A Study Guide for Eugene O'Neil's "The Iceman Cometh"
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A Study Guide for Eugene O'Neil's "The Iceman Cometh" - Gale
2
The Iceman Cometh
Eugene O’Neill
1946
Introduction
Written in 1939, Eugene O’Neill’s The Iceman Cometh was not produced until seven years later, largely because O’Neill was concerned that America was not ready for the play’s dark vision. When it was staged in 1946, the play received mixed reviews. By that time, O’Neill was already an internationally-known playwright. In addition, the 1946 production marked the end, for O’Neill, of a twelve year absence from Broadway. Critics praised the play’s passion, suspense, and well-drawn characters but complained about its prosaic language, redundancy, and excessive length—the play runs for almost four hours. In 1956, The Iceman Cometh was revived and this time, widely acclaimed as a masterpiece that would ensure for O’Neill a place among the greatest of modern dramatists. There have been numerous revivals of the play since.
The Iceman Cometh is noted for its dark realism; its setting and characters closely resemble real life. The world of the play is a cruel place. Despair is a constant presence, love only an illusion, and death something to which one looks forward. Relief comes in alcohol and pipe dreams—groundless hopes for a future that will never arrive. Some critics find hope in the characters’ camaraderie and endurance. Others consider such a reading too optimistic, believing O’Neill’s vision to be unremittingly dark.
In spite of critical disagreement, however, the importance of The Iceman Cometh to twentieth-century theater is undisputed. It is truly a modern classic, considered by many to be the greatest play by one of America’s greatest playwrights.
Author Biography
On October 16, 1888, Eugene O’Neill was born in a hotel on Broadway in New York City. His father was a professional actor, and O’Neill lived on the road with his parents until he began attending boarding school at the age of eight. O’Neill’s mother, born into an affluent family, was unhappy with the nomadic theatre life, which she considered less than respectable. In part because of O’Neill’s difficult birth, she became addicted to drugs. In 1903, she attempted suicide, and O’Neill, at the age of fifteen, learned for the first time of her addiction. That same year, he himself began drinking heavily in a pattern that would persist for most of his life.
O’Neill attended Princeton University, but a drunken prank resulted in his expulsion in 1907 after only nine months of study. Two years later, O’Neill married Kathleen Jenkins. The two had one child, a son, Eugene, Jr. O’Neill and Jenkins did not officially divorce until 1912, but within days of the marriage, O’Neill went to sea, traveling to Honduras and Buenos Aires, where he experienced first-hand the life of a penniless drifter. In 1911, O’Neill returned to New York, where he lived at Jimmy the Priest’s, a saloon populated by drunkards, has-beens, and outcasts. Later in his life, O’Neill