A Study Guide for Richard Rodgers/Oscar Hammerstein II's "The King and I"
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A Study Guide for Richard Rodgers/Oscar Hammerstein II's "The King and I" - Gale
3
The King and I
Richard Rodgers and Oscar Hammerstein, II
1951
Introduction
In this romantic musical, the boy-meets-girl plot is woven into the historical context of British Imperialism in Asia. Thus it is also the story of a clash between cultures and the dynamics between Great Britain and oriental
peoples. The King of Siam invites an English governess to come to his country and teach the children of his many wives about the modern world. Yet he himself resists changing his traditional role as benevolent patriarchal dictator until the attractive and bold young governess wins his heart and his respect. It is his son Prince Chulalongkorn who will carry on the King’s program of scientific modernization of Siam after the King’s death in the final scene. Oscar Hammerstein based the play on a novel by Margaret Landon, Anna and the King of Siam. He and composer Richard Rodgers transformed it into one of the most memorable musicals they produced in their long association together, departing from the more typical musical comedy
with a more serious treatment of their subject. Yul Brynner played the king in the Broadway production and then in the film version with co-star Deborah Kerr, whose singing was dubbed. Over the years Brynner performed the role over 4,000 times. The film was a box-office success and is still considered one of the better musical films of the twentieth century. The play’s enduring popularity was verified in 1996, when film star Lou Diamond Phillips assumed the title role for a successful Broadway revival.
Author Biography
While both Rodgers and Hammerstein are credited as the authors of The King and I, there was a distinct division of labor in the writing of the play-as there was with all of their collaborations. Technically, Rodgers is the author of the music and Hammerstein the author of the lyrics and book (or story). This section focuses on Hammerstein’s background, as he is the author of the material this entry will examine.
Oscar Hammerstein II was born July 12, 1895, in New York City to a family with deep roots in the theatre. Although the Hammerstein family myth holds that Oscar was discouraged from going into the theater, he could have heard of little else at family gatherings. His grandfather and namesake Oscar Hammerstein spent the fortune he made on cigar-rolling inventions building new theaters in New York City and investing in the staging of operas. He passed his interest on to his two sons, Willy and Arthur.