Anna- The Girl Who Stood out in the Cold: A Play in Two Acts
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About this ebook
It is this belief that has helped Anna and her fellow inmates at an Auschwitz prison survive the terrible ordeal they are subjected to every day.
Anna has failed to complete her task, a mistake that has earned her a horrible punishment: standing out in the dark for the entire night in freezing temperatures.
The clock is ticking. The night is getting colder. Anna's punishment looms nearer.
Gathered around a fire, the friends must keep Anna's hopes up, relying on measly candles that can give the illusion of warmth.
But the night has a couple of surprises and terrible revelations for them.
Michael Ferguson
Michael Ferguson was born in Greenore, Co. Louth, on 4th April 1949; educated in St Michael's College, Omeath, Co. Louth; involved with local drama group since 1984 as an actor and director; commenced writing in 2009 with "Bernadette" - four-act story of Lourdes. Subsequent writings include: "Noah" (one-act comedy), "Oliver Plunkett - The Final Days" (written for and produced by R.T.E.), "A Time to Remember" (1 act, acknowledged by House of Commons motion no. 365, 02/11/2016), "Murder Inspired" (Murder Mystery Night), "Anna - The Girl Who Stood Out in the Cold" and is currently writing a two-act comedy set in Carlingford in 1949, entitled "The Blacksmith".
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Anna- The Girl Who Stood out in the Cold - Michael Ferguson
11
About the Author
Michael Ferguson was born in Greenore, Co. Louth, on 4th April 1949; educated in St Michael’s College, Omeath, Co. Louth; involved with local drama group since 1984 as an actor and director; commenced writing in 2009 with Bernadette
– four-act story of Lourdes. Subsequent writings include: Noah
(one-act comedy), Oliver Plunkett – The Final Days
(written for and produced by R.T.E.), A Time to Remember
(1 act, acknowledged by House of Commons motion no. 365, 02/11/2016), Murder Inspired
(Murder Mystery Night), Anna – The Girl Who Stood Out in the Cold
and is currently writing a two-act comedy set in Carlingford in 1949, entitled The Blacksmith
.
Dedication
Dedicated to Kublai and Kal-el Ferguson.
Copyright Information ©
Michael Ferguson (2018)
The right of Michael Ferguson to be identified as author of this work has been asserted by him in accordance with section 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publishers.
Any person who commits any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages.
A CIP catalogue record for this title is available from the British Library.
ISBN 9781788488907 (Paperback)
ISBN 9781788488914 (Hardback)
ISBN 9781788488921 (E-Book)
www.austinmacauley.com
First Published (2018)
Austin Macauley Publishers Ltd™
25 Canada Square
Canary Wharf
London
E14 5LQ
Characters
Rudolf Hoess – Commandant Auschwitz
Hans Friedrich – SS Officer
Franz Munch – SS Officer
Bruno Bettelheim – Kapo
Leopold Kowsky – Kapo
Both Kapos double up as German and Russian soldiers
Inmates
Marysia Jedrzejak – Polish Jew
Therese Steiner – Jew from Guernsey
Helena Citronova – Jehovah’s Witness
Ilse Valdeman – Ukrainian Gypsy
Anna Kersten – German Jew
Margot Kersten – Anna’s Sister
Henryk Goldszmit – Jewish Orphan
Andrejez Stapor – Jewish Orphan
Act 1, Scene 1
Music of Erika (German marching song), with film footage of German troops and Hitler in various scenes for the duration of the song.
Music of O Fortuna from Carmina Burana by Carl Orff, with images of inmates of Auschwitz and if possible, stills of actual cast members superimposed on film.
During the playing of this piece, the women inmates will be herded in from the side entrance of the theatre by the two Kapos and marched across the stage to the other exit, accompanied by shouts and other physical abuse with use of whips and cudgels.
Alternatively, inmates enter at the start of O Fortuna and walk incessantly in a circle for the duration of the music, indicating futility and Zombie-like existence, or they enter at the crescendo of O Fortuna for a greater impact.
Act 1, Scene 11 – Parade Ground, Auschwitz, January 1943
Act 1, Scene 111 – Women’s quarters, Auschwitz/Birkenau, 27 Jan 1945
Two rows of bunk beds angled together with an old-fashioned stove at the centre
INTERVAL
Act 2: Later that night
Act 1, Scene 11
Two German soldiers step on to the stage, one from each side.
Enter Commandant Hoess to the centre stage.
Enter Hans Freidrich and Franz Munch from either side.
Franz: It is a great honour and privilege to have you back at the