Discover millions of ebooks, audiobooks, and so much more with a free trial

Only $11.99/month after trial. Cancel anytime.

Los miserables
Los miserables
Los miserables
Ebook2,052 pages35 hours

Los miserables

Rating: 4.5 out of 5 stars

4.5/5

()

Read preview

About this ebook

Jean Valjean, un exconvicto al que encerraron durante veinte años por robar un pedazo de pan, se convierte en un hombre ejemplar que lucha contra la miseria y la injusticia y que empeña su vida en cuidar a la hija de una mujer que ha debido prostituirse para pagar la manutención de la niña.
Así, Jean Valjean se ve obligado a cambiar varias veces de nombres, es apresado, se fuga y reaparece.
Al mismo tiempo, debe eludir al comisario Javert, un policía inflexible que lo persigue convencido de que tiene cuentas pendientes con la justicia.
El enfrentamiento entre ambos se produce durante las revueltas de 1832 en París, donde, en las barricadas, un grupo de jóvenes idealistas planta cara al ejército en defensa de la libertad.
Y, entre todo ello, historias de amor, de sacrificio, de redención, de amistad.
El progreso, la ley, el alma, Dios, la Revolución Francesa, Waterloo, el idilio amoroso, la prisión, el contrato social, las barricadas de 1832, el crimen, las cloacas de París… todo tiene cabida en esta monumental novela.
Y, como su título indica, todo gira en torno a la palabra "miserable", pues Víctor Hugo distingue entre los miserables hijos de la degradación material, aquellos que nada tienen salvo su dignidad, y los miserables producto de la degradación moral, a los que ya nada les queda, pues han perdido incluso aquello que les hace personas: su humanidad.
Ambos tipos de miserable giran en un fantástico torbellino, los unos luchando denodadamente por avanzar hacia la luz, los otros deslizándose sigilosamente hacia las tinieblas, que siempre, en el fondo, tienen un origen que hay que ir a buscar lejos de quien las sufre.
Una de las mejores novelas de todos los tiempos.
LanguageEspañol
PublisherEDHASA
Release dateSep 30, 2013
ISBN9788435046909
Author

Victor Hugo

Victor Hugo (1802-1885) was a French poet and novelist. Born in Besançon, Hugo was the son of a general who served in the Napoleonic army. Raised on the move, Hugo was taken with his family from one outpost to the next, eventually setting with his mother in Paris in 1803. In 1823, he published his first novel, launching a career that would earn him a reputation as a leading figure of French Romanticism. His Gothic novel The Hunchback of Notre-Dame (1831) was a bestseller throughout Europe, inspiring the French government to restore the legendary cathedral to its former glory. During the reign of King Louis-Philippe, Hugo was elected to the National Assembly of the French Second Republic, where he spoke out against the death penalty and poverty while calling for public education and universal suffrage. Exiled during the rise of Napoleon III, Hugo lived in Guernsey from 1855 to 1870. During this time, he published his literary masterpiece Les Misérables (1862), a historical novel which has been adapted countless times for theater, film, and television. Towards the end of his life, he advocated for republicanism around Europe and across the globe, cementing his reputation as a defender of the people and earning a place at Paris’ Panthéon, where his remains were interred following his death from pneumonia. His final words, written on a note only days before his death, capture the depth of his belief in humanity: “To love is to act.”

Related to Los miserables

Related ebooks

Classics For You

View More

Related articles

Related categories

Reviews for Los miserables

Rating: 4.2746953588337675 out of 5 stars
4.5/5

4,596 ratings137 reviews

What did you think?

Tap to rate

Review must be at least 10 words

  • Rating: 4 out of 5 stars
    4/5
    Summary: A massive book by a French patriot about people, humanity society and philosophy.
    He uses an epic story of one mans redemption to illustrate and navigate a lot of these ideas.

    Things I liked:

    Characters:

    I loved the characters like Val Jean and Gav Roche. Fantine and Javert and many other besides.

    While they may have been a little unrealistic at times (extreme people in extreme circumstances certainly not like anyone I really know or have met); they ooze poetry (extreme ideas counter pointed within themselves or against each other). Just thinking about the contrast of Val Jean and Javert right now gives me goose bumps.

    I also really liked the way he would introduce a small-ish character into the story, use them and let them go again.

    Scope:


    Hugo will set up a character hundreds of pages earlier for a beautiful payoff later on (for example the Sister Simplice who never lies (not even to spare Fantine the pain not having her daughter,
    who then lies twice to Javert to protect Val Jean. Other characters like this include the horticulturist who dies waving the flag at the barricade and Thenadier who weaves his way through the entire story .

    Things I thought could be improved:

    Informational Sections:

    I'm a bit in two minds, but basically I think a lot of the 'non-fiction' sections could have potentially been moved to an appendix at the back. It seems you'd just be getting to a really good bit of the plot and then STOP !!! I'd be treated to 140 pages on Waterloo or the sewersof Paris (their historical antecedents etc). It's been pointed out to me and I agree that this information does add to the plot, but I still think a bit of editing could have tightened things up a bit.

    Name dropping:

    I get the impression Victor Hugo had read very widely and learnt about a lot of things and events because he must have mentioned just about everyone of them in this book. I got probably about 30% of them and found all the classical references a bit over the top sometimes.

    Highlight:

    For me the section when Javert confronts Val Jean by Fantine's bedside gave me goosebumps.


    Jean Valjean, armed with his bar of iron, walked slowly up to Fantine's couch. When he arrived there he turned and said to Javert, in a voice that was barely audible:-

    "I advise you not to disturb me at this moment."

