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    Gipsy-Night, and Other Poems
    Gipsy-Night, and Other Poems
    Gipsy-Night, and Other Poems
    Ebook66 pages22 minutes

    Gipsy-Night, and Other Poems

    By Richard Arthur Warren Hughes

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    About this ebook

    The following book is a collection of poems authored by Richard Hughes, best-remembered today for writing the novel 'A High Wind in Jamaica'. Featured titles to be found amongst these poems include 'The Horse Trough', 'Gratitude', 'Vagrancy', and 'Epitaph'.
    LanguageEnglish
    PublisherGood Press
    Release dateDec 23, 2019
    ISBN4064066126599
    Gipsy-Night, and Other Poems

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      Book preview

      Gipsy-Night, and Other Poems - Richard Arthur Warren Hughes

      Richard Arthur Warren Hughes

      Gipsy-Night, and Other Poems

      Published by Good Press, 2019

      goodpress@okpublishing.info

      EAN 4064066126599

      Table of Contents

      Preface

      Gipsy-Night

      The Horse Trough

      Martha (Gipsies on Tilberstowe: 1917)

      Gratitude

      Vagrancy

      Storm: to the Theme of Polyphemus

      Tramp (The Bath Road, June)

      Epitaph

      Glaucopis

      Poets, Painters, Puddings

      Isaac Ball

      Dirge

      The Singing Furies

      The Ruin

      Judy

      Winter

      The Moonlit Journey

      A Song of the Walking Road

      The Sermon (Wales, 1920)

      The Rolling Saint

      Weald

      The Jumping-Bean (A curious bean, with a small maggot in it, who comes to life and tumbles his dwelling at the stimulus of warmth)

      Old Cat Care outside the Cottage (1918)

      Cottager is given the Bird (1921)

      A Man

      Moon-Struck

      Ænigma

      Lament for Gaza

      The Image

      Felo de Se

      The Birds-nester A Memorial, to an Unfortunate Young Man, Expelled from his University for a Daring Neologism

      Preface

      Table of Contents

      Probably the most important contribution to modern poetical theory is Mr. Robert Graves’ book On English Poetry. He grounds it upon Man as a Neurotic Animal. Poetry is to the poet, he argues, what dreams are to the ordinary man: a symbolical way, that is, of resolving those complexes which deadlock of emotion has produced. If this book meets with the success it deserves, it is probable that there will be a great deal of psycho-analytical criticism afloat, that the symbolic test will become the sole criterion of distinguishing the true from the fake poem; until some sort of ‘Metamorphic’ school arise, who defeat this by consciously faking their symbolism. I do not wish to oppose this thesis, but only to suggest that though true, it is only a partial truth: and that to

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