A Study Guide for Fleda Brown's "The Women Who Loved Elvis All Their Lives"
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A Study Guide for Fleda Brown's "The Women Who Loved Elvis All Their Lives" - Gale
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The Women Who Loved Elvis all their Lives
Fleda Brown
2004
Introduction
In the title poem of her 2004 collection, The Women Who Loved Elvis All Their Lives, Fleda Brown explores contemporary culture's obsession with the idolized celebrity figures of music and film. Moving smoothly from one point of view to another, and pushing the limits of the imagination to allow the voice of a dead Elvis Presley to be heard, Brown reveals how one of the twentieth century's most indelible cultural icons can become a mirror in which a culture can review and reimagine its priorities, anxieties, and most troubling fissures. Balancing biographical, musical, and cultural focal points, Brown's The Women Who Loved Elvis All Their Lives
transcends the prosaic details about the King's
life or the legend of Graceland. The poem reaches instead toward a wider intellectual exploration of Elvis as icon and the face (and voice) of an entire generation. More specifically, this is a poem in which a generation collides with itself, as the man who became a symbol of a generation's passion and energy is portrayed shaking hands with Richard Nixon, a president most likely to be seen as the antithesis of that youthful