    One thing is certain, and that is that Javert trembled.
  • Rating: 4 out of 5 stars
    4/5
    I won't even lie, this book took me 3-4 months to read? I did put it down a lot, but I always picked it up again.

    Having said that, this book is probably one of the most rewarding books I've ever read. This book left one of the greatest impressions on me. I don't usually have 'favourite' books - I can't pick one book to end all books, but when I think about the books that affected me most, this book comes out on top.

    I read the unabridged version of this book and I have to say it did take me quite a while to get used to Victor Hugo's writing style. He will build a world meticulously, talking of a village and its history, building it brick by brick. Nothing will happen, and as a reader, I would often drown in the details.

    Then, suddenly, a character enters the scene and so much happens in 20 pages that I can't even look up because the plot grips me so much. World-building aside, I adored a lot of Victor Hugo's characters.

    Jean Valjean, Javert and a couple of other characters all have very distinct character arcs and it's wonderful to watch them transform.

    This book has one of the strongest and most resonant voices I've ever read. It talks about class, about judging people prematurely, about compassion, about love, about how a person's past is always their future. These are all still very relevant ideas and so it's not as antiquated as you might think.

    Fair warning, though - this book will make you cry. I cried for the last 100 pages or so. (I suppose it is called 'The Miserable', which is sort of indicative and warning enough - but still.)

    This book does a really brilliant job of finishing the plot into a nice little dovetail, which I really appreciated. And afterwards I wondered how one man could write a book like that, and what an incredible feat it must've been.
  • Rating: 5 out of 5 stars
    5/5
    Amazing. A passionate tale, full of nostalgia for days gone by. A tale of redemption, of a convict with a conscience, of the great arc of life told through fully-fleshed out characters. As much social commentary as it is a fictional piece, in Les Miserables the genius of Victor Hugo is on full display.
  • Rating: 2 out of 5 stars
    2/5
    Okay, I'll just put it out there - I didn't like Les Miserables by Victor Hugo. When I finished it this afternoon, I cheered - I was so very glad it was over. I found the whole thing to be mawkishly sentimental and utterly predictable. The characters contained virtually no shades of gray, and the narrator's continual need to digress - and digress - and digress - drove me bonkers.Here's the thing. The story itself could have probably been told in 300 pages or less. The other 1,162 pages were filled with the narrator's (Hugo's?) opinions about everything from the uselessness of convents, the history of riots in Paris, the greatness of the French people in general, the sanctity and purity of women and children, and even the worth of human excrement flowing through Paris's sewers. It seems as if Hugo decided that Les Miserables was his opportunity to discuss every fleeting idea or thought he'd ever had. In detail. With lots of name dropping. It drove this reader crazy.And the story itself. I expected a little more in a "classic." I don't know about anyone else, but I found myself predicting the outcome of almost every scene. And it was so cloying, so maudlin - a paragon of 19th century melodrama at its worst.So why am I giving Les Miserables 1.5 stars rather than one or even a half a star? 1. There were times when Hugo made me laugh. 2. Gavroche was a great character, finely drawn. 3. Because I read every one of its 1,463 pages.
  • Rating: 3 out of 5 stars
    3/5
    Long, hard to read. Very tough to get through for not much. Other ''classics'' have been much better.
  • Rating: 4 out of 5 stars
    4/5
    I've never been married, but reading Les Miserables is what I imagine marriage would be like. I started out so excited to get into the the book, knowing that it was going to be a doozy, but knowing that it was a classic and that I liked the overall story and characters. Then around page 500, Hugo starts going on and on about nunneries and I think, "I did not sign up for this!"

    This indignant thought leads to temptation; after all, why bother time with this long-winded book when there are so many other, shorter, newer books out there? Everywhere I turn, a temptation. Every time, though, I always refrain and turn back to good ol' Les Miserables, because every time I pick it up again and become engrossed with the intricate thought processes and descriptions, I would remember why I was reading it in the first place.

    Sure, there are (as in marriage), times when I wanted to rip my hair out, and other times when things got so syrupy that I wanted to puke, but as a whole, looking back over all those pages, all that time I spent with this book...it really is stunning. Just know that if you're picking up this book with the intention of finishing it, you're entering a pretty hefty commitment. For richer or poorer, better or worse...
  • Rating: 5 out of 5 stars
    5/5
    Les Misérables was one of the first full-length (very full length!) books I managed to read in French. I can still remember the Friday afternoon, all those years ago, when I began to read it. I didn't look up from its pages until the following Sunday evening. A truly magnificent book.
  • Rating: 5 out of 5 stars
    5/5
    The guilty one is not he who commits the sin, but he who causes the darkness.

