A Study Guide for Robert E. Sherwood's "Abe Lincoln in Illinois"
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A Study Guide for Robert E. Sherwood's "Abe Lincoln in Illinois" - Gale
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Abe Lincoln in Illinois
Robert E. Sherwood
1938
Introduction
Abe Lincoln In Illinois presents a vision that fits in with the legends of the sixteenth president that have been told to generations of American school children, but it gives these legends a human face. The play deals with Lincoln’s formative years. It focuses in particular on Lincoln’s growth from a shy, uneducated backwoodsman who was more willing to accept the enslavement of blacks than to accept war to the man who would lead half of the nation against the other half in the name of justice. When Sherwood’s play was brought to the stage in 1938, its parallels to the international political situation were obvious. Adolf Hitler had established himself as the dictator of Germany and had started his expansion across Europe, and the people of America, an ocean away, found themselves faced with questions about whether to fight for justice or maintain peace. As the play continued to run on Broadway, Hitler invaded more countries, raising more and more support for America’s entry into the war, giving audiences even more empathy for Lincoln’s dilemma. Today, it stands as a reminder of the responsibilities that come along with power and of the sort of person that Lincoln must have been. Among constitutional scholars, historians, and average citizens, he is still the country’s most respected president, and Robert Sherwood’s play offers a well-rounded view of Lincoln’s flaws as well as his greatness.
Author Biography
Robert E. Sherwood was a popular American playwright and novelist of the twentieth century. His works reflected the concerns of the generation that had lived through the First World War. They often explored the horrors of modern warfare and the moral choices that were required of those who participated in war. Sherwood was born on April 4, 1896, and attended Milton Academy, graduating from Harvard with a bachelor of arts degree in 1917. When he tried to enlist in the American army during World War I, he was rejected, and so he joined the Canadian infantry. During the war, he was wounded and was sprayed with toxic mustard gas. On his return from the war, he became a magazine movie reviewer, first for Vanity Fair and then for Life. He was, in fact, one of the country’s first serious film critics. By the mid-1920s, he was an editor for Life and was doing some screenwriting for Hollywood studios. In 1926 his first screenplay, an adaptation of Victor Hugo’s The Hunchback of Notre Dame, was produced. The following year had the opening of his first stage play, The Road to Rome. He wrote several movies and plays during the twenties and thirties. His works were not praised