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The View from Somewhere: Undoing the Myth of Journalistic Objectivity
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About this ebook
A look at the history of the idea of the objective journalist and how this very ideal can often be used to undercut itself.
In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy.
With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry.
The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
In The View from Somewhere, Lewis Raven Wallace dives deep into the history of “objectivity” in journalism and how its been used to gatekeep and silence marginalized writers as far back as Ida B. Wells. At its core, this is a book about fierce journalists who have pursued truth and transparency and sometimes been punished for it—not just by tyrannical governments but by journalistic institutions themselves. He highlights the stories of journalists who question “objectivity” with sensitivity and passion: Desmond Cole of the Toronto Star; New York Times reporter Linda Greenhouse; Pulitzer Prize-winner Rachel Kaadzi Ghansah; Peabody-winning podcaster John Biewen; Guardian correspondent Gary Younge; former Buzzfeed reporter Meredith Talusan; and many others. Wallace also shares his own experiences as a midwestern transgender journalist and activist who was fired from his job as a national reporter for public radio for speaking out against “objectivity” in coverage of Trump and white supremacy.
With insightful steps through history, Wallace stresses that journalists have never been mere passive observers. Using historical and contemporary examples—from lynching in the nineteenth century to transgender issues in the twenty-first—Wallace offers a definitive critique of “objectivity” as a catchall for accurate journalism. He calls for the dismissal of this damaging mythology in order to confront the realities of institutional power, racism, and other forms of oppression and exploitation in the news industry.
The View from Somewhere is a compelling rallying cry against journalist neutrality and for the validity of news told from distinctly subjective voices.
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Reviews for The View from Somewhere
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- Rating: 5 out of 5 stars5/5The View from Somewhere: Undoing the Myth of Journalistic Objectivity from Lewis Raven Wallace is an important and timely history of how the idea of objectivity has become the unattainable stated necessity of journalism at the same time that it is used to make sure that many events and situations are presented in a distinctly nonobjective manner.Even journalists who believe that objectivity should be the goal of journalism acknowledge that it is an unattainable goal. Humans are subjective, we have opinions and viewpoints. Those will always play into how we do anything we do. Largely, those who deny their subjectivity within an area, in this case journalism, present the more lopsided views because they haven't taken into account their own biases. Those who acknowledge their subjectivity can at least make an effort to make sure their accounts are fair. Fair is not the same as objective and it is not the same as balanced. It means that you're not intentionally skewing facts, or ignoring facts, to make your view appear better. Wallace uses people and incidents from the past century or so to highlight that not only has "objectivity" never been fully endorsed but also how the claims to objectivity have largely been used to silence those who don't subscribe to the status quo. People of color, women, LGBTQIA+ people have all been shut out from representation on the basis of claims of being unable to be objective. Yet, as Wallace notes, no white male journalist has been taken off a story solely because it involves a white male. Things that make me go hmmmmmm.Wallace does not advocate for distorted stories but from previously marginalized positions. Rather that fair and accurate journalism has nothing to do with the unattainable concept of objectivity.As an aside, I saw a brief review from someone who claims to be an "educator." This person took about a dozen words out of the first chapter, took them out of context, then recontextualized them within an amazingly distorted dog-whistle laden "review." If you see that, just ignore it, that person obviously is not only biased but is perfectly comfortable being dishonest and misleading. There will be plenty of people, journalists and nonjournalists alike, who will disagree with some or all of Wallace's viewpoints. That is to be expected. If you think you're one of those people, I think you should read this book so you can hear different opinions expressed well and then make sure you're comfortable with wherever you stand on the issue.I highly recommend this work to anyone interested in our current social, cultural, and political environment, especially as it pertains to journalism and the dissemination of current events. If read with an open mind, I believe everyone can take something useful from this book. Reviewed from a copy made available by the publisher via NetGalley.