In the World

By Maxim Gorky

Coloured by poverty and horrifying brutality, Gorky's childhood equipped him to understand - in a way denied to a Tolstoy or a Turgenev - the life of the ordinary Russian. After his father, a paperhanger and upholsterer, died of cholera, five-year-old Gorky was taken to live with his grandfather, a polecat-faced tyrant who would regularly beat him unconscious, and with his grandmother, a tender mountain of a woman and a wonderful storyteller, who would kneel beside their bed (with Gorky inside it pretending to be asleep) and give God her views on the day's happenings, down to the last fascinating details. She was, in fact, Gorky's closest friend and the epic heroine of a book swarming with characters and with the sensations of a curious and often frightened little boy.

• Language: English
• Publisher: Serapis Classics
• Release date: Sep 21, 2017
• ISBN: 9783962555344

Book preview

Published 2017

All rights reserved

TABLE OF CONTENTS

CHAPTER I

CHAPTER II

CHAPTER III

CHAPTER IV

CHAPTER V

CHAPTER VI

CHAPTER VII

CHAPTER VIII

CHAPTER IX

CHAPTER X

CHAPTER XI

CHAPTER XII

CHAPTER XIII

CHAPTER XIV

CHAPTER XV

CHAPTER XVI

CHAPTER XVII

CHAPTER XVIII

CHAPTER XIX

CHAPTER XX

CHAPTER I

I went out into the world as shop-boy at a fashionable boot-shop in the main street of the town. My master was a small, round man. He had a brown, rugged face, green teeth, and watery, mud-colored eyes. At first I thought he was blind, and to see if my supposition was correct, I made a grimace.

Don't pull your face about! he said to me gently, but sternly. The thought that those dull eyes could see me was unpleasant, and I did not want to believe that this was the case. Was it not more than probable that he had guessed I was making grimaces?

I told you not to pull your face about, he said again, hardly moving his thick lips.

Don't scratch your hands, his dry whisper came to me, as it were, stealthily. You are serving in a first-class shop in the main street of the town, and you must not forget it. The door-boy ought to stand like a statue.

I did not know what a statue was, and I could n't help scratching my hands, which were covered with red pimples and sores, for they had been simply devoured by vermin.

What did you do for a living when you were at home? asked my master, looking at my hands.

I told him, and he shook his round head, which was closely covered with gray hair, and said in a shocked voice:

Rag-picking! Why, that is worse than begging or stealing!

I informed him, not without pride:

But I stole as well.

At this he laid his hands on his desk, looking just like a cat with her paws up, and fixed his eyes on my face with a terrified expression as he whispered:

Wha—a—t? How did you steal?

I explained how and what I had stolen.

Well, well, I look upon that as nothing but a prank. But if you rob me of boots or money, I will have you put in prison, and kept there for the rest of your life.

He said this quite calmly, and I was frightened, and did not like him any more.

Besides the master, there were serving in the shop my cousin, Sascha Jaakov, and the senior assistant, a competent, unctuous person with a red face. Sascha now wore a brown frock-coat, a false shirt-front, a cravat, and long trousers, and was too proud to take any notice of me.

When grandfather had brought me to my master, he had asked Sascha to help me and to teach me. Sascha had frowned with an air of importance as he said warning:

He will have to do what I tell him, then.

Laying his hand on my head, grandfather had forced me to bend my neck.

You are to obey him; he is older than you both in years and experience.

And Sascha said to me, with a nod:

Don't forget what grandfather has said. He lost no time in profiting by his seniority.

Kashirin, don't look so goggle-eyed, his master would advise him.

I—I'm all right, Sascha would mutter, putting his head down. But the master would not leave him alone.

Don't butt; the customers will think you are a goat.

The assistant smiled respectfully, the master stretched his lips in a hideous grin, and Sascha, his face flushing, retreated behind the counter. I did not like the tone of these conversations. Many of the words they used were unintelligible to me, and sometimes they seemed to be speaking in a strange language. When a lady customer came in, the master would take his hands out of his pockets, tug at his mustache, and fix a sweet smile upon his face—a smile which wrinkled his cheeks, but did not change the expression of his dull eyes. The assistant would draw himself up, with his elbows pressed closely against his sides, and his wrists respectfully dangling. Sascha would blink shyly, trying to hide his protruding eyes, while I would stand at the door, surreptitiously scratching my hands, and observing the ceremonial of selling.

