Lieutenant Schreiber's Country: The Story of a Forgotten Hero
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About this ebook
His story, almost forgotten, would have remained unknown if not for the efforts of the award-winning and internationally bestselling author Andrei Makine, Retelling Servan-Schreiber's dramatic life with a novelist's skill, he reveals a man who embraced experience in all its joys and sorrows, who knew the pleasures of love amid the savagery of war, and who could forgive the hatred he was subjected to but never forget it. In Servan-Schreiber, who is now nearly a centenarian, Makine celebrates virtues that every citizen should be reminded of: self-sacrifice, honor, love of country, and true heroism.
Andreï Makine
Andreï Makine is an internationally best-selling author. He is the winner of the Goncourt Prize and the Medicis Prize, the two highest literary awards in France, for his novel Dreams of My Russian Summers, which was also a New York Times Notable Book and a Los Angeles Times Best Book of the Year. Makine was born in Siberia in 1957 and raised in the Soviet Union. Granted asylum in France in 1987, Makine was personally given French citizenship by President Jacques Chirac. He now lives in Paris. Arcade Publishing has published ten of Makine’s acclaimed novels in English.
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Lieutenant Schreiber's Country - Andreï Makine
Copyright © Editions Grasset & Fasquelle, 2014
English-language translation copyright © 2018 by Skyhorse Publishing, Inc.
All rights reserved. No part of this book may be reproduced in any manner without the express written consent of the publisher, except in the case of brief excerpts in critical reviews or articles. All inquiries should be addressed to Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018.
First English-language edition
First published in France in 2014 under the title Le pays du lieutenant Schreiber
Arcade Publishing books may be purchased in bulk at special discounts for sales promotion, corporate gifts, fund-raising, or educational purposes. Special editions can also be created to specifications. For details, contact the Special Sales Department, Arcade Publishing, 307 West 36th Street, 11th Floor, New York, NY 10018 or arcade@skyhorsepublishing.com.
Arcade Publishing® is a registered trademark of Skyhorse Publishing, Inc.®, a Delaware corporation.
Visit our website at www.arcadepub.com.
10 9 8 7 6 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data is available on file.
Cover design by Brian Peterson
ISBN: 978-1-62872-804-0
EISBN: 978-1-62872-807-1
Printed in the United States of America
I dedicate this book to all of
Lieutenant Schreiber’s brothers in arms,
and to all their loved ones.
There are those who say I am in alliance with communists, Freemasons, and Jews, while others claim that I want to turn France into a monarchy, an empire, even a dictatorship. These imaginative people are all forgetting just one thing: France is invaded … and if this were not the case I would still be an officer in our army, expecting to end my career, and I am not a politician but simply a patriot who wants to liberate his country.
—General de Gaulle, in Charles de Gaulle by Philippe Barrès
(Translated by Grace McQuillan)
I am just a humble soldier in your combat forces …
—Jean-Claude Servan-Schreiber, Letter to General de Gaulle (Translated by Grace McQuillan)
CONTENTS
I: One Century, One Life
A Man Standing Up
A Reader
The Museum of a Man
II: His Three Wars
The Identity of a Soldier
The Art of Reading a Military Report
Smile, Smile!
A Wandering Soldier
The Masks of Evil
Beyond Wars
History’s Final Word
The Words of an Unknown Woman
III: The Foreigner
At the Other People’s Party
Impure Luck
Double-Edged
A Sentinel with No Replacement
IV: The War of Words
A Character in Search of a Book
The Era of Suspicion
The True Sense of the Word Gentleman
Waiting for D-Day
This is How Books Live
Final Rounds
A Meteorite
V: His Own Sky
Under a Sign
The Words for Another Life
VI: Beyond Words
In the Name of a Soldier
A Burned Tree
A Message
Notes
I
One Century, One Life
A Man Standing Up
He leans on the armrests of his chair, squeezes them forcefully, and begins to straighten up; a slow elevation, a gradual wrenching away from gravity. The expression in his eyes betrays a hint of resentment: ah, this body that no longer obeys with the same briskness it used to.
Tonight, as I am so emotional, I must have climbed the stairs more quickly than usual, and this is why at the present moment I have surprised him in this hampered effort.
Every other time, he had welcomed me standing in the middle of his living room; a figure incredibly svelte for his age and a brief smile, one for greeting a friend, not playing at polite conversation. A firm, dry handshake. His physique would have made social comedy difficult, indeed: a square face, white hair in a crew cut, a skull constructed from planes of flint, the hard line of his nose, and a sort of family resemblance to Kirk Douglas in Spartacus.
I linger in the entryway to allow him enough time to get up, leave his office, and come into the living room. Seeing him fight against the burden of his body pains me. It is easy for me to find a justification for the slowness of his movements. Yes, it must be age: ninety-two years! And that heart issue a few months ago that earned him a stay at Val-de-Grâce. But most of all, it is August; the Parisian heat is stifling, with not a single breath of air.
