Thomas Paine's Rights of Man
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Christopher Hitchens, the #1 New York Times–bestselling author of God Is Not Great, has been called a Tom Paine for our times. In this addition to the Books that Changed the World Series, Hitchens vividly introduces Paine and his Declaration of the Rights of Man, the world’s foremost defense of democracy.
An outraged response to Edmund Burke’s attack on the French Revolution, Paine’s immortal text is a passionate defense of man’s inalienable rights, and the key to his reputation. Ever since the day of its publication in 1791, Declaration of the Rights of Man has been celebrated, criticized, maligned, suppressed, and co-opted. But in Thomas Paine’s Rights of Man, Hitchens marvels at its forethought and revels in its contentiousness.
Famous as a polemicist and provocative commentator, Hitchens himself is a political descendant of the great pamphleteer. Here, he demonstrates how Paine’s book became the philosophical cornerstone of the United States of America, and how “in a time when both rights and reason are under several kinds of open and covert attack, the life and writing of Thomas Paine will always be part of the arsenal on which we shall need to depend.” Enlivened by Hitchens’s extraordinary prose, this “elegant and useful primer . . . ought still to engage us all” (The Guardian).
“Paine, as Hitchens notes in this lucid and fast-moving appreciation, has no proper memorial anywhere; this slender book makes a good start.” —Kirkus Reviews
Christopher Hitchens
Christopher Hitchens was born April 13, 1949, in England and graduated from Balliol College at Oxford University. The father of three children, he was the author of more than twenty books and pamphlets, including collections of essays, criticism, and reportage. His book God Is Not Great: How Religion Poisons Everything was a finalist for the 2007 National Book Award and an international bestseller. His bestselling memoir, Hitch-22, was a finalist for the 2010 National Book Critics Circle Award for autobiography. The New York Times named his bestselling omnibus Arguably one of the ten best books of the year. A visiting professor of liberal studies at the New School in New York City, he was also the I.F. Stone professor at the Graduate School of Journalism at the University of California, Berkeley. He was a columnist, literary critic, and contributing editor at Vanity Fair, The Atlantic, Slate, The Times Literary Supplement, The Nation, New Statesman, World Affairs, and Free Inquiry, among other publications. Following his death, Yoko Ono awarded him the Lennon-Ono Grant for Peace.
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Reviews for Thomas Paine's Rights of Man
85 ratings5 reviews
- Rating: 5 out of 5 stars5/5It's an interesting concept: a biography for a book. If the rest of the books in this series are this strong, I should add most of them to my TBR list at once.I've had this book on my shelves for ages (if you want an idea of how long -- my copy is actually an ARC.) I'd been meaning to read Thomas Paine fore basically my entire life (I was raised on the musical 1776), and this was an excellent introduction to his life, his influences, and his writing. In particular I appreciated the context of how he was shaped by (and attempted to shape) the French revolution, some of the context for his religious beliefs, and his writing on the same, and the different communities that he moved through.I really need to read more about: The French Revolution, Paine's writings in full, and more Dickens. And then probably read this again, at some point.
- Rating: 4 out of 5 stars4/5This is a good introduction to Thomas Paine (1737-1809) and his works. It's main strength is the explication of the war of criticism waged between Paine and his conservative British (Tory) rival, Edmund Burke. Burke was a Monarchist who while possessing sympathy for the American Revolution was appalled by the French one. He is the perfect foil against which to expatiate upon Paine's modern sense of the common man's inalienable rights. Paine's Common Sense and Age of Reason are also summarized and their literary-historical status delineated. Paine's overview of biblical inconsistencies in the latter work must have been especially fun for Hitchens--that staunch atheist--to discuss at length. Highly recommended.
- Rating: 3 out of 5 stars3/5Somewhat disjointed and rambling, yet still interesting. Contains a nice (if somewhat off-the-point) takedown of Burke. Not a $20 book, though.
- Rating: 3 out of 5 stars3/5I weeped like a little girl the night Hitch passed away...
His writing was often uneven, but his voice (thanks to so many debates and interviews) live on.
Cheers to Hitch. - Rating: 5 out of 5 stars5/5A short political-literary biography of one of Chris Hitchen's heroes and role models, Thomas Paine. Just a pleasure to read. I especially enjoyed learning:
The actual usage of Samuel Johnson's "...last refuge of a scoundrel" comment.
That the key to the Bastille hangs at Mt. Vernon to this day.
The origin of the association of May Day with labor.
That Paine may have coined the name, The United States of America.
Paine's involvement with the French Revolution and his imprisonment there.
The origin of the association of "left" and the "right" with liberal and conservative.
The actual usage of Karl Marx's "...opiate of the masses" comment.
The amount of the Declaration of Independence that comes from Locke.
In the discussion of The Age of Reason, CH cannot restrain himself from almost participating in Paine's attack on organized religion, but far from being a detriment to the work, I found it as much a pleasure as watching old videos of Hitchens on YouTube.