Kneeling before the customer, the assistant would try on shoes with wonderfully deft fingers. He touched the foot of the woman so carefully that his hands trembled, as if he were afraid of breaking her leg. But the leg was stout enough. It looked like a bottle with sloping shoulders, turned neck downward.

One of these ladies pulled her foot away one day, shrieking:

Oh, you are tickling me!

That is—because—you are so sensitive, the assistant explained hastily, with warmth.

It was comical to watch him fawning upon the customers, and I had to turn and look through the glass of the door to keep myself from laughing. But something used to draw me back to watch the sale. The proceedings of the assistant were very interesting, and while I looked at him I was thinking that I should never be able to make my fingers move so delicately, or so deftly put boots on other people's feet.

It often happened that the master went away from the shop into a little room behind it, and he would call Sascha to him, leaving the assistant alone with the customer. Once, lingering over the foot of a red-haired woman, he took it between his fingers and kissed it.

Oh, breathed the woman, what a bold man you are!

He puffed out his cheeks and emitted a long-drawn-out sound:

O—o—h!

At this I laughed so much that, to keep my feet, I had to hang on to the handle of the door. It flew open, and my head knocked against one of the panes of glass and broke it. The assistant stamped his foot at me, my master hit me on the head with his heavy gold ring, and Sascha tried to pull my ears. In the evening, when we were on our way home, he said to me, sternly:

You will lose your place for doing things like that. I 'd like to know where the joke comes in. And then he explained: If ladies take a fancy to the assistant, it is good for trade. A lady may not be in need of boots, but she comes in and buys what she does not want just to have a look at the assistant, who pleases her. But you—you can't understand! One puts oneself out for you, and—

This incensed me. No one put himself out for me, and he least of all.

In the morning the cook, a sickly, disagreeable woman, used to call me before him. I had to clean the boots and brush the clothes of the master, the assistant, and Sascha, get the samovar ready, bring in wood for all the stoves, and wash up. When I got to the shop I had to sweep the floor, dust, get the tea ready, carry goods to the customers, and go home to fetch the dinner, my duty at the door being taken in the meantime by Sascha, who, finding it lowering to his dignity, rated me.

Lazy young wretch! I have to do all your work for you.

This was a wearisome, dull life for me. I was accustomed to live independently in the sandy streets of Kunavin, on the banks of the turbid Oka, in the fields or woods, from morning to night. I was parted from grandmother and from my comrades. I had no one to speak to, and life was showing me her seamy, false side. There were occasions on which a customer went away without making a purchase, when all three would feel themselves affronted. The master would put his sweet smile away in his pocket as he said:

Kashirin, put these things away. Then he would grumble:

There's a pig of a woman The fool found it dull sitting at home, so she must come and turn our shop upside down! If you were my wife, I'd give you something!

His wife, a dried-up woman with black eyes and a large nose, simply made a door-mat of him. She used to scold him as if he were a servant.

Often, after he had shown out a frequent customer with polite bows and pleasant words, they would all begin to talk about her in a vile and shameless manner, arousing in me a desire to run into the street after her and tell her what they said. I knew, of course, that people generally speak evil of one another behind one another's backs, but these spoke of every one in a particularly revolting manner, as if they were in the front rank of good people and had been appointed to judge the rest of the world. Envious of many of them, they were never known to praise any one, and knew something bad about everybody.

One day there came to the shop a young woman with bright, rosy cheeks and sparkling eyes, attired in a velvet cloak with a collar of black fur. Her face rose out of the fur like a wonderful flower. When she had thrown the cloak off her shoulders and handed it to Sascha, she looked still more beautiful. Her fine figure was fitted tightly with a blue-gray silk robe; diamonds sparkled in her ears. She reminded me of Vassilissa the Beautiful, and I could have believed that she was in truth the governor's wife. They received her with particular respect, bending before her as if she were a bright light, and almost choking themselves in their hurry to get out polite words. All three rushed about the shop like wild things: their reflections bobbed up and down in the glass of the cupboard. But when she left, after having bought some expensive boots in a great hurry, the master, smacking his lips, whistled and said:

Hussy!

An actress—that sums her up, said the assistant, contemptuously. They began to talk of the lovers of the lady and the luxury in which she lived.

