is taken up by the press the poor warden is vilified, horrifying him. There is almost an O. Henry quality to this story, with some surprise twists at the end and most characters having to live with the unexpected consequences of actions they had thought so prudent at the time. Trollope uses The Warden to make lots of observations about human nature and the workings of Victorian society, which are wittily written and for the most part interesting, but they do slow the story down. I had heard The Warden is the weakest of Trollope’s Barsetshire novels, which makes me very eager to read the rest because I loved this one.
  • Rating: 4 out of 5 stars
    4/5
    This is the first book in Trollope’s Chronicles of Barsetshire series. I’d heard in advance that it’s not always the best place to start with the series, but my type A personality insisted I read them in the correct order. It is a slow novel, one where very little action happens and I struggled to get into the first section. But at some point things clicked into place for me. I started to see past the surface plot of a financial debate dealing with the care of a local hospital, and I began to see the characters’ inner struggles.Septimus Harding is the Warden, a title he earned by running Hiram's Hospital, a charity house. His daughter’s beau, John Bold, starts to question how the charity is run and draws up a case against the Warden. Harding has two daughters, Susan, who is already married, and Eleanor, who lives with him and who is being courted by John Bold. Bold’s decision to challenge Harding’s income puts an uncomfortable wrench in his plan to marry Eleanor.Once you get past the initial slow start, the book provides an interesting look at the motives behind actions. Bond sees his purpose as noble and right even though he’s hurting the people he loves. It makes the reader question his decision, is it truly motivated by his beliefs or by his pride? Both Bond and Harding have difficult decisions to make and they are being encouraged by their friends to do very specific things. The local newspaper is also playing a part in aggravating the situation. In the end, does it matter why you make a decision if it is the right one? Or is it more important to stick to your original mission despite the effect it will have on others?In some ways this novel reminded me of Gilead. Both books have a quiet nature and focus on the decisions of elderly men. Both also have a younger man who is struggling with a decision. Both have religious overtones that dictate the path of the main characters. It was an interesting parallel since the two books are set in such different time periods and locations.BOTTOM LINE: An interesting read that took a bit to get into. I’ve heard the next book in the series is better and so I’m excited to read that one. I enjoyed watching Trollope peel away the layers of this issue until the moral core was revealed. I’m looking forward to seeing how he does that in the other Chronicles of Barsetshire novels.“Bold began to comfort himself in the warmth of his own virtue.”“In matters of love men do not see clearly in their own affairs.”“There are some points on which no man can be contented to follow the advice of another,—some subjects on which a man can consult his own conscience only.” 
  • Rating: 2 out of 5 stars
    2/5
    Sigh...I just don't get all the fuss over Trollope. I read this one, but not joyfully.
  • Rating: 3 out of 5 stars
    3/5
    Trollope's vigourously recounted tale of a gentle and scrupulous man is a long time favourite. Contains one of teh best scenes ever, when the perplexed and unhappy Warden "plays" on his imaginary cello, too old to continue playing for real. A story of worliness versus spirutal values.
  • Rating: 4 out of 5 stars
    4/5
    Trollope's first book in the Barchester Chronicles. I found it slow in the beginning, but worth pursuing.
  • Rating: 4 out of 5 stars
    4/5
    This novel is a good introduction to the work of Anthony Trollope who wrote dozens of books over his literary career. The themes of church and society in the town of Barchester are on display here along with a portrayal of the media that seems eerily familiar to our own. Trollope's satire is subtle and the story is one that pits the sense of justice of Septimus Harding , the local Warden, against the power of the church and society. Trollope creates a fascinating character in Harding, but he also demonstrates the way the unintended consequences of our actions have a way of overtaking us and those around us. This is shown in the actions of the young firebrand John Bold who finds his feelings for Harding's daughter ultimately win out over his call for social justice. Overall this is a good example of one of the greatest of victorian novelists.
  • Rating: 4 out of 5 stars
    4/5
    My first work by Trollope, and I was impressed. The author writes in a simple and straightforward style that a modern reader can appreciate. Likewise, the story line was straightforward, with just enough characters to complete the work. So often I am left wondering why authors of this period include so many unnecessary persons and detail. Not so with Trollope.Among its messages, I most appreciated the book's powerful statement about how media can be used, or abused.
  • Rating: 3 out of 5 stars
    3/5
    An enjoyable snippet of Victoriana. I mainly read it as a set-up for Barchester Towers which is the next in the series and is supposed to be quite good. This one stood nicely on its own, though. Good introduction to Mr. Harding and the other characters.
  • Rating: 4 out of 5 stars
    4/5
    There is not a huge amount of plot to this novel and the Goodreads blurb sums it up really. There is humour in Mr Harding's fear of the archdeacon, but the story is very topical and references several real-life cases of C of E abuses and attempted reforms, as well as parodying Dickens and Carlyle. The introduction and notes in this edition are excellent, almost necessary for a modern reader truly to understand certain sections.I much prefer the next in the series, "Barchester Towers" (I read them out of order), and I agree with the narrator that Dr Grantly doesn't come out of this volume too well. I found John Bold's actions here puzzling: he goes after Mr Harding despite being in love with Eleanor, but when she asks him to drop the case as it is upsetting her father, he agrees immediately. Either he didn't think at all about the consequences of his actions or he is entirely lacking in the kind of principle that the meek Mr Harding displays.
  • Rating: 4 out of 5 stars
    4/5
    I had been saving Trollope for later life, largely because I was worried that once I got started I might feel compelled to read all 47 of his novels. But somehow read the first few pages of this and couldn't put it down. The story is rather slight, many of the characters absurd, some of the satire over the top, but somehow it is enjoying and compelling from beginning to end.