Book preview
Thomas Paine's Rights of Man - Christopher Hitchens
Thomas Paine’s Rights of Man
A Biography
Current and forthcoming titles in the Books That Changed the World series:
The Bible by Karen Armstrong
Machiavelli’s The Prince by Philip Bobbitt
Plato’s Republic by Simon Blackburn
Darwin’s Origin of Species by Janet Browne
The Qur’an by Bruce Lawrence
Homer’s The Iliad and the Odyssey by Alberto Manguel
On The Wealth of Nations by P. J. O’Rourke
Clausewitz’s On War by Hew Strachan
Marx’s Das Kapital by Francis Wheen
Thomas Paine’s Rights of Man
A Biography
CHRISTOPHER HITCHENS
Copyright © 2006 by Christopher Hitchens
All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, or the facilitation thereof, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer, who may quote brief passages in a review. Any members of educational institutions wishing to photocopy part or all of the work for classroom use, or publishers who would like to obtain permission to include the work in an anthology, should send their inquiries to Grove/Atlantic, Inc., 841 Broadway, New York, NY 10003.
The author and publishers are grateful to Dwarf Music for permission to reproduce material from As I Walked Out One Morning
copyright © 1968 by Dwarf Music.
All rights reserved. International copyright secured.
Reprint by permission.
Printed in the United States of America
FIRST PAPERBACK EDITION
eBook ISBN-13: 978-1-5558-4927-6
Design by Richard Marston
Grove Press
an imprint of Grove/Atlantic, Inc.
841 Broadway
New York, NY 10003
Distributed by Publishers Group West
www.groveatlantic.com
Dedicated by permission to President Jalal Talabani: first elected president of the Republic of Iraq; sworn foe of fascism and theocracy; leader of a national revolution and a people’s army. In the hope that his long struggle will be successful, and will inspire emulation.
‘Pain’s wild rebellious burst proclaims her rights aloud…’
William Wordsworth: Descriptive Sketches
‘As I walked out one morning, to breathe the air around Tom Paine’s…’
Bob Dylan: ‘As I Walked Out One Morning’
‘To all these champions of the oppressed Paine set an example of courage, humanity and single-mindedness. When public issues were involved, he forgot personal prudence. The world decided, as it usually does in such cases, to punish him for his lack of self-seeking; to this day his fame is less than it would have been if his character had been less generous. Some worldly wisdom is required even to secure praise for the lack of it.’
Bertrand Russell: The Fate of Thomas Paine
CONTENTS
Introduction
1 Paine in America
2 Paine in Europe
3 Rights of Man, Part One
4 Rights of Man, Part Two
5 The Age of Reason
Conclusion: Paine’s Legacy
Notes
Further reading
Index
INTRODUCTION
Children in the United States are taught early in life to sing ‘My Country, ‘tis of thee’, in which the main verse goes:
My Country, ‘tis of thee
Sweet land of liberty
Of thee I sing
Land where my fathers died
Land of the Pilgrims’ pride
From every mountainside-
Let freedom ring!
This is an averagely sentimental ditty, but it was promoted to immortality by the great Dr Martin Luther King, in the imperishable speech that he made on the steps of the Lincoln Memorial, at the climax of the civil rights ‘March on Washington’ in the spring of 1963. Seizing the familiar words of the schoolroom for his peroration, he demanded that freedom should ring from every hilltop, north and south, from New Hampshire to California and down to Mississippi, until the original promise of the United States had been kept for all its citizens. ‘If America is to be a great nation,’ he proclaimed, ‘this must become true.’
‘My Country, ‘tis of thee’ would be a fairly easy song for British schoolchildren to master as well. It is sung, for one thing, to the tune of the National Anthem. This rather unimaginative hymn – the first national anthem in the world, as it happens – seems to have originated as a Jacobite chanson, but was rewritten for the cause of (Protestant) Church and King in September 1745, as the Jacobite rebel invaders from Scotland were menacing the throne. A theatre audience in London rose to intone, as well as the first verse, the less commonly heard second one:
O Lord our God arise,
Scatter his enemies
And make them fall:
Confound their politics,
Frustrate their knavish tricks
On him our hopes are fix’d
O save us all.
The ‘him’ in this case was George II, representative of the Hanoverian usurpation that endures on the British throne to the present day. By the early 1800s his son, George III, was being greeted by this song on official occasions. And by that time, another version was in circulation, written by the great radical artisan poet Joseph Mather:
God save great Thomas Paine,
His ‘Rights of Man’ explain
To every soul.
He makes the blind to see
What dupes and slaves they be,
And points out liberty
From pole to pole.
Thousands cry ‘Church and King’
That well deserve to swing,
All must allow:
Birmingham blush for shame,
Manchester do the same
Infamous is your name,
Patriots vow.
Pull proud oppressors down,
Knock off each tyrant’s crown,
And break his sword;
Down aristocracy,
Set up democracy,
And from hypocrisy
Save us good Lord.
Why should despotic pride
Usurp on every side?
Let us be free:
Grant freedom’s arms success,
And all her efforts bless,
Plant through the universe
Liberty’s Tree.