After dinner the master went to sleep in the room behind the shop, and I, opening his gold watch, poured vinegar into the works. It was a moment of supreme joy to me when he awoke and came into the shop, with his watch in his hand, muttering wildly:

What can have happened? My watch is all wet. I never remember such a thing happening before. It is all wet; it will be ruined.

In addition to the burden of my duties in the shop and the housework, I was weighed down by depression. I often thought it would be a good idea to behave so badly that I should get my dismissal. Snow-covered people passed the door of the shop without making a sound. They looked as if on their way to somebody's funeral. Having meant to accompany the body to the grave, they had been delayed, and, being late for the funeral procession, were hurrying to the grave-side. The horses quivered with the effort of making their way through the snow-drifts. From the belfry of the church behind the shop the bells rang out with a melancholy sound every day. It was Lent, and every stroke of the bell fell upon my brain as if it had been a pillow, not hurting, but stupefying and deafening, me. One day when I was in the yard unpacking a case of new goods just received, at the door of the shop, the watchman of the church, a crooked old man, as soft as if he were made of rags and as ragged as if he had been torn to pieces by dogs, approached me.

Are you going to be kind and steal some goloshes for me? he asked.

I was silent. He sat down on an empty case, yawned, made the sign of the cross over his mouth, and repeated:

Will you steal them for me?

It is wrong to steal, I informed him.

But people steal all the same. Old age must have its compensations.

He was pleasantly different from the people among whom I lived. I felt that he had a firm belief in my readiness to steal, and I agreed to hand him the goloshes through the window.

That's right, he said calmly, without enthusiasm. You are not deceiving me? No, I see that you are not.

He was silent for a moment, trampling the dirty, wet snow with the soles of his boots. Then he lit a long pipe, and suddenly startled me.

But suppose it is I who deceive you? Suppose I take the goloshes to your master, and tell him that you have sold them to me for half a ruble? What then? Their price is two rubles, and you have sold them for half a ruble. As a present, eh?

I gazed at him dumbly, as if he had already done what he said he would do; but he went on talking gently through his nose, looking at his boots, and blowing out blue smoke.

Suppose, for example, that your master has said to me, 'Go and try that youngster, and see if he is a thief? What then?

I shall not give you the goloshes, I said, angry and frightened.

You must give them now that you have promised.

He took me by the arm and drew me to him, and, tapping my forehead with his cold fingers, drawled:

What are you thinking of, with your 'take this' and 'take that'?

You asked me for them yourself.

I might ask you to do lots of things. I might ask you to come and rob the church. Would you do it? Do you think you can trust everybody? Ah, you young fool! He pushed me away from him and stood up.

I don't want stolen goloshes. I am not a gentleman, and I don't wear goloshes. I was only making fun of you. For your simplicity, when Easter comes, I will let you come up into the belfry and ring the bells and look at the town.

I know the town.

It looks better from the belfry.

Dragging his broken boots in the snow, he went slowly round the corner of the church, and I looked after him, wondering dejectedly and fearfully whether the old man had really been making fun of me, or had been sent by my master to try me. I did not want to go back to the shop.

Sascha came hurriedly into the yard and shouted: What the devil has become of you?

I shook my pincers at him in a sudden access of rage. I knew that both he and the assistant robbed the master. They would hide a pair of boots or slippers in the stovepipe, and when they left the shop, would slip them into the sleeves of their overcoats. I did not like this, and felt alarmed about it, for I remembered the threats of the master.

Are you stealing? I had asked Sascha.

Not I, but the assistant, he would explain crossly. I am only helping him. He says, 'Do as I tell you,' and I have to obey. If I did not, he would do me some mischief. As for master, he was an assistant himself once, and he understands. But you hold your tongue.

As he spoke, he looked in the glass and set his tie straight with just such a movement of his naturally spreading fingers as the senior assistant employed. He was unwearying in his demonstrations of his seniority and power over me, scolding me in a bass voice, and ordering me about with threatening gestures. I was taller than he, but bony and clumsy, while he was compact, flexible, and fleshy. In his frock-coat and long trousers he seemed an important and substantial figure in my eyes, and yet there was something ludicrous and unpleasing about him. He hated the cook, a curious woman, of whom it was impossible to decide whether she was good or bad.

What I love most in the world is a fight, she said, opening wide her burning black eyes. I don't care what sort of fight it is, cock-fights, dog-fights, or fights between men. It is all the same to me.

