The Land of Little Rain
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Mary Hunter Austin
Mary Hunter Austin (1868-1934) was an American writer known for incorporating the vibrant and iconic natural landscapes of the Southwestern United States in her work. Born in Illinois, she moved with her family to California after graduating from Blackburn College. She married Stafford Wallace Austin in 1891 before beginning her career as a successful writer of novels, poems, criticism, and plays. Austin was also notable for her political activism, studying and defending the Indigenous and Spanish-American cultures of the Southwest. In 1907, she moved to the art colony of Carmel-by-the-Sea in California, where she embraced a bohemian lifestyle and befriended such authors and artists as Jack London, Ambrose Bierce, Sinclair Lewis, and Xavier Martinez. She is remembered today as an important figure in American literature and as a pioneer of nonfiction and nature writing.
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The Land of Little Rain - Mary Hunter Austin
Titel: The Land of Little Rain
von Scott Hemphill, L. M. Montgomery, L. Frank Baum, John Milton, René Descartes, Baroness Emmuska Orczy Orczy, Karl Marx, Friedrich Engels, Edgar Rice Burroughs, Unknown, Norman F. Joly, Norman Coombs, David Slowinski, Mark Twain, Henry David Thoreau, Stephen Crane, John Goodwin, Nathaniel Hawthorne, Winn Schwartau, Odd De Presno, Sir Walter Scott, Jules Verne, Mary Wollstonecraft Shelley, United States. Central Intelligence Agency, United States, Canada, Willa Sibert Cather, Anthony Hope, Edwin Abbott Abbott, Charles Dickens, Frederick Douglass, William Shakespeare, Bruce Sterling, Franklin Delano Roosevelt, Jane Austen, Thomas Hardy, Sir Arthur Conan Doyle, Edna St. Vincent Millay, Gene Stratton-Porter, Richard McGowan, Frances Hodgson Burnett, United States. Bureau of the Census, Electronic Frontier Foundation, Robert Louis Stevenson, Anonymous, Jerry Bonnell, Robert Nemiroff, Andrew Lang, G. K. Chesterton, John Bunyan, Sunzi 6th cent. B.C., Harold Frederic, Mary Wollstonecraft, Victor Hugo, René Doumic, Upton Sinclair, Virginia Woolf, George Eliot, Thomas Paine, Benjamin Franklin, Plato, Samuel Taylor Coleridge, Ruth M. Sprague, William Dean Howells, Wilkie Collins, Jean Webster, H. G. Wells, Kate Chopin, Mark Eliot Laxer, Louisa May Alcott, Frank Norris, Edith Wharton, S. D. Humphrey, Henry Hunt Snelling, William Morris, Mrs. Susanna Rowson, Christopher Morley, Sax Rohmer, Oscar Wilde, Gaston Leroux, Henry James, Project Gutenberg, Harriet Beecher Stowe, Various, Robert W. Service, A. B. Paterson, Henry Lawson, Jack London, Laozi, D. H. Lawrence, Julius Caesar, Joseph Conrad, W. Somerset Maugham, George MacDonald, Marcus Tullius Cicero, Virgil, Theodore Dreiser, Giuseppe Salza, Rudyard Kipling, ca. 50 BCE-16 BCE Sextus Propertius, Robert A. Harris, William Wells Brown, graf Leo Tolstoy, Omar Khayyám, Michael Hart, Library of Congress. Copyright Office, Coalition for Networked Information, Geoffrey Chaucer, Adam Lindsay Gordon, Hiram Corson, Robert Browning, Amy Lowell, Rupert Brooke, Joyce Kilmer, John Gower, Saki, Kenneth Grahame, Anna Sewell, Martin Luther, Philipp Melanchthon, National Atomic Museum, Alexander William Kinglake, Charles John Cutcliffe Wright Hyne, Amelia Edith Huddleston Barr, James Branch Cabell, Bayard Taylor, Horatio Alger, Booth Tarkington, Hjalmar Hjorth Boyesen, Michael Husted, Émile Gaboriau, Jerome K. Jerome, Stephen Vincent Benét, Edwin Arlington Robinson, J. Frank Dobie, Joseph Rodman Drake, Eliot Gregory, John Fox, John Muir, Richard Harding Davis, Edgar A. Guest, Mary Roberts Rinehart, Thomas Nelson Page, Sir Walter Alexander Raleigh, Rebecca Harding Davis, Charles Alexander Eastman, Zitkala-Sa, Marie L. McLaughlin, J. M. Barrie, Bram Stoker, Hesiod, Edna Ferber, John McCrae, Anna Howard Shaw, Elizabeth Garver Jordan, Frances Jenkins Olcott, P.-J. Proudhon, Eleanor H. Porter, Mary Hunter Austin
ISBN 978-3-7429-0326-6
Alle Rechte vorbehalten.
Es ist ohne vorherige schriftliche Erlaubnis nicht gestattet, dieses Werk im Ganzen oder in Teilen zu vervielfältigen oder zu veröffentlichen.
