Coven

By Edmar Camara

One of the most perverse and present facts in the intimate behavior of the human being is suicide. The Book of my authorship "Talk to The Sun" demonstrates the feasibility of understanding the different manifestations of this phenomenon with life in society. The book does not offer a spectacle, although written within a fiction novel.
It aims to stimulate the intellect to understand the act according to the action of the victim. They are real forces that live and operate in the subject, which will determine to be him, the present and sufficient witness who ends up imposing himself.
The idea is to contribute by establishing the understanding of the true causes that are manifested in this inquiry, which aligns to absolute denial and helps to understand this abnormality.
The book reacts and focuses attention on some potential vulnerable social groups, and it probably explains the understanding of these risk factors. It does not arrest the motivations of self-destruction and an individual analysis in an absurd opinion of inferior generalizations that little or almost nothing can contribute to understand the phenomenon.
Some points of the book can be visualized, because they affect some typologies such as the marginalized solitary, the disconnected too, the without moral boundaries, among others.
What we cannot, as a reader, is that we face great suicidogenic currents of different types and who sail freely on, under and on our side, without knowing this evil.
It is possible, however, to find ourselves in these evil currents, and in a peculiar way, to be able to be supreme to this extremist gesture, and thus to recover the relevant concept of conceiving and elaborating in a profound reflection for A sense of life.
Sometimes the efficacy of the certainty that no one suffers in the life of a coup will lead to discouragement and that it can make her retreat.
We don't butterfly all the time; It may be that it is painful to measure the limits of approximation of where it comes from a desperate size that affects hundreds of thousands of people every year, and therefore decide by suicide as a line of action to be taken.
The book addresses where this proviso comes from which it accuses a feeling and that it will create a fatal decision of instability that makes the subject Lord of an irresistible floating authority to devalue his noblest and most divine existence: his life.

(..) His nakedness is that he will make him pass from his knees to carry his errant old age; There you will receive the kiss on the face that will lead you to the altar of non-hollow boards, where you will take refuge from the fire that licks the Hawthorn.
From the poem "Eyes" by Edmar Câmara.

• Language: English
• Publisher: Edmar Camara
• Release date: Mar 11, 2019
• ISBN: 9780463571125

Edmar Camara

Um ativista da arte - pintor, designer, romancista, poeta, contista e produtor de conteúdo digital radicado no Brasil com nascimento em Minas Gerais e vivências em outras territorialidades. Produz textos que se diferenciam por estarem carregados de uma intenção que se adequa ao leitor que o interpreta em sua subjetividade; o que resulta em narrativas que questionam e provocam uma verdade que é exposta, mas que não se apresenta como absoluta.

Book preview

COVEN

MANY HOURS A DAY TO THINK

by EDMAR CÂMARA

Copyright © Edmar Câmara

All rights reserved

Copyright 2021 Edmar Câmara

Published by Edmar Câmara

This content is licensed for your personal enjoyment only. It cannot be resold or given to other people. If you want to share this book with someone else, please purchase an additional copy for each recipient. If you are reading this book and have not purchased it, or it was not purchased for your enjoyment, then please buy your own copy. No part of this book may be reproduced or stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the express written permission of the publisher. Thank you for respecting the hard work of this author.

Cover design by: Edmar Câmara

KNOW HOW TO BE LOYAL IN THE PURSUIT OF YOUR PERFECTION. IN US RESTS THE DIVINITY.

ABOUT THE AUTHOR

EDMAR CAMARA

An art activist - painter, designer, novelist, poet, storyteller and producer of digital content, based in Brazil. In a reserved habit, he can manage his work without affecting himself in occupying large gallery rooms or attracting himself by the fascination of attracting crowds. He was building his image endorsed with a post-history style with actions that seek to question the human person as Being. Celebrated by a circle of people with greater effort of understanding, it intends to create the basis of a more philosophical thinking in the imagery reading of forms and texts. His works reveal themselves without presenting mere things in a world that is in great place and discovers appearances. She believes that the human race is always running away from itself; only in singular moments – such as when they are evil, do they always look at each other causing an awkwardness. This is the genesis of his work: to unsee a language based on authentic experience and without the vigilance of an insistently critical thought.

LIFE AND WORK

He was born in the central-west town of Formiga. Basic education took place in the city of birth and in the region of the triangle of Minas Gerais - Uberlândia. He then became a Military Establishment as an Infantry Officer of the Brazilian Army - having served much of the time in the city of Rio de Janeiro. Art takes place through music - already in the first half of the 80s, as CEO of the movement of new bands - which advances in the first half of the decade with interests of African headquarters. The painting is noted as a means of giving two-dimensionality - by imposing an activism in art that was available to all, resonating in his works a piece of this and a bit of that - of the post-history movement. Although this is reflected in the messages and layers of colors, it is possible to spy on the things and subjects that populate and provoke the desire of time-for-time in the creations experienced. Written art comes to release a significance - which finds in the texts a model of justice, in the construction of a ultimate purpose in the path that man seeks to build to find himself. The content of his literary works acquires - in his imaginal, an aspect of pearl necklace that tries to visualize conflicts of realities that overcome alienation and selfishness in language. All the work is loaded with experiences throughout Brazil - in the states of Rio de Janeiro, Minas Gerais, Espírito Santo, São Paulo, Pará, Pernambuco, Bahia, Goiás and Sergipe, as well as residence in other territorialities: Southern Europe, North Africa and the Middle East.

