A Prince of Bohemia
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Honoré de Balzac
Honoré de Balzac (1799-1850) was a French novelist, short story writer, and playwright. Regarded as one of the key figures of French and European literature, Balzac’s realist approach to writing would influence Charles Dickens, Émile Zola, Henry James, Gustave Flaubert, and Karl Marx. With a precocious attitude and fierce intellect, Balzac struggled first in school and then in business before dedicating himself to the pursuit of writing as both an art and a profession. His distinctly industrious work routine—he spent hours each day writing furiously by hand and made extensive edits during the publication process—led to a prodigious output of dozens of novels, stories, plays, and novellas. La Comédie humaine, Balzac’s most famous work, is a sequence of 91 finished and 46 unfinished stories, novels, and essays with which he attempted to realistically and exhaustively portray every aspect of French society during the early-nineteenth century.
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A Prince of Bohemia - Honoré de Balzac
Honoré de Balzac
A Prince of Bohemia
Published by Good Press, 2022
goodpress@okpublishing.info
EAN 4064066241902
Table of Contents
Translated by Clara Bell and others
A PRINCE OF BOHEMIA
A PRINCE OF BOHEMIA
1839 - 1845.
ADDENDUM
The following personages appear in other stories of the Human Comedy.
Translated by Clara Bell and others
Table of Contents
DEDICATION
To Henri Heine.
I inscribe this to you, my dear Heine, to you that represent in
Paris the ideas and poetry of Germany, in Germany the lively and
witty criticism of France; for you better than any other will know
whatsoever this Study may contain of criticism and of jest, of
love and truth.
DE BALZAC.
A PRINCE OF BOHEMIA
ADDENDUM
Table of Contents
A PRINCE OF BOHEMIA
Table of Contents
My dear friend,
said Mme. de la Baudraye, drawing a pile of manuscript from beneath her sofa cushion, will you pardon me in our present straits for making a short story of something which you told me a few weeks ago?
Anything is fair in these times. Have you not seen writers serving up their own hearts to the public, or very often their mistress’ hearts when invention fails? We are coming to this, dear; we shall go in quest of adventures, not so much for the pleasure of them as for the sake of having the story to tell afterwards.
After all, you and the Marquise de Rochefide have paid the rent, and I do not think, from the way things are going here, that I ever pay yours.
Who knows? Perhaps the same good luck that befell Mme. de Rochefide may come to you.
Do you call it good luck to go back to one’s husband?
No; only great luck. Come, I am listening.
And Mme. de la Baudraye read as follows:
"Scene—a splendid salon in the Rue de Chartres-du-Roule. One
of the most famous writers of the day discovered sitting on a
settee beside a very illustrious Marquise, with whom he is on
such terms of intimacy, as a man has a right to claim when a
woman singles him out and keeps him at her side as a complacent
souffre-douleur rather than a makeshift."
Well,
says she, "have you found those letters of which you spoke yesterday? You said that you could not tell me all about him without them?"
Yes, I have them.
"It is your turn to speak; I am listening like a child when his mother begins the tale of Le Grand Serpentin Vert."
"I count the young man in question in that group of our acquaintances which we are wont to style our friends. He comes of a good family; he is a man of infinite parts and ill-luck, full of excellent dispositions and most charming conversation; young as he is, he is seen much, and while awaiting better things, he dwells in Bohemia. Bohemianism, which by rights should be called the doctrine of the Boulevard des Italiens, finds its recruits among young men between twenty and thirty, all of them men of genius in their way, little known, it is true, as yet, but sure of recognition one day, and when that day comes, of great distinction. They are distinguished as it is at carnival time, when their exuberant wit, repressed for the rest of the year, finds a vent in more or less ingenious buffoonery.
"What times we live in! What an irrational central power which allows such tremendous energies to run to waste! There are diplomatists in Bohemia quite capable of overturning Russia’s designs, if they but felt the power of France at their backs. There are writers, administrators, soldiers, and artists in Bohemia; every faculty, every kind of brain is represented there. Bohemia is a microcosm. If the Czar would buy Bohemia for a score of millions and set its population down in Odessa—always supposing that they consented to leave the asphalt of the boulevards—Odessa would be Paris with the year. In Bohemia, you find the flower doomed to