    The story is about a church official who also serves as the beneficent, albeit well remunerated, Warden of an almshouse for twelve elderly, indigent men. He becomes the target of a local reformer who wants more of the endowment to go to the poor and less to the Warden. A series of lawsuits and machinations follow, lightly interspersed with a wooden romance, and along the way Trollope skewers parliament, the media, the Church of England, philosophical writers, Charles Dickens, and others. Unlike Dickens, none of the characters -- minor or major -- have much life to them. And most of them are painfully cardboard.

    But somehow the careful descriptions, the impossible situation depicted, and the panormatic view of this tiny segment of time, space and society are compelling. As one of Trollope's earliest works, I can only assume they get better -- and will require some restraint not to pick up another Trollope novel anytime soon.
  • Rating: 4 out of 5 stars
    4/5
    The Warden is the first book in Anthony Trollope's Barsetshire novels, and deals with a sticky legal question involving the Church of England's financial responsibilities. Under the will of John Hiram, twelve aged workingmen are to be supported in a hospital (or home) and overseen/served by a warden of the church. Since Hiram's 1434 will, the income from his estates has increased dramatically and the surplus monies have been routed to the warden rather than to the workingmen (whose needs are fully satisfied in their current arrangements). When a young liberal activist named John Bold learns that Hiram's will is not being followed to the letter, he immediately opens a lawsuit to investigate the church's appropriation of the money. What complicates matters is that Bold is in love with Eleanor Harding, the daughter of the current warden — and Bold considers Mr. Septimus Harding himself to be a good friend. Can he reconcile what he feels is his civic duty with these personal loyalties? Who really should get that eight hundred pounds a year?Mr. Harding is a wonderfully endearing character. In addition to being the warden of the hospital, he is also a preceptor and delights in the music for the church services. He is a humble man who is horrified at the grasping, greedy picture of himself that the newspapers paint for the world to read. After a struggle of no mean proportions, he determines that he must give up the wardenship and its accompanying eight hundred pounds, despite the financial blow it will be and the bullying tactics of his more worldly-wise son-in-law, Dr. Grantly. The little machinations to which Mr. Harding resorts in order to get his way despite his weakness are funny and sad at the same time. He's very much a passive-aggressive type, unwilling and unable to argue with Dr. Grantly but firm in his convictions. He buys a clean conscience in the end, despite everything his friends try to do to save him from his own moral promptings.There are other endearing characters as well. Eleanor is quite the heroine with her brave resolve of giving up John Bold to save her father. Though she is foiled in this noble plan by her friend, Bold's sister Mary, there's no doubt Eleanor really did intend to see it through. I also liked the bishop, another fuddling and "weak" man like Mr. Harding who nevertheless demonstrates true charity and consideration for others. Dr. Grantly is really the only villain in the book (well, perhaps Tom Towers and Abraham Haphazard qualify too), but even he is softened. Indeed, Trollope does his best to apologize for Dr. Grantly's overbearing manner and inflexible pride... and he succeeds. I can't dislike Dr. Grantly nearly as much as I think I ought to. Perhaps Trollope did not feel it wise to castigate a clergyman too harshly. I appreciated the dry, understated humor that crops up unexpectedly throughout the novel. There is Trollope's brilliant description of a ball, wherein the young men and young women are depicted as opposing armies staring at one another across the ballroom and slowly making advances. The metaphor is quite drawn out and it gets funnier as it continues. And there are the "conjugal confabulations" of the imposing Dr. Grantly and his wife as they converse in bed, along with some amusing reflections on what a trial it must be for clergymen's wives to see their dignified husbands in all states of dishabille. You have to be on the watch for Trollope's humor; he doesn't trumpet that he is being funny when he makes a smart little comment about someone. I laughed at his little