Holbein
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Holbein - S. L. Bensusan
S. L. Bensusan
Holbein
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066156039
Table of Contents
I INTRODUCTION
II THE ARTIST'S LIFE
III HOLBEIN IN ENGLAND
I
INTRODUCTION
Table of Contents
Hans Holbein the younger is perhaps the most outstanding figure in the history of German art. In the eyes of some he may yield place to his great contemporary Albert Dürer, but it is impossible [12] to deny that for all his indisputable genius Dürer stood for a time that was passing, and Holbein for one that was to come. The younger man touched art at every point, nowhere without mastery; and whether we consider him as a draughtsman, a decorator, a painter of frescoes, a portrait painter, an architect, a modeller, a designer of jewellery, a book illustrator, or a miniaturist, we find ourselves face to face with such an extraordinary measure of achievement, that the claim to remembrance and admiration could be sustained if his art gift had been single instead of universal.
[13]
PLATE II.—THE AMBASSADORS
(In the National Gallery, London)
This picture, painted by Holbein when he was at the zenith of his powers, is well known to visitors to our National Gallery. The figures have been identified by some authorities as Jean de Dinteville and George de Selve, one was the French Ambassador to King Henry's Court, the other a great scholar who also served diplomacy. Both died young. The picture has roused controversy, as certain writers are of opinion that the subjects are Henry and Philip, Counts Palatine of the Rhine.
[14]
PLATE II.--THE AMBASSADORS[15]
Some men are echoes of their own time. Circumstance has made them what they are; their work, however greatly it may please their generation, does nothing to probe the future, to indicate the direction that thought or taste will follow, nor does it set an example for those who are to come. Hans Holbein the younger is of the smaller and more distinguished class that accepts tradition just so far as it is useful or indispensable, and can face the problems of changing seasons and new thought with perfect confidence and unerring instinct, finding no terror in change. His father was an artist, and this fact would seem to have marked out his path in life. But, considering the work he did, in its extent and quality,