    It will always be Belmondo when I think of Jean Valjean in that wonky adaptation I saw at the Vogue back in the 90s. The film affected me deeply, thinking about the Occupation and questions of race and justice; the Willa Cather quote which surfaces a number of times. Beyond all that, the smoldering desire to read the novel was forged and eventually realized. I read Les Miserables here and there, with airports occupying a great deal of the effort. One drunken night in New Orleans the following year I spied someone in a pub reading the novel with obvious pleasure. I wished the man well and tripped out into the balmy night.
  • Rating: 5 out of 5 stars
    5/5
    Triumph of the human spirit!
  • Rating: 4 out of 5 stars
    4/5
    Phew - this was a long one. I downloaded a French edition to an e-reader and read it on the T. Hugo loves to digress and I found myself zoning out on the long descriptions of Waterloo and such. The man did love his language though and there are some great passages and lots of interesting words that the weak French/English dictionary installed on the reader couldn't handle. Who knew there were so many French words for hovel? The best parts of course were the adventures of Jean Valjean, the badass ex-prisoner who knew how to escape and be a loving father to the orphan Cosette.
  • Rating: 5 out of 5 stars
    5/5
    This is an epic book and a thick one at that, but I plowed through it in 2 weeks (at a rate of 100 pages per day) when I was 16 just after seeing the musical adaptation. It was that good that I just couldn't stop reading. The novel is full of tangents where you may get 100 pages of history of the Napoleonic Wars just as background to a simple plot point. But those tangents are wonderful and you just want to go down those roads with Hugo. Reward yourself by setting aside some time to read this book. Take it to the beach. Seriously. Just make sure you put on enough sun block because you may just lose track of time.
  • Rating: 5 out of 5 stars
    5/5
    Um...amazing! I think that says it all!
  • Rating: 5 out of 5 stars
    5/5
    Not since The Poisonwood Bible has a book moved me and had such a complete impact on my soul. For years I had watched the musical and that was enough for me. Thanks to my group Who Doesn't Love a Classic? which has this for their year read this year, I would have never picked up this gem.Now I see that I have only witnessed half the story and found myself reading for eight, nine hours at a time. It was the first thing I picked up in the morning and the last thing I put down at night. I longed to know more about M. Bienvenu and with each page I had a greater respect for him. I mourned with Jean Valjean when he passed.Throughout the book is the constant reminder of redemption throughout the book. That is, except for the Thenardiers. Never have I loathed two people more in literature (perhaps I will change my mind when I read Dickens). They had zero redeeming qualities. While the musical may make them the comic relief, there is nothing comical about them in the book.This took me almost three weeks to read and while I had been intimidated to read such a lengthy book, I found the language glorious and if it were not for sleep, I may have read this quicker.I'm sure at the time this was written, the scenes of Waterloo and the sewer system was interesting. I must admit though, fifty pages describing the sewer system made me want to take a hot shower and stay there. I'm not interested all that much in the Napoleonic Wars and therefore didn't have a lot of interest in the pages and pages of Waterloo.One of the best books I have ever read.
  • Rating: 5 out of 5 stars
    5/5
    Great book, but man it was long.
  • Rating: 5 out of 5 stars
    5/5
    One of the best novels ever written. Hugo is sensational. Do not confuse the musical (although excellent) with the book. The book is far better.
  • Rating: 5 out of 5 stars
    5/5
    The story of Jean Valjean is awesome with many good lessons. My complaint is the author's liking for going on and on and on about things that did nothing to add to or advance the story. I would have preferred a different ending, but can see that the one he chose is fitting.
  • Rating: 5 out of 5 stars
    5/5
    What is there to say? I mean, it's Les Mis! One of the best books ever written, and as valuable an examination of the human condition as has ever been written. It's amazingly long, but worth every single minute you spend reading it.And if you really can't manage it, go so the movie.
  • Rating: 5 out of 5 stars
    5/5
    This epic novel by Victor Hugo was quite a surprising treat. I think the enchantment felt was partially due to the lack of knowledge I had of this popular story. I've never seen any of the films or ventured out to see the play. Anyone who has ever read this will know Hugo tends to digress into many topics which stray from the story itself. Not knowing this, the first digression choked me like swallowing a huge pill. But slowly, after each one… I started to enjoy his digressions and wanted more. Hugo has a wonderful mind and really delves into some thought provoking ideas. All this stimulating writing had me highlighting like crazy.

    For example, I loved the way Hugo compared a prison to a monastery and a convict to a nun, never would I have even thought to compare the two! I also loved the entire rant on slang; this topic is still being debated today. Also, the slang of long ago is proper speech today which strengthens his argument even more. He brings a refreshing look at what slang really is and how it should be treated.

    One of my favorite characters in the book was actually a very minor character but one which brought about Hugo’s rant of slang. Gavroche, the street urchin who creates a nest in an elephant sculpture, has such cheer and resourcefulness for a child with nothing. This is admirable, yes… but Gavroche’s charm lies with his slangy speech. His speech is chock full of cute words for ordinary things and he tries to correct others when they use “proper” speech. His part is short but his character is so heartwarming and odd that it stuck with me.

    Okay, so… this story is aptly named “The Miserable Wretches” because EVERYONE has horrible things happen to them BUT sometimes a happy ending is overrated. I’ll leave you with this quote straight out of the ending of the book:

    “It is a terrible thing to be happy! How content one is! How all-sufficient one finds it! How, being in possession of the false object of life, happiness, one forgets the true object, duty!”

    It was Hugo’s duty to deliver us a story with depth and feeling, not one of those dull (heard it all before) stories. With this, he has success… End of story.
  • Rating: 1 out of 5 stars
    1/5
    I know this is a classic, but I just couldn't get into it. I found it terribly boring, and I gave it a good try--about ten chapters. I simply couldn't make myself care. Major blah.