descriptions, like the archdeacon's sigh "that would have moved a man-of-war." In some ways it's almost Austenian. In other places (especially in the conversations of the bedesmen), Trollope reminded me of Thomas Hardy's working-class characters.In his introduction, Louis Auchincloss writes that the crux of the novel is a recurring theme with Trollope: the inevitable collision of traditional privilege and modern ideas. Auchincloss claims (and I think I'd agree) that Trollope understands, to some extent, why people would agitate for change, but ultimately he isn't sure that the change will be for the better. Auchincloss also gently chides Trollope for criticizing the power of the popular newspaper and for portraying Dickens as a sentimentalist painting in garish colors. I'm not sure I care for Auchincloss's tone here; it's one thing to point out Trollope's criticism, but another to call it "inappropriate," as if Trollope is a child being reproved for saying a bad word.I enjoyed this quiet little novel, so commonplace in its events but undergirded with little profundities, like Mr. Harding being "not so anxious to prove himself right, as to be so." Would that I were the same. I'm new to Trollope, but it seems one the chief delights of his work are the little gems like that. I look forward to the rest of the Barsetshire novels!
  • Rating: 5 out of 5 stars
    5/5
    In my opinion this can be regarded as the quintessence of Trollope, and is the best book to recommend to people coming to reading his fiction for the first time.
  • Rating: 3 out of 5 stars
    3/5
    First of the Barsetshire series is a gentle introduction to the characters who inhabit the subsequent novels.
  • Rating: 3 out of 5 stars
    3/5
    The first in the Barcester series by Anthony Trollope. Mr. Harding, the warden of the title, is a clergyman in charge of a hospital/nursing home for 12 men, funded by a bequest for that purpose. Mr. Bold is a reformer, who wants to clear the church of any hint of financial impropriety. He is also in love with Miss Harding. When he begins looking into the hospital and the bequest, he decides that too much money is being left to Mr. Harding and not enough to the elderly residents. Soon his conclusions lead to a debate, and then to a lawsuit and newspaper editorials. Poor Mr. Harding, who is certainly not corrupt nor greedy, comes off looking like the worst embezzler in the church. Somehow this situation must be resolved.I actually read this out of order, and read Barchester Towers first. That one is the better book. This reads like a prequel, not really a book on its own right. The characters are well developed, but the story seems a little thin to sustain a whole book. But now I want to look through Barchester Towers again. Good, but certainly not great.
  • Rating: 3 out of 5 stars
    3/5
    This is the first in the original Barsetshire Chronicles (not Thirkell's re-use of that location). I found it amusing, if a bit long-winded in the middle.For me, the real strength of this book lay in how well it brought to life both the characters and their daily existence. No one comes across as a caricature—the warden is not impossibly saintly nor the archdeacon unduly greedy...they are simply human in their eccentricities and foibles.I don't absolutely rave about it, but I will pick up Barchester Towers, the second in the series.
  • Rating: 4 out of 5 stars
    4/5
    It seems nothing much has changed since Victorian times: the church can still spark dissension, the press will still fan the flames of controversy. While this book deals with finances related to an almshouse connected to the church, it is reminiscent of a more recent scandal of the church that became a similar tangled mess. Trollope managed the topic with great diplomacy: Reverend Harding is a sympathetic, lovable, man of integrity, while the appropriately-named Bold, strikes before thinking. Eleanor Harding is delightful, but I cannot condone her choice of love interest. Harding's visit to London was the most entertaining part of the story. Any traveller with time to kill in an unfamiliar place can sympathize.I loved this book once again, and this time I will move on to the rest of Barsetshire Chronicles.

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The Warden - Anthony Trollope

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THE WARDEN

By ANTHONY TROLLOPE

The Warden

By Anthony Trollope

Print ISBN 13: 978-1-4209-6835-4

eBook ISBN 13: 978-1-4209-6836-1

This edition copyright © 2020. Digireads.com Publishing.