Facts are seditious things
When they touch courts and kings,
Armies are raised,
Barracks and Bastilles built,
Innocence charged with guilt,
Blood most unjustly spilt,
God stands amazed.
Despots may howl and yell,
Though they’re in league with hell
They’ll not reign long;
Satan may lead the van,
And do the worst he can,
Paine and his ‘Rights of Man’
Shall be my song.
This fine parody, composed in 1791, is taught in no school and sung in no assembly. But it captures, with its defiant and satirical pugnacity, the spirit that was aroused that year by the publication of Thomas Paine’s classic. Joseph Mather was a radical file-maker in the city of Sheffield; one wonders whether he inspired, or whether he drew from, the song that was struck up at an evening of the more mainstream Society for Constitutional Information, which at its London meeting in March 1791 voted its thanks to Paine and then heard members of the successful majority intone:
God save The Rights of Man!
Let despots, if they can,
Them overthrow…
It seems likely that Mather was writing later in the year, since it is easy enough to interpret his apparently odd phrase ‘Birmingham blush for shame’. It was in Birmingham in the autumn of 1791 that a Tory-inspired mob, frenzied by the cry of ‘Church and King’, broke into Joseph Priestley’s house, destroying the library and laboratory of the self-taught scientist who had discovered oxygen. This incident – another of those historical episodes that is not taught in school – decided Priestley on a move to America, whose revolutionary and republican cause he had already espoused in a pamphlet. He was there to become a welcome guest, and a participant in the great Philadelphia renaissance that featured such men as Benjamin Franklin, Benjamin Rush and Thomas Jefferson. One should not allow oneself to forget that the English friends of the revolutions in America and France were not always greeted only with the high moral tones of Edmund Burke (who approved of the ‘Church and King’ mobocracy when the mob was on his side) but also with persecution and repression of quite a high and systematic degree.
Other contemporary clues can be found in Mather’s lines. He used the word ‘Patriot’ to describe the supporters of the democratic and radical cause. This had also been the term employed by John Wilkes’s faction in Parliament and its supporters outside it: the famous partisans of ‘Wilkes and Liberty’ against a German Crown and a Tory-dominated system of rotten boroughs. (It was only that version of ‘Patriotism’, incidentally, that the Tory Dr Samuel Johnson described, in a remark that has been misunderstood and misquoted ever since, as ‘the last refuge of the scoundrel’.)
The word ‘Bastille’ was also fresh in the mind in 1791, as the symbol of the French absolutist monarchy and as a synonym for the many dark prisons in which the liberals of Europe had so long been confined and tortured. The Marquis de Lafayette, chivalric hero of both the American and the French Revolutions, gave the key of the Bastille to Thomas Paine and requested him to forward it to President George Washington as a token of French regard to the American people. Paine had done so with delight in the year before he published Rights of Man, adding a covering letter which described the key as ‘this early trophy of the spoils of despotism, and the first ripe fruits of American principles transplanted into Europe’. The key hangs to this day on the wall of Washington’s home at Mount Vernon. The date of Paine’s letter was the first of May, which a century or so later was the date selected by American workers as the one on which to begin the struggle for the eight-hour day, and afterwards by the labour movements of all countries as May Day: the holiday and carnival and fiesta of the oppressed.
Spring, and the natural world, were ordinary metaphors for Paine, as they have always been for those who witness the melting of political glaciers and the unfreezing of the tundra of despotism. ‘I have not the least doubt of the final and complete success of the French Revolution,’ Paine went on in his letter to George Washington. ‘Little ebbings and flowings, for and against, the natural companions of revolutions, sometimes appear, but the full current of it is, in my opinion, as fixed as the Gulf Stream.’ The same metaphor, of a warming current coming from across the seas, is to be found in Paine’s dedication of Rights of Man:
To
GEORGE WASHINGTON,
President of the United States of America
SIR,
I present you a small Treatise in defence of those Principles of Freedom which your exemplary Virtue hath so eminently contributed to establish. – That the Rights of Man may become as universal as your Benevolence can wish, and that you may enjoy the Happiness of seeing the New World regenerate the Old, is the Prayer of
SIR,
Your much obliged and
Obedient humble Servant,
THOMAS PAINE.¹
It was that Pitt-supporting Tory, George Canning, who in 1826 claimed that he had ‘called the New World into existence to redress the balance of the Old’. Winston Churchill, evoking the Atlantic alliance in a time of peril, told Parliament – this time quoting Arthur Hugh Clough – ‘but westward look, the land is bright’. The metaphysical poets had often compared romantic America to a lover – ‘my America, my new found land’. Pilgrims had sailed to ‘the Americas’ to establish doctrinal purity, and pirates had made the same voyage in search of treasure and slaves. In Paine’s time, however, the New World of ‘the United States of America’ (a name he may have coined) was an actual and concrete achievement; not an imaginary Utopia but a home for liberty and the conscious first stage of a world revolution.
‘Liberty’s tree’ would have been well understood by Mather’s fellow artisans and self-taught workers, as the symbol of the Enlightenment and of democratic revolution. It recurs as an image in numberless poems, oaths,