These explanations tell only part of the truth. There is another reason for the pain I feel as I watch the old man stand up.
Today I am bringing him bad news.
It is the fear of hurting him that plunges me into slow motion, where every movement seems to last for long minutes in which the outline of his life passes through my mind.
A young officer, the Battle of France, May–June 1940, Fourth Cuirassier Regiment, Belgium, Flanders, Dunkirk, tank battles, desperate but tenacious resistance, the death of comrades, missions behind German lines, more fighting. In the Eure, his first wound, discharged from the army for being Jewish, fleeing to Spain, prison, concentration camp, Morocco, Algeria, Fifth African Chasseur Regiment of the First Armored Division, landing in le Midi, France’s liberation, and victory celebrated in the mountains of Bavaria, not far from the Berghof, Hitler’s Eagle’s Nest.
It is this same soldier, this same man, who is currently in the process of standing up from his armchair. An August evening, 2010.
And it is to him that I am going to have to break this news: his life no longer interests anyone! His war awakens no recollection; his comrades, fallen for their country, have been erased from every memory; and he himself is nothing more than this old man who is, just barely, getting to his feet.
Lieutenant Schreiber.
His book, devoted to his youth, was published in May, three months ago. There had been a disastrous waiting period, at the end of which every copy, having failed to achieve success, disappeared from bookstores. Since his story’s release, we have watched for the slightest mention, a review, an interview, a short news item … nothing. Nowhere. Not one article in any of the reference
journals, not one sign of interest on the airwaves or on the screens.
Total indifference; more effective than totalitarian censorship.
And now, the summary execution that strikes every book unable to break through the indifference: the masher. A small volume filled with sufferings, joys, and hopes; its pages inhabited by humble and magnificent heroes, the soldiers who died for France, words so simple that rang so true. All of this is going to be torn to pieces, crushed, transformed into paper dust, a grayish paste, ready to be recycled.
The cover of his book will be the first to go,
I say to myself, and I see once again that photo in my mind. It’s 1944, and from the turret of his tank the young Lieutenant Schreiber scans a plain covered in snow, somewhere in Alsace; a face both youthful and hardened by the atrocities it has seen.
It is this face that will be lacerated, rolled, and crumbled by the book-killing machine.
A life that six years of war could not destroy will be annihilated in a few seconds.
The pain I feel is so deep that I rush into the living room without waiting any longer. The old man comes to greet me, shakes my hand, and smiles, a shadow of weariness beneath his gaze.
The storm has broken in the distance, sending none of its lightning over Paris, just a vague rumbling and a steady-sounding rain; drowsy, a lightly golden dusk. The flowers on the balcony, dulled by the heat, find their shades again.
We do not turn on the lights; we keep the silence. I hope he will start talking, as he always does, about the years of his youth, sometimes turning toward one of the photos that cover the walls, sometimes toward that little model Sherman, the armored tank he fought aboard—in fact, he’d had to abandon one of those on the roads of the war, burned or tunneled by shells. Echoing names that no longer mean anything to anyone, and whose importance in the young soldier Schreiber’s future I now know: Lieutenant-Colonel Poupel, Captain Hubert de Seguins-Pazzis, and other famous names, too; illustrious men he met (de Gaulle, de Lattre …) who, thanks to his words, will leave the pedestals of their statues for a few minutes. Then names of villages, in Flanders, in Normandy, in the Gard, in Burgundy; places where his memory can still make out the platoon of tanks under enemy fire, the wounded comrade he manages to move out of the way of the shrapnel, the young Alsatian girl in a liberated town who lets out a cry of joy: "Maman, they’re speaking French on the main road!"
These are fragments of a shattered country, of the France he loves so much, the France that he and his brothers in arms, day after day, tried to glue back together with their blood.
I am waiting for his narrative to begin so I can—in veiled terms, taking a thousand precautions—tell him the news of the failure: in a few days, his book, which we had believed in so much, will no longer exist. I will tell him some other way; I will use euphemisms and understatements, I will go in stages, I will put it in perspective, I will muddy the waters. For weeks, sensing the outcome, I have been thinking about how to muffle the shock. I feel partially responsible for this defeat; it was on my advice that the old soldier had decided to write his memoirs. Just like each of our previous meetings, we will talk about this war chronicle and then it will be easy for me to express a few regrets about the situation: our contemporaries, alas, are most interested in soccer and tennis championships, and the media prefers light books that can be talked about having only skimmed the back cover … your Battle of France, my lieutenant, just think!
But the old man stays quiet. In the fading light, his profile stands out with a hard, proud clarity. Those eyes with tired lids nevertheless express an almost tender detachment, accentuated by the slightly smiling line of his lips and the abandon of his hands, unmoving on his knees.
Suddenly, very clearly, I realize he doesn’t need a messenger to guess what is happening to his book. A defeat? He has