All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including photocopying, recording, or other electronic or mechanical methods, without the prior written permission of the publisher, except in the case of brief quotations embodied in critical reviews and certain other noncommercial uses permitted by copyright law.

Cover Image: a detail of Winchester College Entrance with the Warden’s House, from History of Winchester College, part of History of the Colleges, engraved by Daniel Havell (1785-1826) pub. by R. Ackermann, 1816 (aquatint) / The Stapleton Collection / Bridgeman Images.

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CONTENTS

Chapter I. Hiram’s Hospital

Chapter II. The Barchester Reformer

Chapter III. The Bishop of Barchester

Chapter IV. Hiram’s Bedesmen

Chapter V. Dr. Grantly Visits the Hospital

Chapter VI. The Warden’s Tea Party

Chapter VII. The Jupiter

Chapter VIII. Plumstead Episcopi

Chapter IX. The Conference

Chapter X. Tribulation

Chapter XI. Iphigenia

Chapter XII. Mr. Bold’s Visit to Plumstead

Chapter XIII. The Warden’s Decision

Chapter XIV. Mount Olympus

Chapter XV. Tom Towers, Dr. Anticant, and Mr. Sentiment

Chapter XVI. A Long Day in London

Chapter XVII. Sir Abraham Haphazard

Chapter XVIII. The Warden Is Very Obstinate

Chapter XIX. The Warden Resigns

Chapter XX. Farewell

Chapter XXI. Conclusion

Biographical Afterword

Chapter I. Hirams Hospital

The Rev. Septimus Harding was, a few years since, a beneficed clergyman residing in the cathedral town of ––––; let us call it Barchester. Were we to name Wells or Salisbury, Exeter, Hereford, or Gloucester, it might be presumed that something personal was intended; and as this tale will refer mainly to the cathedral dignitaries of the town in question, we are anxious that no personality may be suspected. Let us presume that Barchester is a quiet town in the West of England, more remarkable for the beauty of its cathedral and the antiquity of its monuments than for any commercial prosperity; that the west end of Barchester is the cathedral close, and that the aristocracy of Barchester are the bishop, dean, and canons, with their respective wives and daughters.

Early in life Mr. Harding found himself located at Barchester. A fine voice and a taste for sacred music had decided the position in which he was to exercise his calling, and for many years he performed the easy but not highly paid duties of a minor canon. At the age of forty a small living in the close vicinity of the town increased both his work and his income, and at the age of fifty he became precentor of the cathedral.

Mr. Harding had married early in life, and was the father of two daughters. The eldest, Susan, was born soon after his marriage; the other, Eleanor, not till ten years later.

At the time at which we introduce him to our readers he was living as precentor at Barchester with his youngest daughter, then twenty-four years of age; having been many years a widower, and having married his eldest daughter to a son of the bishop a very short time before his installation to the office of precentor.

Scandal at Barchester affirmed that had it not been for the beauty of his daughter, Mr. Harding would have remained a minor canon; but here probably Scandal lied, as she so often does; for even as a minor canon no one had been more popular among his reverend brethren in the close than Mr. Harding; and Scandal, before she had reprobated Mr. Harding for being made precentor by his friend the bishop, had loudly blamed the bishop for having so long omitted to do something for his friend Mr. Harding. Be this as it may, Susan Harding, some twelve years since, had married the Rev. Dr. Theophilus Grantly, son of the bishop, archdeacon of Barchester, and rector of Plumstead Episcopi, and her father became, a few months later, precentor of Barchester Cathedral, that office being, as is not unusual, in the bishop’s gift.

Now there are peculiar circumstances connected with the precentorship which must be explained. In the year 1434 there died at Barchester one John Hiram, who had made money in the town as a wool-stapler, and in his will he left the house in which he died and certain meadows and closes near the town, still called Hiram’s Butts, and Hiram’s Patch, for the support of twelve superannuated wool-carders, all of whom should have been born and bred and spent their days in Barchester; he also appointed that an alms-house should be built for their abode, with a fitting residence for a warden, which warden was also to receive a certain sum annually out of the rents of the said butts and patches. He, moreover, willed, having had a soul alive to harmony, that the precentor of the cathedral should have the option of being also warden of the almshouses, if the bishop in each case approved.

