Historic Photos of Outlaws of the Old West
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From our earliest history, Americans have had an uneasy affection for our outlaws, especially those from the romantic period of the Old West. Whether it is the fearlessness and freedom they represent or some other psychological need, we often overlook the misdeeds of these people in our fascination with them.
This book is about their photographs. Some of the mythology is perpetuated in the captions and some new truths put forth as well. Viewing these photographs allows us to look these fellows in the eye and assess their character—something we probably wouldn’t have been allowed to do in real life and live to tell about it.
Historic Photos of Outlaws of the Old West includes nearly 200 photographs, reproduced in vivid black-and-white, with captions and introductions by writer and historian Larry Johnson. Here are the most legendary outlaws and many of the less infamous characters whose lives found a place in the story of the American West.
Larry Johnson
LARRY JOHNSON is a corporate culture expert and professional speaker. Together, as the Johnson Training Group, their clients include American Express, Harley-Davidson, Nordstrom, Dairy Queen, and many others.
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Historic Photos of Outlaws of the Old West - Larry Johnson
HISTORIC PHOTOS OF
OUTLAWS OF THE
OLD WEST
TEXT AND CAPTIONS BY LARRY JOHNSON
This is the stately town of Cheyenne, Wyoming, in 1876, which had shed its wilder days and become a proper capital city. It was at this time that Calamity Jane was working in the worst sort of whorehouse and convinced Wild Bill Hickok to allow her to join his expedition to Deadwood as a prostitute in exchange for whiskey.
HISTORIC PHOTOS OF
OUTLAWS OF THE
OLD WEST
Turner Publishing Company
200 4th Avenue North • Suite 950
Nashville, Tennessee 37219
(615) 255-2665
www.turnerpublishing.com
Historic Photos of Outlaws of the Old West
Copyright © 2010 Turner Publishing Company
All rights reserved.
This book or any part thereof may not be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher.
Library of Congress Control Number: 2010926751
ISBN: 978-1-59652-579-5
Printed in China
10 11 12 13 14 15 16—0 9 8 7 6 5 4 3 2 1
CONTENTS
ACKNOWLEDGMENTS
PREFACE
WE WERE DRIVEN TO IT (1853–1876)
I’M NOT AFRAID TO DIE LIKE A MAN FIGHTING, BUT I WOULD NOT LIKE TO BE KILLED LIKE A DOG UNARMED (1876–1885)
WE NEVER SLEEP (1886–1895)
IF HE’D JUST PAY ME WHAT HE’S PAYING THEM TO KEEP ME FROM ROBBING HIM, I’D QUIT ROBBING HIM (1895–1935)
NOTES ON THE PHOTOGRAPHS
Although robbing stagecoaches fell off significantly with the arrival of the railroads to most parts of the West, the risk of hold-up was still on the minds of travelers in mountainous areas where the stages slowed to a crawl while negotiating high passes. This drawing from 1885 depicts the hazard that travelers could face.
ACKNOWLEDGMENTS
This volume, Historic Photos of Outlaws of the Old West, is the result of the cooperation and efforts of many individuals and organizations. It is with great thanks that we acknowledge the valuable contribution of the following for their generous support:
Denver Public Library, Western History Collection
Kansas State Historical Society
Library of Congress
National Archives and Records Administration
Oklahoma Historical Society
Western History Collections, University of Oklahoma
Wikimedia Commons
———————
For my dad in memory of the countless hours of Westerns we watched together.
PREFACE
For the historian, writing about outlaws of the Old West always presents a challenge. Most of the available sources are suspect and unreliable. Newspapers, which are invaluable resources in some areas of history, are of dubious reliability when researching crimes in the lawless West. Firsthand accounts are spotty and the testimony full of holes. The writings of early historians often disagree and are rife with errors like misspelled names and incorrect dates. And then there are those interviews done in the 1930s with pioneers who knew Jesse James or Mysterious Dave Mather; always in the back of the mind is the old adage of the 1960s—if you remember it, you probably weren’t there.
Modern research methods, digital records, and databases have helped dispel some of the myths and filled in some of the blanks of the outlaws’ lives, but the question remains—do we really want to know the truth? Is it even good for us to know the truth? It seems that one of the many legal traditions the United States inherited from our English forebears is our uneasy affection for our outlaws. It goes all the way back to Robin Hood. Those of us on the lower rungs of society find hope in knowing that a few among us are not afraid of our oppressors and have found the strength to fight the king or the railroad or the evil corporation or the encroaching government bureaucracy. We know the outlaws robbed and killed and stole, but the advocacy they represent is a powerful emotion.
Although their misdeeds were frequently exaggerated, it is possible to construct a composite profile of the outlaw. Most of the early outlaws of notoriety were former Confederate soldiers. Some returned home after the war to find it burned out; some returned home and found life oppressive under the thumb of the occupying Union forces and the carpetbagging Reconstructionists; some were restless after having seen other parts of the country; and some likely suffered from what we now identify as post-traumatic stress disorder. Even those who were not former soldiers typically experienced some sort of disruption in their youth, which is usually credited, whether or not it should be, for sending them down an errant path.
The typical outlaw usually started out an honest man. Some, like Butch Cassidy, made a youthful error in judgment and were made criminals by the rough-and-tumble frontier justice system, or their responses to it. Many started out as cowboys who were either tempted by the wild life at the end of the trail in places like Dodge City or began cutting a head or two from the herd to sell on the sly and ended up going to prison for rustling. If an outlaw started out as a farmer, he might end up choosing crime as his answer to a national economic depression or the ruthlessness of the railroads, which he blamed for making it impossible to earn a living at his chosen vocation. A typical gunslinger likely got into the killing business by accident, usually after a drunken brawl or a fit of anger.
Some outlaws planned on doing just enough crime to get them through a