And if she saw cocks or pigeons fighting in the yard, she would throw aside her work and watch the fight to the end, standing dumb and motionless at the window. In the evenings she would say to me and Sascha:

Why do you sit there doing nothing, children? You had far better be fighting.

This used to make Sascha angry.

I am not a child, you fool; I am junior assistant.

That does not concern me. In my eyes, while you remain unmarried, you are a child.

Fool! Blockhead!

The devil is clever, but God does not love him.

Her talk was a special source of irritation to Sascha, and he used to tease her; but she would look at him contemptuously, askance, and say:

Ugh, you beetle! One of God's mistakes!

Sometimes he would tell me to rub blacking or soot on her face when she was asleep, stick pins into her pillow, or play other practical jokes on her; but I was afraid of her. Besides, she slept very lightly and used to wake up frequently. Lighting the lamp, she would sit on the side of her bed, gazing fixedly at something in the corner. Sometimes she came over to me, where I slept behind the stove, and woke me up, saying hoarsely:

I can't sleep, Leksyeka. I am not very well. Talk to me a little.

Half asleep, I used to tell her some story, and she would sit without speaking, swaying from side to side. I had an idea that her hot body smelt of wax and incense, and that she would soon die. Every moment I expected to see her fall face downward on the floor and die. In terror I would begin to speak loudly, but she would check me.

'S-sh! You will wake the whole place up, and they will think that you are my lover.

She always sat near me in the same attitude, doubled up, with her wrists between her knees, squeezing them against the sharp bones of her legs. She had no chest, and even through the thick linen night-dress her ribs were visible, just like the ribs of a broken cask. After sitting a long time in silence, she would suddenly whisper:

What if I do die, it is a calamity which happens to all. Or she would ask some invisible person, Well, I have lived my life, have n't I?

Sleep! she would say, cutting me short in the middle of a word, and, straightening herself, would creep noiselessly across the dark kitchen.

Witch! Sascha used to call her behind her back.

I put the question to him:

Why don't you call her that to her face?

Do you think that I am afraid to? But a second later he said, with a frown: No, I can't say it to her face. She may really be a witch.

Treating every one with the same scornful lack of consideration, she showed no indulgence to me, but would drag me out of bed at six o'clock every morning, crying:

Are you going to sleep forever? Bring the wood in! Get the samovar ready! Clean the doorplate!

Sascha would wake up and complain:

What are you bawling like that for? I will tell the master. You don't give any one a chance to, sleep.

Moving quickly about the kitchen with her lean, withered body, she would flash her blazing, sleepless eyes upon him.

Oh, it's you, God's mistake? If you were my son, I would give you something!

Sascha would abuse her, calling her accursed one, and when we were going to the shop he said to me: We shall have to do something to get her sent away. We 'll put salt in everything when she's not looking. If everything is cooked with too much salt, they will get rid of her. Or paraffin would do. What are you gaping about?

Why don't you do it yourself?

He snorted angrily:

Coward!

The cook died under our very eyes. She bent down to pick up the samovar, and suddenly sank to the floor without uttering a word, just as if some one had given her a blow on the chest. She moved over on her side, stretched out her arms, and blood trickled from her mouth.

We both understood in a flash that she was dead, but, stupefied by terror, we gazed at her a long time without strength to say a word. At last Sascha rushed headlong out of the kitchen, and I, not knowing what to do, pressed close to the window in the light. The master came in, fussily squatted down beside her, and touched her face with his finger.

She is dead; that's certain, he said. What can have caused it? He went into the corner where hung a small image of Nikolai Chudovortz and crossed himself; and when he had prayed he went to the door and commanded:

Kashirin, run quickly and fetch the police!

The police came, stamped about, received money for drinks, and went. They returned later, accompanied by a man with a cart, lifted the cook by the legs and the head, and carried her into the street. The mistress stood in the doorway and watched them. Then she said to me:

Wash the floor!

And the master said:

It is a good thing that she died in the evening.

I could not understand why it was a good thing. When we went to bed Sascha said to me with unusual gentleness:

Don't put out the lamp!

Are you afraid?

He covered his head with the blanket, and lay silent a long time. The night was very quiet, as if it were listening for something, waiting for something. It seemed to me that the next minute a bell rang out, and suddenly the whole town was running and shouting in a great terrified uproar.

Sascha put his nose out of the blanket and suggested softly:

Let's go and lie on the stove together.

It is hot there.