    Added a "gave-up-on" shelf to put this book on.
  • Rating: 5 out of 5 stars
    5/5
    Victor Hugo describes in this book criticizes social injustice in FranceShowing the novel nature of good and evil and the law in the breathtaking story of the Paris landmarks show, ethics, philosophy, law, justice, religion and the nature of romantic and familial love.Les Miserables great novel because Victor Hugo was a romantic at heart, and the book is filled with moments of great poetry and beauty. The depth of the internal vision and the fact that made him a classic for Aihddh time, one of the great works in Western literature even today after 150 years of writing, the book remains a powerful story of Les Miserables .
  • Rating: 4 out of 5 stars
    4/5
    I didn't realize I was listening to the abridged version of the book until I saw that the page number was supposed to be over a thousand pages, which would have been impossible in a audiobook of 13 hours. Once again I have been mislead - the first time when I read The Count of Monte Cristo abridged. And yet I did not feel as if I were missing pieces of the story. Perhaps because I went into this having seen the movie adaption and the musical play? I'm not sure I have the patience to go through another 700 pages of Hugo, to tell the truth, but I've heard the experience of the unabridged book is wonderful. I will take everyone's word on it. I haven't decided if I like the book as much as I do because I loved the play and movie first or not but regardless this is a classic I enjoyed reading. There's a charm to watching Jean-Valjean redeem himself but yet is always just human in his emotions.
  • Rating: 3 out of 5 stars
    3/5
    Interesting premise . . . laboriously long.
  • Rating: 5 out of 5 stars
    5/5
    I read 'War and Peace' partly because I felt I should, and partly because I had no idea about the story; likewise with 'Les Miserables', although in the case of the French epic I was at least partly familiar with the characters, particularly Jean Valjean and Inspector Javert.So, what can be said about this book that hasn't been said before? It is a classic of world literature, though I don't recommend reading it as quickly as I did (I went on holiday for a week pretty much for the purpose of reading it). It overwhelms. The story, often so sad and dramatic, is peppered with philosophical insights, many expressed ten different ways in the same chapter by Victor Hugo, a man in love with his own ideas if ever there was one.The story itself is immense, and will stay with me always - perhaps more than any other classic. I fell in love with Gavroche, and wish that Hugo had written a book just for him.
  • Rating: 5 out of 5 stars
    5/5
    Great book, much better than any film version I've seen. A large book, started it in August, lyrical, descriptive and spiritual a book to read for anyone who wants to know the depth and breadth of love and grace.
  • Rating: 5 out of 5 stars
    5/5
    An absolutely and astoundingly amazing book, Victor Hugo paints a detailed masterpiece that encourages actual thought. It is impossible to relate the whole story - a simple attempt would take hours. All in all, it's about one person's desperate, miraculous life and all who touch or effect this gem. Read it every waking minute of every day.
  • Rating: 5 out of 5 stars
    5/5
    A stunning read, given that it is a doorstop-sized nineteenth-century novel with a cast of thousands. Dickens would make this story long-winded and turgid, with the sort of word-count padding you expect from hack writers of a later era; Hugo gives you exactly the information you need to portray the places, the people and the times.The characters are not in any way idealised; Valjean is tragic, Javert is obsessed, Fantine drifts into prostitution as the victim of a rich kid and really remains a victim for the rest of her life, and Thénardier is an utter bastard. (If the well-known musical has a fault, it's that it sets out to make Thénardier and his wife lovable rogues, and they are anything but.)All this is set against the background of major events, all of which are depicted with an almost journalistic immediacy. In the end, the major characters get what they deserve; Valjean gets absolution of a sort, Javert's obsession drives him to suicide when the truth of Valjean's goodness is no longer avoidable, and Thénardier gets a comfortable living on a plantation in the West Indies but dies a (hopefully) nasty death years down the line from a tropical disease.Yes, I hate Thénardier; and that says something about the characterisation, because I don't normally do hate. And he isn't even a real person!
  • Rating: 2 out of 5 stars
    2/5
    So I started this book in Provo and then read most of it throughout Europe, finishing it on our third floor bedroom in Geneva, Switzerland. It was strange to be reading the unabridged English translation of Hugo's novel in a part of the world where everyone spoke French, but I tried a bit of the French and was completely blown out of the water, my language being wildly insufficient. It's a sprawling, moving opus epic devoted to the divine in man and the possibility of love, redemption, and revolutionary goodness. I would say it is an example of committed art, and while at times it is tedious and laborious, it is on the whole magnificent.
  • Rating: 5 out of 5 stars
    5/5
    Les Miserables is one of the longest books I've ever read (and I've read a lot of long books) and as someone with very little knowledge of French history, it was also one of the most challenging. Jean Valjean has just been released from prison after nineteen years (he had been sentenced to five years for stealing a loaf of bread to feed his starving family, and then a further fourteen years for his attempts to escape). As an ex-convict, Valjean finds himself rejected by everybody he approaches until the kindly Bishop Myriel takes him in and gives him shelter for the night. However, Valjean repays him by stealing his silverware. When the police catch him and take him back to the bishop's home, the bishop tells them they've made a mistake - he had given the silverware to Valjean as a gift. The bishop's simple gesture of kindness has a profound effect on Valjean, filling him with the determination to be a better person.After establishing himself as a successful factory owner and becoming mayor of Montreuil-sur-Mer, Valjean promises a dying woman that he will take care of her daughter, Cosette. The rest of the book follows Valjean's attempts to escape the investigations of Inspector Javert and to build a new life for himself and Cosette. Along the way we meet a gang of criminals, a group of revolutionary students, and a greedy innkeeper called Thenardier.Most of the characters are very well developed and Hugo spends a considerable amount of time introducing us to them. However, I didn't find the characters of Marius and Cosette very interesting, despite their central roles in the book - I thought some of the secondary characters were much stronger, such as the street urchin Gavroche and the Thenardiers' eldest daughter Eponine.I almost gave this book four stars rather than five, because of all the lengthy digressions on the Battle of Waterloo, life in a convent, the July Revolution of 1830, the Paris sewer system etc. Although these pages are often interesting and informative and contain some beautiful writing, they have very little direct relevance to the plot and interrupt the flow of the story. However, this is really the only negative thing I can say about the book. It's worth perservering through all the social commentary, politics and history to get to the actual story itself - and the wonderful, moving, thought-provoking, suspenseful story is why I finally decided to give the book a five star rating.
  • Rating: 3 out of 5 stars
    3/5
    I have never read the book but I did paticipate in a musical about it and I highly recamend that you either read the book or the musical.
  • Rating: 5 out of 5 stars
    5/5
    Another of my favorite classics. Each time I read it, I catch something new and interesting.