OTHER BOOKS BY THE AUTHOR

In Portuguese: Reco, A Vagar, Berne, Buzinga, Eu, Me Leve a Pernambuco, Janela de Presença, Terra, Fale ao Sol, Mais Humano, Personagem em Ação, Eu no Poder and O Real Está Adiante.

In other languages: Draftee, Recluta, Ruta, To Roam, Larva, Corbata, I Am Many, Coven, Um Sol Ao Dia, Lethe, Quién, Skin, Genesis, Trumpet, Autentica Naturaleza Humana, Juego de Ideas, Indecent Mind, Compleji Simple and Voice Struggle.

CONNECT WITH EDMAR CAMARA

On social networks: @meuimaginal

By search: #meuimaginal

By domain: http://meuimaginal.com

PREFACE

One of the most perverse and present facts in the intimate behavior of the human being is suicide. This book demonstrates the feasibility of understanding the different manifestations of this phenomenon with life in society; does not offer a spectacle, although written within a fiction novel.

It aims to stimulate the intellect to understand the act according to the action of the victim. They are real forces that live and operate in the subject, which will determine to be him, the present and sufficient witness who ends up imposing himself. The idea is to contribute by establishing the understanding of the true causes that are manifested in this inquiry, which aligns to absolute denial and helps to understand this abnormality.

The book reacts and focuses attention on some potential vulnerable social groups, and it probably explains the understanding of these risk factors. It does not arrest the motivations of self-destruction and an individual analysis in an absurd opinion of inferior generalizations that little or almost nothing can contribute to understand the phenomenon.

Some points of the book can be visualized, because they affect some typologies such as the marginalized solitary, the disconnected too, the without moral boundaries, among others.

What we cannot, as a reader, is that we face great suicidogenic currents of different types and who sail freely on, under and on our side, without knowing this evil.

It is possible, however, to find we in these evil currents, and in a peculiar way, to be able to be supreme to this extremist gesture, and thus to recover the relevant concept of conceiving and elaborating in a profound reflection for A sense of life.

Sometimes the efficacy of the certainty that no one suffers in the life of a coup will lead to discouragement and that it can make her retreat.

We don't butterfly all the time; It may be that it is painful to measure the limits of approximation of where it comes from a desperate size that affects hundreds of thousands of people every year, and therefore decide by suicide as a line of action to be taken.

The book addresses where this proviso comes from which it accuses a feeling and that it will create a fatal decision of instability that makes the subject Lord of an irresistible floating authority to devalue his noblest and most divine existence: his life.

(..)His nakedness is that he will make him pass from his knees to carry his errant old age; there you will receive the kiss on the face that will lead you to the altar of non-hollow boards, where you will take refuge from the fire that licks the Hawthorn.

OPENING

The silence inside the forest, existing in the outskirts of the distant urban cluster is importunate by the select procession of severe figures that drag through the rustic trail, a young body strangely stuck in a metal grid. Defeated the short stretch of bare land flanked with closed forest, and already on the shores of the watercourse, the eccentric procession is facing a big fire exiled by wood debris deposed in the soil. Among the flames, it is possible to see people of different age and sex, wrapped in wire. A wheezing is heard, emanated from the burning of the fat of their bodies; Provoked by crazed flames that danced in the princess of darkness of night.

No noise was heard coming out of the throats of the human torches, which were torn, sustained by small tissues of torn skin. The railing, along with the body, joins the campfire in a wicked gathering.

Ending the infernal occurrence, a solitary and bizarre individual advances from the shadows and focuses on the scene, when the retreat of the obedient witnesses. It collects the leftovers of the ritual, and in agile past reaches the water mirror, where it throws them. When crouched and sanitizer the hands lets glimpse a small image engraved on the inside of the left wrist that referred to a rough sun: three short straight strokes at the top of an irregular empty semicircle.

Continuous act rises; It makes some calculated movements that terminates when emitting a severe and long sound, which reverberates through the mute forest. Then he gets rid of the little robe. Now, naked, displays in the adult and powerful body, a tangle of colors, defined by lines and textures that form an enigmatic tatoo that fills almost the totality of his immense body. A slight movement in this intricate carnal work scouring – in a closer look, the alteration of a small detail being erased. Ignoring what goes on around him and himself, he recomposes himself in the suit, and comes out in undisturbed and limpid stride through the trail. The peace, before being corrupted, comes back to the primitive locality of the Territory.

SUMMARY

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER I

The isolated unit of the jungle fighters-led by a graduate, cautiously approaching the goal. This atypical movement in that area was detected