Leaves of Grass (Barnes & Noble Classics Series): First and "Death-Bed" Editions
By Walt Whitman and Karen Karbiener
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About this ebook
- New introductions commissioned from today's top writers and scholars
- Biographies of the authors
- Chronologies of contemporary historical, biographical, and cultural events
- Footnotes and endnotes
- Selective discussions of imitations, parodies, poems, books, plays, paintings, operas, statuary, and films inspired by the work
- Comments by other famous authors
- Study questions to challenge the reader's viewpoints and expectations
- Bibliographies for further reading
- Indices & Glossaries, when appropriate
Walt Whitman
Walt Whitman (1819–92) was an influential American poet and essayist, and is credited with being the founding father of free verse. He first published his culturally significant poetry collection ‘Leaves of Grass’ in 1855 from his own pocket, and revised and expanded it over thirty years. It is an essential element of America’s literary tradition, much taught in schools and universities around the world.
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Reviews for Leaves of Grass (Barnes & Noble Classics Series)
310 ratings6 reviews
- Rating: 4 out of 5 stars4/5Ruminative verse in thought... Whitman is always a pleasure to read
- Rating: 4 out of 5 stars4/5Leaves of grass my ass? More like leaves of ass my grass! What?
- Rating: 5 out of 5 stars5/5very nice Penguin reissue of the 1855 edition, with an introduction by Harold Bloom
- Rating: 4 out of 5 stars4/5I read this book after reading Paper towns by John Green. The main character is reading Leaves of grass in Green's novel, and i found his interpretations helpful. I was making my struggling way through Song of myself when the time came for me to leave for Europe. I took the book with me, and I am exceedingly glad that I did. I read it frequently, and the picturesque scenery combined with Whitman's poetry had a large effect on me. It's a good read, and there are many passages i loved deeply. My copy is a bit battered, I'm afraid, but only in the way of a well loved book, with underlinings and marks throughout. I would recomend this book to anyone, especially if they're planning to travel.
- Rating: 5 out of 5 stars5/5If there was a single book I could have on a deserted island it would be "Leaves of Grass". It is beautiful, inspired writing. It's been analyzed by many so I'll spare you any grand statements or a lot of detail, but for a taste of the themes Whitman puts across:- All men are brothers. The book celebrates the common man, and embraces the man that society has cast out or looked down upon.- Delight and oneness with nature. Delight in the small things in nature.- Spirituality achieved not by subjugating the senses or pleasures but by embracing them, and living life to the fullest.- The belief in the innate power, spirituality, and goodness of man. All of this is done in a very natural, unpretentious way ... I believe Whitman was truly inspired when he initially wrote this book, and was not regurgitating someone else's philosophy or metaphysics. There are so many wonderful passages and quotes, maybe someday I'll include some here but for now I'll just say I highly, highly recommend this book. Read it outside, under a tree.
- Rating: 5 out of 5 stars5/5This slim book was assigned to me in college and was my introduction to Walt William. This is the first 1855 edition of only 12 poems, later given titles: "Song of Myself," "A Song For Occupations," "To Think of Time," "The Sleepers," "I Sing the Body Electric," "Faces," "Song of the Answerer," "Europe: The 72d and 73d Years of These States," "A Boston Ballad," "There Was a Child Went Forth," "Who Learns My Lesson Complete?", and "Great Are the Myths." It would go through several editions until his death in 1892 where it reached 400 poems. But this is Whitman at his freshest, and most revolutionary. Especially coming from reading Romantic poets, such as Percy Bysse Shelley and John Keats, it's startling how sensual, personal and earthy these are, how modern they read. Unlike early works of romanticism, there are no elaborate allegories or classical or mythological allusions, this is the poetry of a democratic man, not an aristocrat: “I am large, I contain multitudes.”