From that day to this the charity had gone on and prospered―at least, the charity had gone on, and the estates had prospered. Wool-carding in Barchester there was no longer any; so the bishop, dean, and warden, who took it in turn to put in the old men, generally appointed some hangers-on of their own; worn-out gardeners, decrepit grave-diggers, or octogenarian sextons, who thankfully received a comfortable lodging and one shilling and fourpence a day, such being the stipend to which, under the will of John Hiram, they were declared to be entitled. Formerly, indeed,―that is, till within some fifty years of the present time,―they received but sixpence a day, and their breakfast and dinner was found them at a common table by the warden, such an arrangement being in stricter conformity with the absolute wording of old Hiram’s will: but this was thought to be inconvenient, and to suit the tastes of neither warden nor bedesmen, and the daily one shilling and fourpence was substituted with the common consent of all parties, including the bishop and the corporation of Barchester.

Such was the condition of Hiram’s twelve old men when Mr. Harding was appointed warden; but if they may be considered as well-to-do in the world according to their condition, the happy warden was much more so. The patches and butts which, in John Hiram’s time, produced hay or fed cows, were now covered with rows of houses; the value of the property had gradually increased from year to year and century to century, and was now presumed by those who knew anything about it, to bring in a very nice income; and by some who knew nothing about it, to have increased to an almost fabulous extent.

The property was farmed by a gentleman in Barchester, who also acted as the bishop’s steward,―a man whose father and grandfather had been stewards to the bishops of Barchester, and farmers of John Hiram’s estate. The Chadwicks had earned a good name in Barchester; they had lived respected by bishops, deans, canons, and precentors; they had been buried in the precincts of the cathedral; they had never been known as griping, hard men, but had always lived comfortably, maintained a good house, and held a high position in Barchester society. The present Mr. Chadwick was a worthy scion of a worthy stock, and the tenants living on the butts and patches, as well as those on the wide episcopal domains of the see, were well pleased to have to do with so worthy and liberal a steward.

For many, many years,―records hardly tell how many, probably from the time when Hiram’s wishes had been first fully carried out,―the proceeds of the estate had been paid by the steward or farmer to the warden, and by him divided among the bedesmen; after which division he paid himself such sums as became his due. Times had been when the poor warden got nothing but his bare house, for the patches had been subject to floods, and the land of Barchester butts was said to be unproductive; and in these hard times the warden was hardly able to make out the daily dole for his twelve dependents. But by degrees things mended; the patches were drained, and cottages began to rise upon the butts, and the wardens, with fairness enough, repaid themselves for the evil days gone by. In bad times the poor men had had their due, and therefore in good times they could expect no more. In this manner the income of the warden had increased; the picturesque house attached to the hospital had been enlarged and adorned, and the office had become one of the most coveted of the snug clerical sinecures attached to our church. It was now wholly in the bishop’s gift, and though the dean and chapter, in former days, made a stand on the subject, they had thought it more conducive to their honour to have a rich precentor appointed by the bishop, than a poor one appointed by themselves. The stipend of the precentor of Barchester was eighty pounds a year. The income arising from the wardenship of the hospital was eight hundred, besides the value of the house.

Murmurs, very slight murmurs, had been heard in Barchester,―few indeed, and far between,―that the proceeds of John Hiram’s property had not been fairly divided: but they can hardly be said to have been of such a nature as to have caused uneasiness to anyone: still the thing had been whispered, and Mr. Harding had heard it. Such was his character in Barchester, so universal was his popularity, that the very fact of his appointment would have quieted louder whispers than those which had been heard; but Mr. Harding was an open-handed, just-minded man, and feeling that there might be truth in what had been said, he had, on his installment, declared his intention of adding twopence a day to each man’s pittance, making a sum of sixty-two pounds eleven shillings and fourpence, which he was to pay out of his own pocket. In doing so, however, he distinctly and repeatedly observed to the men, that though he promised for himself, he could not promise for his successors, and that the extra twopence could only be looked on as a gift from himself, and not from the trust. The bedesmen, however, were most of them older than Mr. Harding, and were quite satisfied with the security on which their extra income was based.

This munificence on the part of Mr. Harding had not been unopposed. Mr. Chadwick had mildly but seriously dissuaded him from it; and his strong-minded son-in-law, the archdeacon, the man of whom alone Mr. Harding stood in awe, had urgently, nay, vehemently, opposed so impolitic a concession: but the warden had made known his intention to the hospital before the archdeacon had been able to interfere, and the deed was done.

