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Situating Global Art: Topologies - Temporalities - Trajectories
By Birgit Hopfener and Barbara Lutz
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In recent years, the term global art has become a catchphrase in contemporary art discourses. Going beyond additive notions of canon expansion, this volume encourages a differentiated inquiry into the complex aesthetic, cultural, historical, political, epistemological and socio-economic implications of both the term global art itself and the practices it subsumes. Focusing on diverse examples of art, curating, historiography and criticism, the contributions not only take into account (new) hegemonies and exclusions but also the shifting conditions of transcultural art production, circulation and reception.
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Titles in the series (100)
Die Überwindung des Ikonischen: Kulturwissenschaftliche Perspektiven der Bildwissenschaft Die fotografische Wirklichkeit: Inszenierung - Fiktion - Narration Rating: 0 out of 5 stars0 ratingsDie »Night Sky«-Gemälde von Vija Celmins: Malerei zwischen Repräsentationskritik und Sichtbarkeitsereignis Rating: 0 out of 5 stars0 ratingsDie Kunst der Grenzüberschreitung: Postkoloniale Kritik im Spannungsfeld von Ästhetik und Politik Rating: 0 out of 5 stars0 ratingsBilder des Privaten: Das fotografische Interieur in der Gegenwartskunst Rating: 0 out of 5 stars0 ratingsImages of Illegalized Immigration: Towards a Critical Iconology of Politics Rating: 0 out of 5 stars0 ratingsFuturisten auf Europa-Tournee: Zur Vorgeschichte, Konzeption und Rezeption der Ausstellungen futuristischer Malerei (1911-1913) Rating: 0 out of 5 stars0 ratingsRäume in der Kunst: Künstlerische, kunst- und medienwissenschaftliche Entwürfe Rating: 0 out of 5 stars0 ratingsNadelstiche: Sticken in der Kunst der Gegenwart Rating: 0 out of 5 stars0 ratingsDas Bild zwischen Kognition und Kreativität: Interdisziplinäre Zugänge zum bildhaften Denken Rating: 0 out of 5 stars0 ratingsDie verborgene Präsenz des Künstlers: Inszenierungen der Abwesenheit bei Salvador Dalí, Joseph Beuys, Robert Morris und Vito Acconci Rating: 0 out of 5 stars0 ratingsBildprojektionen: Filmisch-fotografische Dispositive in Kunst und Architektur Rating: 0 out of 5 stars0 ratingsNeue Orte der Utopie: Zur Produktion von Möglichkeitsräumen bei zeitgenössischen Künstlergruppen Rating: 0 out of 5 stars0 ratingsDie Mobilisierung der Dinge: Ortsspezifik und Kulturtransfer in den Installationen von Georges Adéagbo Rating: 0 out of 5 stars0 ratingsVisuelle Gewalt: Menschenbilder aus der Psychiatrie des 20. Jahrhunderts Rating: 0 out of 5 stars0 ratingsUndisziplinierte Bilder: Fotografie als dialogische Struktur Rating: 0 out of 5 stars0 ratingsVom Publicum: Das Öffentliche in der Kunst Rating: 0 out of 5 stars0 ratingsKunst baut Stadt: Künstler und ihre Metropolenbilder in Berlin und New York Rating: 0 out of 5 stars0 ratingsNur der Kannibalismus eint uns: Die globale Kunstwelt im Zeichen kultureller Einverleibung: Brasilianische Kunst auf der documenta Rating: 0 out of 5 stars0 ratingsArt and Sustainability: Connecting Patterns for a Culture of Complexity Rating: 0 out of 5 stars0 ratingsModerne Kunst in Mexiko: Raum, Material und nationale Identität Rating: 0 out of 5 stars0 ratingsDie Verwandlung der Dinge: Zur Ästhetik der Aneignung in der New Yorker Kunstszene Mitte des 20. Jahrhunderts Rating: 0 out of 5 stars0 ratingsA New Thoughtfulness in Contemporary China: Critical Voices in Art and Aesthetics Rating: 0 out of 5 stars0 ratingsBilder der Liebe: Liebe, Begehren und Geschlechterverhältnisse in der Kunst der Frühen Neuzeit Rating: 0 out of 5 stars0 ratingsGrenzüberschreitungen in der Gegenwartskunst: Ästhetische und philosophische Positionen Rating: 0 out of 5 stars0 ratingsKonsumkunst: Kultur und Kommerz bei Banksy und Damien Hirst Rating: 0 out of 5 stars0 ratingsDie Konstitution der Dinge: Phänomene der Abstraktion bei Andreas Gursky Rating: 0 out of 5 stars0 ratingsInstallationskunst in China: Transkulturelle Reflexionsräume einer Genealogie des Performativen Rating: 0 out of 5 stars0 ratingsAusstellungen als Wissensordnungen: Zur Transformation des Kunstbegriffs auf der Documenta 11 Rating: 0 out of 5 stars0 ratings
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