After a silence he said:

How suddenly she went off, did n't she? I am sure she was a witch. I can't get to sleep.

Nor I, either.

He began to tell tales about dead people—how they came out of their graves and wandered till midnight about the town, seeking the place where they had lived and looking for their relations.

Dead people can only remember the town, he said softly; but they forget the streets and houses at once.

It became quieter and quieter and seemed to be getting darker. Sascha raised his head and asked:

Would you like to see what I have got in my trunk?

I had long wanted to know what he hid in his trunk. He kept it locked with a padlock, and always opened it with peculiar caution. If I tried to peep he would ask harshly:

What do you want, eh?

When I agreed, he sat up in bed without putting his feet to the floor, and ordered me in a tone of authority to bring the trunk to the bed, and place it at his feet. The key hung round his neck with his baptismal cross. Glancing round at the dark corners of the kitchen, he frowned importantly, unfastened the lock, blew on the lid of the trunk as if it had been hot, and at length, raising it, took out several linen garments.

The trunk was half-full of chemist's boxes, packets of variously colored tea-paper, and tins which had contained blacking or sardines.

What is it?

You shall see.

He put a foot on each side of the trunk and bent over it, singing softly:

Czaru nebesnui——

I expected to see toys. I had never possessed any myself, and pretended to despise them, but not without a feeling of envy for those who did possess them. I was very pleased to think that Sascha, such a serious character, had toys, although he hid them shamefacedly; but I quite understood his shame.

Opening the first box, he drew from it the frame of a pair of spectacles, put them on his nose, and, looking at me sternly, said:

It does not matter about there not being any glasses. This is a special kind of spectacle.

Let me look through them.

They would not suit your eyes. They are for dark eyes, and yours are light, he explained, and began to imitate the mistress scolding; but suddenly he stopped, and looked about the kitchen with an expression of fear.

In a blacking tin lay many different kinds of buttons, and he explained to me with pride:

I picked up all these in the street. All by myself! I already have thirty-seven.

In the third box was a large brass pin, also found in the street; hobnails, worn-out, broken, and whole; buckles off shoes and slippers; brass door-handles, broken bone cane-heads; girls' fancy combs, 'The Dream Book and Oracle;' and many other things of similar value.

When I used to collect rags I could have picked up ten times as many such useless trifles in one month. Sascha's things aroused in me a feeling of disillusion, of agitation, and painful pity for him. But he gazed at every single article with great attention, lovingly stroked them with his fingers, and stuck out his thick lips importantly. His protruding eyes rested on them affectionately and solicitously; but the spectacles made his childish face look comical.

Why have you kept these things?

He flashed a glance at me through the frame of the spectacles, and asked:

Would you like me to give you something?

No; I don't want anything.

He was obviously offended at the refusal and the poor impression his riches had made. He was silent a moment; then he suggested quietly:

Get a towel and wipe them all; they are covered with dust.

When the things were all dusted and replaced, he turned over in the bed, with his face to the wall. The rain was pouring down. It dripped from the roof, and the wind beat against the window. Without turning toward me, Sascha said:

You wait! When it is dry in the garden I will show you a thing—something to make you gasp.

I did not answer, as I was just dropping off to sleep.

After a few seconds he started up, and began to scrape the wall with his hands. With quivering earnestness, he said:

I am afraid—Lord, I am afraid! Lord, have mercy upon me! What is it?

I was numbed by fear at this. I seemed to see the cook standing at the window which looked on the yard, with her back to me, her head bent, and her forehead pressed against the glass, just as she used to stand when she was alive, looking at a cock-fight. Sascha sobbed, and scraped on the wall. I made a great effort and crossed the kitchen, as if I were walking on hot coals, without daring to look around, and lay down beside him. At length, overcome by weariness, we both fell asleep.

A few days after this there was a holiday. We were in the shop till midday, had dinner at home, and when the master had gone to sleep after dinner, Sascha said to me secretly:

Come along!

I guessed that I was about to see the thing which was to make me gasp. We went into the garden. On a narrow strip of ground between two houses stood ten old lime-trees, their stout trunks covered with green lichen, their black, naked branches sticking up lifelessly, and not one rook's nest between them. They looked like monuments in a graveyard. There was nothing besides these trees in the garden; neither bushes nor grass. The earth on the pathway was trampled and black, and as hard as iron, and where the bare ground was visible under last year's leaves it was also flattened, and as smooth as stagnant water.