THE LAND OF LITTLE RAIN
by Mary Austin
TO EVE
The Comfortress of Unsuccess
Contents
PREFACE
I confess to a great liking for the Indian fashion of name-giving: every man known by that phrase which best expresses him to whoso names him. Thus he may be Mighty-Hunter, or Man-Afraid-of-a-Bear, according as he is called by friend or enemy, and Scar-Face to those who knew him by the eye's grasp only. No other fashion, I think, sets so well with the various natures that inhabit in us, and if you agree with me you will understand why so few names are written here as they appear in the geography. For if I love a lake known by the name of the man who discovered it, which endears itself by reason of the close-locked pines it nourishes about its borders, you may look in my account to find it so described. But if the Indians have been there before me, you shall have their name, which is always beautifully fit and does not originate in the poor human desire for perpetuity.
Nevertheless there are certain peaks, canons, and clear meadow spaces which are above all compassing of words, and have a certain fame as of the nobly great to whom we give no familiar names. Guided by these you may reach my country and find or not find, according as it lieth in you, much that is set down here. And more. The earth is no wanton to give up all her best to every comer, but keeps a sweet, separate intimacy for each. But if you do not find it all as I write, think me not less dependable nor yourself less clever. There is a sort of pretense allowed in matters of the heart, as one should say by way of illustration, I know a man who...
and so give up his dearest experience without betrayal. And I am in no mind to direct you to delectable places toward which you will hold yourself less tenderly than I. So by this fashion of naming I keep faith with the land and annex to my own estate a very great territory to which none has a surer title.
The country where you may have sight and touch of that which is written lies between the high Sierras south from Yosemite—east and south over a very great assemblage of broken ranges beyond Death Valley, and on illimitably into the Mojave Desert. You may come into the borders of it from the south by a stage journey that has the effect of involving a great lapse of time, or from the north by rail, dropping out of the overland route at Reno. The best of all ways is over the Sierra passes by pack and trail, seeing and believing. But the real heart and core of the country are not to be come at in a month's vacation. One must summer and winter with the land and wait its occasions. Pine woods that take two and three seasons to the ripening of cones, roots that lie by in the sand seven years awaiting a growing rain, firs that grow fifty years before flowering,—these do not scrape acquaintance. But if ever you come beyond the borders as far as the town that lies in a hill dimple at the foot of Kearsarge, never leave it until you have knocked at the door of the brown house under the willow-tree at the end of the village street, and there you shall have such news of the land, of its trails and what is astir in them, as one lover of it can give to another.
THE LAND OF LITTLE RAIN
East away from the Sierras, south from Panamint and Amargosa, east and south many an uncounted mile, is the Country of Lost Borders.
Ute, Paiute, Mojave, and Shoshone inhabit its frontiers, and as far into the heart of it as a man dare go. Not the law, but the land sets the limit. Desert is the name it wears upon the maps, but the Indian's is the better word. Desert is a loose term to indicate land that supports no man; whether the land can be bitted and broken to that purpose is not proven. Void of life it never is, however dry the air and villainous the soil.
This is the nature of that country. There are hills, rounded, blunt, burned, squeezed up out of chaos, chrome and vermilion painted, aspiring to the snowline. Between the hills lie high level-looking plains full of intolerable sun glare, or narrow valleys drowned in a blue haze. The hill surface is streaked with ash drift and black, unweathered lava flows. After rains water accumulates in the hollows of small closed valleys, and, evaporating, leaves hard dry levels of pure desertness that get the local name of dry lakes. Where the mountains are steep and the rains heavy, the pool is never quite dry, but dark and bitter, rimmed about with the efflorescence of alkaline deposits. A thin crust of it lies along the marsh over the vegetating area, which has neither beauty nor freshness. In the broad wastes open to the wind the sand drifts in hummocks about the stubby shrubs, and between them the soil shows saline traces. The sculpture of the hills here is more wind than water work, though the quick storms do sometimes scar them past many a year's redeeming. In all the Western desert edges there are essays in miniature at the famed, terrible Grand Canon, to which, if you keep on long enough in this country, you will come at last.
Since this is a hill country one expects to find springs, but not to depend upon them; for when found they are often brackish and unwholesome, or maddening, slow dribbles in a thirsty soil. Here you find the hot sink of Death Valley, or high rolling districts where the air has always a tang of frost. Here are the long heavy winds and breathless calms on the tilted mesas where dust devils dance, whirling up into a wide, pale sky. Here you have no rain when all the earth cries for it, or quick downpours called cloud-bursts for violence. A land of lost rivers, with little in it to love; yet a land that once visited must be come back to inevitably. If it were not so there would be little told of it.
This is the country of three seasons. From June on to November it lies hot, still, and unbearable, sick with violent unrelieving storms; then on until April, chill, quiescent, drinking its scant rain and scanter snows; from April to the hot season again, blossoming, radiant, and seductive. These months are only approximate; later or earlier the rain-laden wind may drift up the water gate of the Colorado from the Gulf, and the land sets its seasons by the rain.
The desert floras shame us with their cheerful adaptations to the seasonal limitations. Their whole duty is to flower and fruit, and they do it hardly, or with tropical luxuriance, as the rain admits. It is recorded in the report of the Death Valley expedition that after a year of abundant rains, on the Colorado desert was found a specimen of Amaranthus ten feet high. A year later the same species in the same place matured in the drought at four inches. One hopes the land may breed like qualities in her human offspring, not tritely to try,
but to do. Seldom does the desert herb attain the full stature of the type. Extreme aridity and extreme altitude have the same dwarfing effect, so that we find in the high Sierras and in Death Valley related species in miniature that reach a comely growth in