Book preview

Los miserables - Victor Hugo

icbook_preview_excerpt.htmlM#W%W 'RI)%BRBGsw11hXֳef*Тތrҿd9gtuN͞y/?oW_|oVn߼Z}>Wwcj=ԯz7ݴvn߬]U!u~ðʯ֫0inܥicvn3iۡoY4l[{_ڎ9xhoZ|!c?os {ƔqA[mۇkk{=vmܤC&5yVwlЍݬ8]6 CW0j?.q톏1&Txgu65Zo͈nc\~4<<Wu=k~jȓ~Z7ݴw>:|}V=_cw-hݥcoٚiØ8]7e{'cVfmgյ[ا<.KF<__mI/y-.}qoʶo{fO~ҥ8%>_ϓ͗dKiwmM8ݥs3Sׇۦmp8VLKju-af8 6æs[)ۿO쳹6e{ cM'7npƱ=ؒigI:Z*"[`l%LH~9pFL0mIӀ2ͫ}Ϋ]a_6vkvZoO?٠pm.~1>x {Ү3I@^1r}L2O5'T$ G[Ӵј`ⱟiOy-23Ib֞3'nJ&eFfH%MfKا8I^?=fa=^^+^aq;[goƴXIJS V懡]`D޶p[ov'pjwz =kxG͸koG/fW5ylMם~^17[9fѦ^2cڼ3QdaCOxMo&~L2gYձ+Z~buѤFol7ROn&J_>mX~iAssf%'qēlv3SSttS }mqB nCژc´ɴ)L1ZG ؏فh򴜒}1x?*P7n! gpn=-hm˺zۦ @fIBy^XS ϛ@fJKCp0h~r3OpZJдTg::OIcx0٠Uf *]j a:t3&ptuuQlc@^2rBlroہF4ɠgVW͔;@6ێ nCz4x 1]Nu@U:)4-I95qn٤D4$;V�[yt=ju ާiO)-vmt[MmV*i1 ƥC#=`MM9PZ܉DC8O[q'd!@b{~Rt ׬߼^q13AN:B #8+$j4Y2*58}ٸ=n^{4b2m#M)K\]7~^Z r[B~M{ }z!I/L2dW/Qk\&vnt>d@԰swy1M,d:. `F G(x`Lm°`fwy \n400. ؁9釘;=EL-o@(n{X,ωT, XxEga/iB@ ;BV1IEitLSðK W=ߺTyʹ\fa~б0cvl(w֖1WI(~ ?mS3qjI~maiZؒY&skdfOœuW߹ Ac1gfME+n$6.OxL?T 4"Z5<%/ϥc7s˜kiaߛ]~+A fN{iMG涣g㙢٘zH׋]j}M=܆ϚmoSN*lrB{8,$,{ԌЛ X%?=EiQbf=26!sǕqJC+!`­0Y>x,9u42-nuzzvn·2xwŝ9٨[j({*mTC{Ɣ_%#Q D%!6rY&S^ Rs{3C<ᦣJ'pc[S=npr8uÁ4g(2*LqI .쌭MB6ݢlؘk:PlGü_&5hKOM$o, rgD6#8uRgRJt`{3=Nf-Bn} f#ȋw_ 8cѮ9miL~~jIazl!VḢ0Ǵ ĆQD\+N{P%CSHsV_~lW/|0%2ll{VN; 6PU^ɡ~¸[X󅏀[~ ;(0.a;{u m:x/,dBrRV~\hIv&CCk(0kZc6ntEf(")!^ߵ( Z9<^ŖMgdFpo~[➻tk caf<40Yf&1 Utn!l͖za^A۷gc86~4Chw#x ņh~`r̽3[(;WyEF$|&-GSSƏ^ޙ׭~}s;ی( 40z|5w>xa pI !hETЯokcA=w|fSv+Rhvc?xj=BhB`zU^ڽvh0<5waGc|LA>^+HTp#\bM4R0<#Ђ}CCaw5'v$-2=7TPzLy{ɢˑXیё}-^?d8rn}ۆWKVS] +3[V%D.㘮\EjQ8[KERY\UqWq 1RD{n0e:2Itz3#Sb2^4* x~,^>Ǹl&~zs_ROC,yHlө|o+sҘ9*0" BΤj`nϟ,b]- 7yd U.c$ bA_{[YE@vWx1+E갈 3K%(X{3sIAZ{I63 (hgG>v}AG`ގ{qCw\mZ_[%+[T5nx,*zH1Ľ1=?- 7#ThV.H!l|X9 cmO?搝cnS}0VM%Y(omVO?ǹ?i/l~EF?ߟ̼W_v R3 ~_oͩ=?kq j0Bo!s%)(ަaGeI%l&L<D*"l(^mhے,aԽfb|˶W3Mbw xq/EH:V"htΘ e"ж!ff`B׳9BI2kjlIMŵ2{&_"\9s~d.&P_"~krqNK\)kȟyᰛflW!Ƶ U ,M+%'i`L,a{G:7)z;坛xNjfλT!=t/Х7dJL^Ħ@ iӾ,<F)>i4|tH1n.gS ~p:9Iu‡ )^~ZGاϺPVhg< LPE(41!.iMw[;lK4g~8F>c =!g ͳ D ɥP ¨]gȀI=c8g¦&|6n"Xb0Ë %HȤ"οaqok%]yUJgG%%sA+嗌OEy#;1w+6P冀屏Xmבrs>S*؄*GH{W P%ERU t[6.