A methodical approach to learning and playing the historical clarinet and its usage in historical performance practice
By Evgeni Orkin and Nicola Schröter
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A methodical approach to learning and playing the historical clarinet and its usage in historical performance practice - Evgeni Orkin
Index
Preface
Chapter 1
History
The chalumeau
The clarinets with 2-3 keys
The clarinets with 5-(6) keys
The clarinets with 7-14 keys
The Müller Clarinet
The Boehm Clarinet
German
Clarinets
The Albert Clarinet
Chapter 2
The usage of the systems
Table of useful guidelines
Instruments
The search for originals
Where to look -
The condition of the instrument -
Tuning -
Cleaning -
After restoration -
Replicas of the originals
Maintenance
The Mouthpiece
The tenon connections
Intonation
Tuning
The thumb rest
The pads
The keys
Storage
Oiling
Chapter 3
Fingering charts
5-(6) - Key Clarinet
7-14 - Key Clarinet
Baermann-Ottensteiner-Clarinet
Chapter 4
Finger exercises and studies
Studies
Chapter 5
Repertoire
Schools and Methods
Solo
Concertos
Concertos for clarinet and other solo instruments
Clarinet and Piano
Duos
Trios
Clarinet and Voice
Quartets
Clarinet Quintets
Quintets (mixed)
Sextets and more
In the Orchestra (fraction)
Index
Preface
Chapter 1
History
The chalumeau
The clarinets with 2-3 keys
The clarinets with 5-(6) keys
The clarinets with 7-14 keys
The Müller Clarinet
The Boehm Clarinet
'German' clarinets
The Albert Clarinet
Chapter 2
The usage of the systems
Table of useful guidelines
Instruments
The search for originals
Where to look -
The condition of the instrument -
Tuning
Cleaning
After restoration-
Replicas of the originals
Maintenance
The Mouthpiece
The tenon connections
Intonation
Tuning
The thumb rest
The pads
The keys
Storage
Oiling
Chapter 3
5-(6) - Key Clarinet
7-14 - Key Clarinet
Baermann-Ottensteiner-Clarinet
Chapter 4
Finger exercises
Studies
Chapter 5
Repertoire
Schools and Methods
Solo
Concertos
Concertos for clarinet and other solo instruments
Clarinet and Piano
Duos
Trios
Clarinet and Voice
Quartets
Clarinet Quintets
Quintets (mixed)
Sextets and more
In the Orchestra (fraction)
Author:
Evgeni Orkin was born in 1977 in Ukraine. He studied clarinet, composition and conducting at the Conservatories in Kiev, Utrecht and Mannheim and now teaches at the Conservatory in Mannheim. His passion is the discovery and preservation of original instruments. Using the contemporary works of the corresponding historical era, he has recorded the tones of these instruments on numerous CDs.
Translation:
Nicola Schröter studied English Literature and German at the universities in Southampton, England, and Frankfurt am Main, Germany, before moving to Germany. She also studied Business Management in Travel and Tourism at the university in Worms. Aside from working in the tourism industry, she has spent many years teaching Marketing and Management subjects as well as English, including translation.
Imprint
A METHODICAL APPROACH
A methodical approach to learning and playing the historical clarinet and its usage in historical performance practice
by Evgeni Orkin
© 2019 Evgeni Orkin
Author: Evgeni Orkin
For information email:
orka77@gmx.de
www.evgeniorkin.de
ISBN: 9783966103763
The author holds all rights to the concept, musical works, ideas and implementation.
Copying or reprinting by unauthorized third parties is strictly prohibited.
A METHODICAL APPROACH
to learning and playing the historical clarinet and its usage in historical performance practice
Preface
This book is designed for players wishing to play and experiment with