Sascha went to a corner of the fence which hid us from the street, stood under a lime-tree, and, rolling his eyes, glanced at the dirty windows of the neighboring house. Squatting on his haunches, he turned over a heap of leaves with his hands, disclosing a thick root, close to which were placed two bricks deeply embedded in the ground. He lifted these up, and beneath them appeared a piece of roof iron, and under this a square board. At length a large hole opened before my eyes, running under the root of the tree.

Sascha lit a match and applied it to a small piece of wax candle, which he held over the hole as he said to me:

Look in, only don't be frightened.

He seemed to be frightened himself. The piece of candle in his hand shook, and he had turned pale. His lips drooped unpleasantly, his eyes were moist, and he stealthily put his free hand behind his back. He infected me with his terror, and I glanced very cautiously into the depths under the root, which he had made into a vault, in the back of which he had lit three little tapers that filled the cave with a blue light. It was fairly broad, though in depth no more than the inside of a pail. But it was broad, and the sides were closely covered with pieces of broken glass and broken earthenware. In the center, on an elevation, covered with a piece of red cloth, stood a little coffin ornamented with silver paper, half covered with a fragment of material which looked like a brocaded pall. From beneath this was thrust out a little gray bird's claw and the sharp-billed head of a sparrow. Behind the coffin rose a reading-stand, upon which lay a brass baptismal cross, and around which burned three wax tapers, fixed in candlesticks made out of gold and silver paper which had been wrapped round sweets.

The thin flames bowed toward the entrance to the cave. The interior was faintly bright with many colored gleams and patches of light. The odor of wax, the warm smell of decay and soil, beat against my face, made my eyes smart, and conjured up a broken rainbow, which made a great display of color. All this aroused in me such an overwhelming astonishment that it dispelled my terror.

Is it good?

What is it for?

It is a chapel, he explained. Is it like one?

I don't know.

And the sparrow is a dead person. Perhaps there will be relics of him, because he suffered undeservedly.

Did you find him dead?

No. He flew into the shed and I put my cap over him and smothered him.

But why?

Because I chose to.

He looked into my eyes and asked again:

Is it good?

No.

Then he bent over the hole, quickly covered it with the board, pressed the bricks into the earth with the iron, stood up, and, brushing the dirt from his knees, asked sternly:

Why don't you like it?

I am sorry for the sparrow.

He stared at me with eyes which were perfectly stationary, like those of a blind person, and, striking my chest, cried:

Fool, it is because you are envious that you say that you do not like it! I suppose you think that the one in your garden in Kanatnoe Street was better done.

I remembered my summer-house, and said with conviction:

Certainly it was better.

Sascha pulled off his coat and threw it on the ground, and, turning up his sleeves, spat on his hands and said:

If that is so, we will fight about it.

I did not want to fight. My courage was undermined by depression; I felt uneasy as I looked at the wrathful face of my cousin. He made a rush at me, struck my chest with his head, and knocked me over. Then he sat astride of me and cried:

Is it to be life or death?

But I was stronger than he and very angry. In a few minutes he was lying face downward with his hands behind his head and a rattling in his throat. Alarmed, I tried to help him up, but he thrust me away with his hands and feet. I grew still more alarmed. I went away to one side, not knowing what else to do, and he raised his head and said:

Do you know what you have brought on yourself? I will work things so that when the master and mistress are not looking I shall have to complain of you, and then they will dismiss you.

He went on scolding and threatening me, and his words infuriated me. I rushed to the cave, took away the stones, and threw the coffin containing the sparrow over the fence into the street. I dug Out all the inside of the cave and trampled it under my feet.

Sascha took my violence strangely. Sitting on the ground, with his mouth partly covered and his eyebrows drawn together, he watched me, saying nothing. When I had finished, he stood up without any hurry, shook out his clothes, threw on his coat, and then said calmly and ominously:

Now you will see what will happen; just wait a little! I arranged all this for you purposely; it is witchcraft. Aha!

I sank down as if his words had physically hurt me, and I felt quite cold inside. But he went away without glancing back at me, which accentuated his calmness still more. I made up my mind to run away from the town the next day, to run away from my master, from Sascha with his witchcraft, from the whole of that worthless, foolish life.

The next morning the new cook cried out when she called me:

Good gracious! what have you been doing to your face?

The witchcraft is beginning to take effect, I thought, with a sinking heart.