||c1_ɤ_3x݁:-QqJ` &i -C<W.Wڰk4wX-eh+)^Jj_LjC#Yxnp(d ӸmefV$`V]! pixyKi9[>/Flߛ|kyfИ@b}>F ,Lxe%t!GR|qE„\D}3-ؠ# "K+GAW)I&K3V)x ricߞޗ.f;eľy<^@3śy5/N;U aX+D]= ږ~qg>nI(+fjlyGCB)ɓ6ثY*1w|᧦xx9agY99$c:ay!'*h9ZSѧ"/|Tn!r?5ܹQ6 &~]ݳ-Qv e&AeA#{wdͻŹx˞r Mt_(w6M8PiG76KS=Yݭh :>4,^SWmfT]fS4;zIL+n{ĬC@PflN65xH"Vf x 4^@89n=M.H s`ىE~X3wM_Ч=t;mY%n[zgqXa'o^'ZCKG#:sF߁2qTp핝_$ێ#iO(JFA*-4H5>dP,jt)g ]rK\4*SKݖ>-!#4ф<؇oKBdMMgqm4ek6 Ppq JHCJs\D9▖XDÚXIe{|> ujي7j9;uBlVg!hm^v]*its}XmҎ]4m.l6%Fk фɚ%s¬>:0|҅ӏ'i!xD:o@ʺ\OA& 3Lp,}hkYGTPhF1n@@"oq%<'D0E*aZZXD}DJ’[~&܋wn W" 2mt{khV$/ .2:[sUjЏ%88>kpt f GF)6R97bf_FhCޒ 8]L7cwbֵjx+S 0-ј<<-g,=3 -+:e껪'Z%Sl7HZo$#qLfyDD T20ĩU/v9ώ/n 4f`e}Ԭ'`i{Ծ:? 5EnQ7lGf \S/%U$*!cNRL1]X['KVH 30vw:V~:Jc\ގ5XϸAMZ#3Pn& _N'/f!ٶa[@k'; WAmt\.KE} "s?z@3ܰ4*.ť_]+ ;1a+Aլ$'?Bw,Gb݈JóP|+g%`0<_p݋@E YbX?r t> {<'~9)# Zq6-p̾#*ptX Q~w(}j&C矎T!ݻ+8Wl;zDvXԜwu8=+\XζiSؚ_NwsT22エ}@vmp<9&s>+JB㱐[=,c (-s~L~nwf4e6fUSnD;IHI`6w1+4Vw#`!{E*ruhf3~T)wcX: qUz*,$cѽT:ZgͥQB}+"s}@DnO? POXi1X`p` ƣ@ʆ&)V!R$ ѨmΊY:xіXwT$^Xo#RMɪ?*qǨ1d `~T4|7;R#rf;)V cwHR̔)vwHq 6aM)^5UċPa\VGY_ƼTGR hGfmsS'Rxe*Û sH{f ԣзaںfݍd]K Qܔ;uu6巹Tr PKP"q ~hpl>S?JXa;C Kܣ]gE0͍| ʘWfKPMԜ{PzP_tʢh'D)yBb%TP"Kc+.?<1=a [Br@\jt0,tPQflG>@e9½8Sw6qQ}ွhpF C?Duo,"s18"KeҴE& 1K!K9D h!Yѭ7' ĥ b܀C#'xx6oc(9[ z#t"d/ #;%l!jG|x_ITȯM*&)PʃrB_r/u'I-uK| ΀;93l1L3BSdo@[GYXލ7%WMppUo(=|(~ sLo+2F+Y%ʳh(MK_ALju7d1@>iof>6 ? f@8$e>M9Asa@c&X]<8ER/N|+vd*jgԬGG@#PH"06O0Q3?\&?##7!K @<p()CJ]D3+e2E0Lѡnaa)X ]A0>!u0V H״^: 7l0׈~&`Sv;kEHr5S1z;2U@A1OH:?m`67J]8}ޒpǬP'v4U ĉi mLĸucS9RNZ#q W-<JW/ upF9NbV*jK]M%p*9 7Tّ9HnxV5D*l, yץTw63'+KʹśKs7Y+ғ\OT;M~& Q #,C(vKkC]AJ|f("dYO%5M[ vw ~vv *?k!;.J^X/ɵup[gSpls%x>ɜ`?cFŋ $}Kqxj{~eFa[0djLb_ 3r&EL*@?&振5: z)E|OveyDgBBՊ34F28@2g:nl*K _*0]i,~R`ЊG:HqGEM"\_+*ӸRϛ3LG1[ۯφYK"b޸U zdM8"A`$ KLӣ:!54"`1PQ*egc1g@n9VAĈHXJJXqg!s1jRaÈQ: *i v]l$i #ׅg|I?IrK_P-#J 4^ yLF1 RG!m`Vs;^U7ɦ&Piܗp繻!mxF%& O9[{3RU*%3ɋ$oÀ<-5ԓfb +  O{)Ϯs ;컌]T^"G`6(ED `uh{K 6 EEʣ V3_oA,LsԆrlSÚLgSyKbGF3.>{k9őZ-\\C&,'S1|G1 7)vl+y~T$1;|X@n-gvp [<$ș1y8*;rZb6FJhf%#UŞ!