The Reef (Barnes & Noble Digital Library)

By Edith Wharton

The revelation of a past love affair has disastrous consequences in The Reef, a riveting portrait of two couples whose impending marriage plans are upset once the story of the liaison emerges. Wharton’s clear-eyed wisdom about the possibilities and limitations of love and social class propel this tale to its riveting conclusion.

• Language: English
• Publisher: Barnes & Noble
• Release date: Feb 15, 2011
• ISBN: 9781411436008

Edith Wharton

Edith Wharton was born in 1862 to a prominent and wealthy New York family. In 1885 she married Boston socialite 'Teddy' Wharton but the marriage was unhappy and they divorced in 1913. The couple travelled frequently to Europe and settled in France, where Wharton stayed until her death in 1937. Her first major novel was The House of Mirth (1905); many short stories, travel books, memoirs and novels followed, including Ethan Frome (1911) and The Reef (1912). She was the first woman to win the Pulitzer Prize for Literature with The Age of Innocence (1920) and she was thrice nominated for the Nobel Prize in Literature. She was also decorated for her humanitarian work during the First World War.

Reviews for The Reef (Barnes & Noble Digital Library)

[citizenjoyce · Rating: 4 out of 5 stars]

But Ross says THEY WERE ON A BREAK!

[bookish59 · Rating: 4 out of 5 stars]

I enjoyed this. Definitely "old-school" by today's standards, it describes the consequences of taking affairs of the heart lightly. Wharton timing, pacing and tone are excellent!

[lauralkeet · Rating: 5 out of 5 stars]

Anna Leath is an American living in France and recently widowed, with an adult stepson (Owen) and a young daughter (Effie). On a visit to London she meets up with George Darrow, rekindling a romance from many years before. George agrees to visit Anna at her country house Givré, but just as he is preparing to cross the Channel he receives a terse communication delaying the visit. He continues on to Paris anyway, befriending a young woman named Sophy and enjoying a couple of weeks in her company. When he finally visits Anna a few months later, he is surprised to find Sophy employed as Effie's governess. Having already professed his love and commitment to Anna, he decides to keep his dalliance with Sophy a secret.The novel revolves around the fragile nature of trust and intimacy, and social norms that inhibit expression. It's clear that George adores Anna:They dined late, and facing her across the table, with its low lights and flowers, he felt an extraordinary pleasure in seeing her again in evening dress, and in letting his eyes dwell on the proud shy set of her head, the way her dark hair clasped it, and the girlish thinness of her neck above the slight swell of her breast. His imagination was struck by the quality of reticence in her beauty. (p.127)Meanwhile he gave himself up once more to the joy of Anna's presence. They had not been alone together for two long days, and he had the lover's sense that he had forgotten, or at least underestimated, the strength of the spell she cast. Once more her eyes and her smile seemed to bound his world. He felt that her light would always move with him as the sunset moves before a ship at sea. (p. 220)Anna, too, is sure of her feelings, but completely unable to express them, expecting George to pick up on nonverbal cues and initiate all dialogue about their relationship. Even when Anna learns the truth about George and Sophy -- as the reader knows she will -- she is completely unable to work it out in an adult fashion. She wants to give George the benefit of the doubt and initially believes his explanations, but when they are apart, even for a few minutes, doubt sets in. Anna repeatedly shies away from confrontation, putting off the conversation that must take place for their relationship to continue.The reader knows Anna is capable of deep feeling and expression: early in the novel, she shows tremendous excitement when Owen returns from an afternoon away. It's frustrating to watch her mis-handle the one relationship that will bring lifelong happiness. Fortunately, the scenery is idyllic. Edith Wharton brings France, her adopted country, to life, taking the reader up and down Paris streets, and on long walks through country chateau gardens. She breaks the emotional tension with well-placed humor. For example, consider this description of Adelaide Painter, a friend of Anna's mother-in-law:After living, as he had, as they all had, for the last few days, in an atmosphere perpetually tremulous with echoes and implications, it was restful and fortifying merely to walk into the big blank area of Miss Painter's mind, so vacuous for all its accumulated items, so echoless for all its vacuity. (p. 212)Reading The Reef, it was easy to get frustrated with Anna, waffling over her commitment to George. And I was fairly sympathetic to George: he was no saint, but his fling with Sophy occurred before he'd reunited with Anna, and at a point where he thought she had rejected him. And while I longed for Anna to be stronger and more assertive, her inhibitions were not unfamiliar to me. The Reef is an excellent period piece in its scenery, characterizations, and portrayal of relationships between men and women.