But the cook laughed so heartily that I also smiled involuntarily, and peeped into her glass. My face was thickly smeared with soot.

Sascha did this? I asked.

Or I, laughed the cook.

When I began to clean the boots, the first boot into which I put my hand had a pin in the lining, which ran into my finger.

This is his witchcraft!

There were pins or needles in all the boots, put in so skilfully that they always pricked my palm. Then I took a bowl of cold water, and with great pleasure poured it over the head of the wizard, who was either not awake or was pretending to sleep.

But all the same I was miserable. I was always thinking of the coffin containing the sparrow, with its gray crooked claws and its waxen bill pathetically sticking upward, and all around the colored gleams which seemed to be trying unsuccessfully to form themselves into a rainbow. In my imagination the coffin was enlarged, the claws of the bird grew, stretched upward quivering, were alive.

I made up my mind to run away that evening, but in warming up some food on an oil-stove before dinner I absent-mindedly let it catch fire. When I was trying to put the flames out, I upset the contents of the vessel over my hand, and had to be taken to the hospital. I remember well that oppressive nightmare of the hospital. In what seemed to be a yellow-gray wilderness there were huddled together, grumbling and groaning, gray and white figures in shrouds, while a tall man on crutches, with eyebrows like whiskers, pulled his black beard and roared:

I will report it to his Eminence!

The pallet beds reminded me of the coffin,

Reviews for In the World

[leonardgmokos · Rating: 4 out of 5 stars]

Worth it just for the part where he describes Leo Tolstoy's hands.

[meisterpfriem · Rating: 5 out of 5 stars]

Der zweite Band seiner Autobiographie. Der Großvater bringt den elfjährigen zum Leiter eines kleinen modischen Schuhladens. Er langweilt sich, sehnt sich nach seinem früheren ungebundenem Leben. Er bemerkt, wie häßlich die Menschen zueinande sind. Dies die erste einer langen Reihe von Anstellungen: bei einem gutmütigen Architekturzeichner, auf Wogadampfern, in einer Ikonenwerkstatt, ... Einige Menschen, die er trifft, werden ihm bedeutend: der Heizer Jakow Schumow, „Königin Margot“, ... Er entdeckt Bücher und verfällt geradezu inLesewut weil „das Leben so schwer und traurig sei, und man dies beim Bücherlesen vergesse“ Den Mitarbeitern in der Werkstatt, die nie herumgekommen waren, erzählt er, was er alles gesehen hatte, auch Märchen erzält er; er liest ihnen abends vor, sucht Bücher, wo er irgends kann: „Seit wir Bücher haben“sagte S. einmal, „ist es bei uns wie im Frühling, wenn zum ersten mal die frische Luft ins Zimmer weht.“ Er wird fünfzehn, hat bereits viel gesehen. Doch „der Wankelmut, die Unzuverlässigkeit der Menschen, ... ihre gauklersichen Sprünge ... machten keinen Eindruck mehr auf mich und verlöschten allmählich mein Interesse für sie und meine Liebe zu ihnen.“ Er schreibt: An düsteren Herbsttagen kann man sich im Walde verirren. „Man gerät vom Wege ab, verliert alle Pfade und Stege, gibt es schließlich auf, sie zu suchen, beißt die Zähne zusammen und schreitet geradeaus durchs Dickicht, über das morsche Bruchholz, durch das schwankende Wirrsal der Morastinseln – bis man schließlich doch auf den Weg gelangt.So wollte auch ich es jetzt wagen.“ Er bricht nach Kasan auf in der Hoffnung, sich weiter zu bilden. Faszinierend! (XI-16)

[martin1400 · Rating: 4 out of 5 stars]

Of the Gorky trilogy it is Childhood which is the most read and receives the most acclaim, but My Apprenticeship is equally good. Essentially a continuation of the first volume, it starts with Gorky leaving his family at age 12 to go out to work, and ends with him going to Kazan at age 17 in the misplaced hope of getting into university there. In between are over 400 pages of the most vivid descriptions of the many and varied places he worked, the people he worked with and the extraordinary life he lived and events he experienced. The harshness of life for the 'lower depths' in 19th century Russia is scarecly beliveable for us to today, but Gorky's incomparable accounts of his growing up in its brutal and miserable realities, all the while developing his unquenchable thirst for reading and knowledge, put the reader right in the thick of it.