}7+4ub.(݀͝D,mԲ?h<ŒPd?eXV}VP\9)=E14w-g89 ,)[}R%\RWc ا}ZxK+HꦊΆhfҝ1ϫaX]:]8z»~YJј<+2hnTM_p/g˕F$T֜-_L]i@Ư|G|]r$48V‚R/t,r>(SUXl4漵f=f//P;/&SvT[aV 7+#ϘƢOCBtFFmKG!K0S;D[e+̪(s^)Y;yvݺliߙJt!s`/׵:XHP of`)A&_Cs MaCD6P{,ٶ^?gʑq-0^?@^]MScj Q}`xٴKfL$=L%W˄ Ӿoi4eV#/s :9ye<:.$qATipNXr1;8iFY^h4x -m0zy;tmHI~D[Mº4:.jҺ',,Un (P;|;9AשQhI5ԆTRMCUjOhe޴7$.붎^[l897̏p{}aM]^/ak\H *KECjOd*<:Hql{ۯTG<;[o4kV] jl3ꇝוR#d/yQ'у1ŧ[X9ȒXfE$C vF;/ۙR%XC_˶˔8jBY`_qs yE1j4=<@XnJO\!A^>[ YRvB2[(.,ZYĥfih0{\nOW3M9xdz3"*v A nK3Z~I?#03T_o s{:'#KeM:W',dq=5юw ,:p4PHF nb>g͈7h%JnZ;J3UAje ݼk;:ZC nU}#ցzY(yVn6<>2o HtLǩJvu5D;n云zvu tz1\FEdzmEEVoLSu2P'g1rvQ!H;l8 1Ap[8Ou0 JS3Ӳuuf7KM1d4@dޫý3+Y؉&.'zoJ]aaEr}&'ʁ=6Y^Ko- a<*Gڅh'D }/{/_;%y|iؕhU4[lU r1Ct]a0F*9 Qh@L9Bu[тƛTu'G2S"k |SJ|@mdoH w/9IT86#^tPeLgnO.:=NiGA04Hf,L{i!ئڢwԞ}Q3ʐgeb}f K&F@?K!Z*6(npPIJl}EKπ,[9,, 6x9-nR)B&ԄSX:ݑ6{Q9sa, zT$<5Z`xOAԅ/2F2ũ'4^¥vvŁ-VQdt(.V*f.7A:/rtI̧2 oN?ΘR>{*!b~.-i@e ~cO✩`rC7Kf˓N9}U&: fsY'Ăh~xłqFHL|p9B~p%4x]ZԡH_ʺEO bDE?0ˑD틓c17_bֈ@j>$\T&q5֢Rd#y!  KCt9=6vr+;+gbʗ|ha=!O8~08b;_u%ܐ6P(`,VJXS5q/FRsH Ua'rd?TxGOjϔGZ} ]5/X]! o"~N->B Mm'\麧!hlwTE|%{T= r n3DhB\wdztGĪG MLS;Σ:?7ޢ_uZvGhOXi jǕ<}!4؎-LQo\t?AfuwskoVyUγJ~]JxlU߿VyvTB\᠍R 7 D?%ߴtY dWRoV?V7N,=):U.ځt郇bMCT ;oH.큈bޢ[aIUF [)hLzun38b6d![*^68#"%Ɓx\k2`y%!Zx{׫7ȸ:ν*gz=hmT+*h)~ :Z#GNpsuB K[{z4F#ճr~ZPYhn)-]hRC.Z+ue͓ؿP iCDFf[Eԫ[54Z J 2DDrz,8c?UX2S!$w"U㯡=Z,W9yW]4zTՐWhl=R0/c'k|dSKnG^?nG;>%wA2R w i3s1»ئxҰ՟dM= \?.tS{s#9G V䭻gܥ|4^B{f śB- .ut5?D˭+T,%QkHGCŖ=F2{υ鬭-@H/5*jñhtԾ2ezإ!d<CoQ)ʩJNؖi*}: ۴<(舸l*u`f}|iɿĎ0X.nƇ]H{mmjRY}fڏB`g"u6voX}s7ɇ+yu۱6!XA)pӼp|io_>e \[<#[9\K^J#f\s p +aBe*͐onQ}ϭ3LnX^F!h,V`Ye7YmPǃ'<<e0i=i^?TcMXLɋBase=n To`z NoF3]n<ϻ̕eԖLx^'IHr./>qcGlg'^>2A8u(fWΩY9/{ץe)y=b;-^ =8Y=UuYȑf.5JP8Gs;ҥ.kzW];١75,P4:R^(yօ*"tP ՝X`: c~ u=O(UEm&m,Qm?b^K 0KAT6e%$=)}j [U{%Q݌%}9+4?&J /ϻIoBDrH?fn)I"yN?B _̷7}y6  0:@kOTypxG X(x ?<{tY}L٫~3CL0IXfKXW*\$Y[Ԡc9u:o} A&>u8tg+7]&Hp!qf)c_=b@Gu"vH]-, o qÆl}w& kZXcZ]fڮVT]?ZҵIofjaAҎX{fza dZZ׫4B]<kzD:zo5+`v*Qn.9a2dq ;AaXW1: \t R/_;y83f.|/w+ֳ9+D@OooKom胟KtoԢٌbjO ?y:ZH۷<q]!D9|^d؝+~kL\oudvJZFSUi.0hmK)Ȥ65^$ ][>t=X%KX1A"i꜉hQ!