Hiram’s Hospital, as the retreat is called, is a picturesque building enough, and shows the correct taste with which the ecclesiastical architects of those days were imbued. It stands on the banks of the little river, which flows nearly round the cathedral close, being on the side furthest from the town. The London road crosses the river by a pretty one-arched bridge, and, looking from this bridge, the stranger will see the windows of the old men’s rooms, each pair of windows separated by a small buttress. A broad gravel walk runs between the building and the river, which is always trim and cared for; and at the end of the walk, under the parapet of the approach to the bridge, is a large and well-worn seat, on which, in mild weather, three or four of Hiram’s bedesmen are sure to be seen seated. Beyond this row of buttresses, and further from the bridge, and also further from the water which here suddenly bends, are the pretty oriel windows of Mr. Harding’s house, and his well-mown lawn. The entrance to the hospital is from the London road, and is made through a ponderous gateway under a heavy stone arch, unnecessary, one would suppose, at any time, for the protection of twelve old men, but greatly conducive to the good appearance of Hiram’s charity. On passing through this portal, never closed to anyone from 6 a.m. till 10 p.m., and never open afterwards, except on application to a huge, intricately hung mediæval bell, the handle of which no uninitiated intruder can possibly find, the six doors of the old men’s abodes are seen, and beyond them is a slight iron screen, through which the more happy portion of the Barchester élite pass into the Elysium of Mr. Harding’s dwelling.

Mr. Harding is a small man, now verging on sixty years, but bearing few of the signs of age; his hair is rather grizzled, though not gray; his eye is very mild, but clear and bright, though the double glasses which are held swinging from his hand, unless when fixed upon his nose, show that time has told upon his sight; his hands are delicately white, and both hands and feet are small; he always wears a black frock coat, black knee-breeches, and black gaiters, and somewhat scandalises some of his more hyper-clerical brethren by a black neck-handkerchief.

Mr. Harding’s warmest admirers cannot say that he was ever an industrious man; the circumstances of his life have not called on him to be so; and yet he can hardly be called an idler. Since his appointment to his precentorship, he has published, with all possible additions of vellum, typography, and gilding, a collection of our ancient church music, with some correct dissertations on Purcell, Crotch, and Nares. He has greatly improved the choir of Barchester, which, under his dominion, now rivals that of any cathedral in England. He has taken something more than his fair share in the cathedral services, and has played the violoncello daily to such audiences as he could collect, or, faute de mieux, to no audience at all.

We must mention one other peculiarity of Mr. Harding. As we have before stated, he has an income of eight hundred a year, and has no family but his one daughter; and yet he is never quite at ease in money matters. The vellum and gilding of Harding’s Church Music cost more than any one knows, except the author, the publisher, and the Rev. Theophilus Grantly, who allows none of his father-in-law’s extravagances to escape him. Then he is generous to his daughter, for whose service he keeps a small carriage and pair of ponies. He is, indeed, generous to all, but especially to the twelve old men who are in a peculiar manner under his care. No doubt with such an income Mr. Harding should be above the world, as the saying is; but, at any rate, he is not above Archdeacon Theophilus Grantly, for he is always more or less in debt to his son-in-law, who has, to a certain extent, assumed the arrangement of the precentor’s pecuniary affairs.

Chapter II. The Barchester Reformer

Mr. Harding has been now precentor of Barchester for ten years; and, alas, the murmurs respecting the proceeds of Hiram’s estate are again becoming audible. It is not that any one begrudges to Mr. Harding the income which he enjoys, and the comfortable place which so well becomes him; but such matters have begun to be talked of in various parts of England. Eager pushing politicians have asserted in the House of Commons, with very telling indignation, that the grasping priests of the Church of England are gorged with the wealth which the charity of former times has left for the solace of the aged, or the education of the young. The well-known case of the Hospital of St. Cross has even come before the law courts of the country, and the struggles of Mr. Whiston, at Rochester, have met with sympathy and support. Men are beginning to say that these things must be looked into.