( FQuш>*0 q752$OFUdG9.+ Fo';bg$0&(zַN\.ts Tǜګ7 c^T Ⴝ4?K~l3۳MI[v 1!AD)ŅѮe)7KZ,4Ue% ˤKW|W?:qS˔F?)zO.A&#r>3Ti6DK~ԡ׻4WJvǀ*7tPWKb+{"U&DY2bې;Ya+a53_9sxozA>?їNԗfI6m,L:oO4T"P~^Df4+/!# :JWM#~)>)QT<^"BUp m3,݄jKSS=p1݈bR}3TQ-|JHA}ARH:K 7`!#Ѻ~8ۇTSyJUٟޭe2 ]3F=@3,=•;~ù5MtQbDZ^Qn3y!@1BCLFZNz'xcURiˋUwCTn:uAp={FXF 1{ y8^׵ Vy;t\lRwjMݺx w=5|@(sM H9y}AYv:GH)Z-\_Ll-ejByr`MON &ib!ڇ&&qe6MxTL@VL˨46W2M[*x*uD=@mso^E'963:o(i6!c1Ӱ9l-Z4NHqb=rt>&{;VF{|TH%Dawސܫ b1mtٯɍ6o`2_<0Lé1γ5X3sTϷv7ѳ¶:fYʋ[4N ~T)Qv:NhD;Fp">hs͍+u_z)7svM٘Vce|`@PLDǹڬaPMOڐGd:Z/Eo^ ͤZzeq§|v lݫd Y>懭W!%Ӽ.!,~wgߐ=V\phZZfsD7!;fyhzkyLKmҽB aE @UHVVbJgTS۠^z0P;9lf|l{t,rKBE uݜ% ҝ1DŽf%kxhq=ZR&0܆ΒG%W X3e6q>ЉRr#ZN&eXsgDfʀb6]#sr~I6yJb^R3,9j/D (pS]LAsy A[[VxΐdKE7`휿1IR?Jh ~@{!TU#C2A4 8g27|HSg55ސuWypFVTaWsϯh;֓YK޲4"#Ё PEZhz{Suo_V՝'xJojQXlT ְ,c^4{1@ '?NJ-=X;Uile/iMw_S.EW19RGq>P~To:6ZR D!;i@.-%! 3@ BB 3VP)79g BQ,\2eE@- B*)fADlXʯ?Kƪ 4?ѳsB5IܺZ102E:DN;F9$CѿKKXaOyzQM%4-Y>%[V0r55EGҒV!XwFp!=^jK ;z L[P١ 0@Ν$, }Fa-޲Wwv^{z,ψ [dalr303ߧ겦3RWhg i!=: EϚkz׳# r2fȚDA4\# Qt+0ι2eLpiB7Q.9DXqڏu=B_f4M@}AHe`K1LlVml\UL0QzD.wWpÝ=x Ǣ)J΍Uea0zAFr1,ÅT kD0rL#cVGLҰH1^ST~^h4~&eZ6 ) 㬊<-UGGDQW@+)RpS8Oa_*p:o>>蔑 OmA+59]`Afevʼnn zF Ckn FȖPB0*t{3&MUTC_*jn]@ c$d eXXE~vTI4Yu1s^롰˓csw!7 "N/#w^Vܔ^M J7T}hWQ͉vLζkA|쳗v "" `X8yPHض3q|18qe$\9.r%YL%rb$'nmwa%W v`+Џgb,IluWzջ#g݄k9 w9",2>h>Wƅ4vMn}"Fѝc yo$S.: sj4` #4Nz]$D[QeG Hddw!J.9C '1MctivE`}K>C`Te !lBSQ 瞩`D5WݘznFқB0y|nJK=Wv/#床kd d=v^k͢r9u`'l>߿ 7&xտC8ݰ9c#3 JmE CZ. Oy:Ll˾qTWz27 U'OGG/.cO[j9;bqJyL_:&7sF8 d*:{v2rM)z[ԋt0N;'fJd.X>Z=Fw|EX6_U Mve*)t5ҡ^Dq{gXHN%vޛ tP.GV@ #*aiBy\yvۛI Z%Yccef;rf^"-U=sf/fk5{[-GW6.B rvU&RGM #*S++zgeiZۃ.&<@`Jk39(5CAh)ϛM/bxˏ+^C.}#Uof#M繇:BA hYFiӪWCoSв& lM(7lmFE9{v:諆p !Q aq-Q(U7iV8_.V )5\ژY|51nV?I kD>[Z0cE sxLNhűzL\Gy(r, ")myLVO6BQ\'>*AUeFptOpرDÓcͣG)ل.OaNa nMBB -=bmRs(F4. v$_fS|f&03}0r+0ɋp&J J4^/f9:z;:\b1i; u!~J^p2n;{J AVó9Puudז&b'Qgj.˫e$8F#samdf 1k5`*e/*`$xfH~vvf;D~=8ȱlU3GOOCyipyˏݚǷho莘޺\w}y}z݉! #+';C1ڮA?Ǡ ܊Rsv01uޖ̶nlڳ ̭Y6J?e ! *AQ
Enjoying the preview?
Page 1 of 1