Mr. Harding, whose conscience in the matter is clear, and who has never felt that he had received a pound from Hiram’s will to which he was not entitled, has naturally taken the part of the church in talking over these matters with his friend, the bishop, and his son-in-law, the archdeacon. The archdeacon, indeed, Dr. Grantly, has been somewhat loud in the matter. He is a personal friend of the dignitaries of the Rochester Chapter, and has written letters in the public press on the subject of that turbulent Dr. Whiston, which, his admirers think, must well nigh set the question at rest. It is also known at Oxford that he is the author of the pamphlet signed Sacerdos on the subject of the Earl of Guildford and St. Cross, in which it is so clearly argued that the manners of the present times do not admit of a literal adhesion to the very words of the founder’s will, but that the interests of the church for which the founder was so deeply concerned are best consulted in enabling its bishops to reward those shining lights whose services have been most signally serviceable to Christianity. In answer to this, it is asserted that Henry de Blois, founder of St. Cross, was not greatly interested in the welfare of the reformed church, and that the masters of St. Cross, for many years past, cannot be called shining lights in the service of Christianity; it is, however, stoutly maintained, and no doubt felt, by all the archdeacon’s friends, that his logic is conclusive, and has not, in fact, been answered.

With such a tower of strength to back both his arguments and his conscience, it may be imagined that Mr. Harding has never felt any compunction as to receiving his quarterly sum of two hundred pounds. Indeed, the subject has never presented itself to his mind in that shape. He has talked not unfrequently, and heard very much about the wills of old founders and the incomes arising from their estates, during the last year or two; he did even, at one moment, feel a doubt (since expelled by his son-in-law’s logic) as to whether Lord Guildford was clearly entitled to receive so enormous an income as he does from the revenues of St. Cross; but that he himself was overpaid with his modest eight hundred pounds,―he who, out of that, voluntarily gave up sixty-two pounds eleven shillings and fourpence a year to his twelve old neighbours,―he who, for the money, does his precentor’s work as no precentor has done it before, since Barchester Cathedral was built,―such an idea has never sullied his quiet, or disturbed his conscience.

Nevertheless, Mr. Harding is becoming uneasy at the rumour which he knows to prevail in Barchester on the subject. He is aware that, at any rate, two of his old men have been heard to say, that if everyone had his own, they might each have their hundred pounds a year, and live like gentlemen, instead of a beggarly one shilling and sixpence a day; and that they had slender cause to be thankful for a miserable dole of twopence, when Mr. Harding and Mr. Chadwick, between them, ran away with thousands of pounds which good old John Hiram never intended for the like of them. It is the ingratitude of this which stings Mr. Harding. One of this discontented pair, Abel Handy, was put into the hospital by himself; he had been a stone-mason in Barchester, and had broken his thigh by a fall from a scaffolding, while employed about the cathedral; and Mr. Harding had given him the first vacancy in the hospital after the occurrence, although Dr. Grantly had been very anxious to put into it an insufferable clerk of his at Plumstead Episcopi, who had lost all his teeth, and whom the archdeacon hardly knew how to get rid of by other means. Dr. Grantly has not forgotten to remind Mr. Harding how well satisfied with his one-and-sixpence a day old Joe Mutters would have been, and how injudicious it was on the part of Mr. Harding to allow a radical from the town to get into the concern. Probably Dr. Grantly forgot, at the moment, that the charity was intended for broken-down journeymen of Barchester.

There is living at Barchester, a young man, a surgeon, named John Bold, and both Mr. Harding and Dr. Grantly are well aware that to him is owing the pestilent rebellious feeling which has shown itself in the hospital; yes, and the renewal, too, of that disagreeable talk about Hiram’s estates which is now again prevalent in Barchester. Nevertheless, Mr. Harding and Mr. Bold are acquainted with each other; we may say, are friends, considering the great disparity in their years. Dr. Grantly, however, has a holy horror of the impious demagogue, as on one occasion he called Bold, when speaking of him to the precentor; and being a more prudent far-seeing man than Mr. Harding, and possessed of a stronger head, he already perceives that this John Bold will work great trouble in Barchester. He considers that he is to be regarded as an enemy, and thinks that he should not be admitted into the camp on anything like friendly terms. As John Bold will occupy much of our attention, we must endeavour to explain who he is, and why he takes the part of John Hiram’s bedesmen.

John Bold is a young surgeon, who passed many of his boyish years at Barchester. His father was a physician in the city of London, where he made a moderate fortune, which he invested in houses in that city. The Dragon of Wantly inn and posting-house belonged to him, also four shops in the High Street, and a moiety of the new row of genteel villas (so called in the advertisements), built outside the town just beyond Hiram’s Hospital. To one of these Dr. Bold retired to spend the evening of his life, and to die; and here his son John spent his holidays, and afterwards his Christmas vacation when he went from school to study surgery in the London

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